20 Amazing Black and White Photos of the 1958 Brussels World’s Fair

These amazing black and white photos, via Alex Clymans, capture the 1958 Brussels World’s Fair, also known as Expo 58. The images showcase the futuristic architecture, international pavilions, and the iconic Atomium that became the symbol of the event.

Crowds of visitors, modernist structures, and the optimistic atmosphere of the postwar era are all preserved in these striking shots. The photos offer a vivid visual record of one of the most memorable world’s fairs of the 20th century.

Atomium at the 1958 Brussels World’s Fair

Atomium at the 1958 Brussels World’s Fair

American pavilion at the 1958 Brussels World’s Fair

American pavilion at the 1958 Brussels World’s Fair

American pavilion at the 1958 Brussels World’s Fair

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The Story Behind the Photo of Victor Hugo on His Deathbed Taken by Nadar in May 1885

The legendary French poet, playwright, and novelist passed away from pneumonia on May 22, 1885, at the age of 83. By the time of his death, Victor Hugo was a revered national hero who had dominated French literature and politics for over half a century.

The day after his passing—May 23, 1885—his close circle called upon his longtime friend, the famous pioneer photographer Gaspard-Félix Tournachon, better known as Nadar. Nadar rushed to Hugo’s home on Avenue Victor Hugo in Paris to immortalize the great man one last time.

Taking the photograph required careful staging to accommodate the early camera technology and the solemnity of the room. Nadar refused to carry heavy artificial lighting equipment. Instead, his friend Paul Meurice helped him secure permission to throw open the window shutters overlooking the garden.

To control the harsh morning sun, Nadar rigged black drapery across the window and tied it to a bedpost. This isolated Hugo’s face against a dark, somber background. He then placed a mirror to reflect soft natural light back into the shadows on the writer’s face.

Nadar’s son, Paul, later recalled that his father took this iconic photograph while weeping. Paul described the image as his father’s true masterpiece, capturing Hugo looking like “an old worker sleeping peacefully after an honest day’s work.”

Following his death, Hugo’s body lay in state under the Arc de Triomphe, and an estimated two million people joined his funeral procession before he was laid to rest in the Panthéon.

Funeral of Victor Hugo on June 1, 1885.

40 Fascinating Vintage Photos That Defined 1930s Street Fashion

These fascinating vintage photos capture the everyday street fashion of the 1930s. From tailored coats and elegant dresses to practical workwear and casual ensembles, the images reveal how ordinary people dressed as they moved through city streets and public spaces.

Details such as hats, gloves, footwear, and carefully composed silhouettes reflect both the economic realities of the decade and the enduring sense of style that defined the era. These photos offer a vivid and authentic record of 1930s street fashion as it was truly worn.

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Studio Portraits of Madeline Kahn Taken by Jack Mitchell in New York City, 1974

In 1974, famed American photographer Jack Mitchell photographed actress and comedic icon Madeline Kahn at his studio in New York City. The studio session captured Kahn during a major turning point in her career, 1974 was the landmark year she starred in two of Mel Brooks’ iconic comedies, Blazing Saddles (as Lili Von Shtupp, earning her an Academy Award nomination for Best Supporting Actress) and Young Frankenstein (as Elizabeth).

Jack Mitchell was renowned for his black-and-white portraits of cultural figures, dancers, artists, and actors for publications like The New York Times, After Dark, and Dance Magazine. The session featured classic mid-1970s studio lighting, crisp contrast against dark backgrounds, clean rim lighting, and creative double-exposure techniques combining profile and direct-facing angles.

Captured during her rise as one of the preeminent comedic actresses of modern American cinema and theater, balancing her broad comedic presence with understated studio portraiture.

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20 Portraits of Greer Garson as Elizabeth Bennet in the Classic 1940 Film Adaptation of “Pride and Prejudice”

Greer Garson delivered a iconic, spirited performance as Elizabeth Bennet in Metro-Goldwyn-Mayer’s 1940 film adaptation of Pride and Prejudice. Starring alongside Laurence Olivier as Mr. Darcy, Garson brought her signature grace, intelligence, and a distinctly buoyant, “pert” comedic timing to Jane Austen’s most famous heroine.

This classic Hollywood production stands out due to several unique stylistic and narrative departures from the original 1813 novel. Instead of the historically accurate, high-waisted Regency-era silhouettes, the film opted for elaborate, wide-skirted 1830s–1840s Victorian-style gowns. The studio reportedly reused these costumes from other large productions like Jezebel to cut down costs during the build-up to World War II.

Garson was 36 years old when the movie was released, considerably older than the book’s 20-year-old Elizabeth. To fit her mature, leading-lady presence, the film adapted the story to make Elizabeth the eldest Bennet sister instead of Jane.

The script was co-written by famed British novelist Aldous Huxley and Jane Murfin. Rather than adapting the book directly, they based their narrative heavily on a 1936 Broadway stage adaptation by Helen Jerome, resulting in a condensed, fast-paced comedy of manners that omitted major characters like the Gardiners and Georgiana Darcy.

Despite these Hollywood alterations, Garson’s chemistry with Olivier and her vibrant portrayal won over critics, cementing this film as the first major cinematic bridge to bring Austen’s masterwork to worldwide audiences. The film was a major box-office success and earned critical acclaim, solidifying Garson’s status as one of MGM’s leading dramatic actresses leading into her Academy Award-winning role in Mrs. Miniver (1942).

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Isabella Rossellini: Timeless Icon of Film and Fashion

Isabella Rossellini (born 1952) is an Italian-American actress and model, the daughter of legendary actress Ingrid Bergman and director Roberto Rossellini.

Rossellini rose to international prominence in the 1980s as both a celebrated fashion model, most notably as the longtime face of Lancôme, and a compelling screen presence. Her breakthrough film role came in David Lynch’s Blue Velvet (1986), followed by appearances in films such as Wild at Heart, Death Becomes Her, and many others.

Known for her distinctive beauty, intelligence, and versatility, Rossellini has sustained a long career across cinema, modeling, and later creative projects, remaining one of the most recognizable and enduring figures of late-20th-century culture. These striking photos capture the beauty, presence, and timeless elegance of Isabella Rossellini, an icon of both film and fashion.

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Beautiful Maid of Malmo: Portraits of Anita Ekberg Taken by Lisa Larsen for LIFE Magazine, 1951

In October 1951, renowned LIFE magazine photographer Lisa Larsen captured a famous series of portraits of a 20-year-old Anita Ekberg. Freshly crowned Miss Sweden, Ekberg had arrived in the United States to compete in the Miss America event as a guest of honor and to further her modeling career. The resulting LIFE magazine feature, headline-styled “Beautiful Maid of Malmo,” introduced the future cinematic icon to American audiences long before her legendary role in La Dolce Vita.

Larsen captured Ekberg playfully making animated faces and expressive pouts for the camera, highlighting her lively personality alongside her classic blonde features. Several of the iconic images show Ekberg trying on dramatic fashions of the era, including a heavy, dark-veiled hat designed by Mr. John.

At the urging of her mother, 19-year-old Ekberg entered and won the Miss Sweden competition in 1950. In 1951, she traveled to the United States to compete in the Miss Universe pageant. Although she did not win the crown, she placed as one of the six finalists. Her striking blonde, statuesque physique, and natural charisma immediately caught the eye of Hollywood talent scouts and high-profile figures like Howard Hughes.

Following the pageant, she signed a contract with Universal Studios. Because she spoke very little English at the time, the studio system placed her into intensive training. She received lessons in drama, elocution, dancing, horseback riding, and fencing. Ekberg famously admitted later in life that she was spoiled by the system and preferred playing over working. She skipped many of her drama lessons to go horseback riding in the Hollywood Hills, leading Universal to drop her contract after six months.