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October 2, 2026

Alexandra Afganisjew: An Icon of Late-1960s Style

Alexandra Afganisjew was a fashion model active in the late 1960s, known for her refined presence in high-fashion editorials of the period.

Afganisjew appeared in striking images captured by photographer James Moore, including a memorable 1969 shoot featuring a dramatic floral-print silk organza hooded cape and décolleté dress by designer Richard Tam. With her poised elegance and distinctive look, she embodied the sophisticated glamour of late-1960s fashion photography.

Though details of her career remain relatively scarce, her surviving portraits continue to highlight the era’s luxurious and romantic style. These stylish photos capture the refined elegance and distinctive presence of Alexandra Afganisjew, an icon of late-1960s style.

Alexandra Afganisjew in floral print challis apron-dress by Strega, headscarf by Doro, rings by Richelieu, photo by Neal Barr, Harper's Bazaar, April 1969

Alexandra Afganisjew in a cotton peasant shirt with humongous sleeves, touched with tucks and eyelet in front and cinched in apple-green and white stripes by Strega, hat by Halston, photo by Neal Barr, Harper's Bazaar, April 1969

Alexandra Afganisjew in a new cotton knit from Berocco jacketed dress by Barbarella, Vogue, December 1, 1969

Alexandra Afganisjew in a green glove leather jumpsuit stamped in yellow as sleek and silky as a foulard by Viola Sylbert for Samual Robert, photo by Guy Bourdin, Harper's Bazaar, August 1969

Alexandra Afganisjew in green-gold tunic with narrow wedge-shpaed trousers in cotton-backed vinyl by Sportwhirl, scarf by Doro, photo by Guy Bourdin, Harper's Bazaar, August 1969

Beautiful Portraits of Joan Collins During the Filming of “Island in the Sun” (1957)

These beautiful portraits capture Joan Collins during the filming of the 1957 drama Island in the Sun. At the time, the young British actress was rising to international attention, and the film offered her a prominent role set against the lush Caribbean backdrop of Barbados.

The photos highlight her striking features, elegant style, and natural screen presence both on location and in quieter moments between takes. They offer a glamorous glimpse of Collins at an early and defining stage of her long Hollywood career.






Vibrant Photographs of Young Actresses Betty Brooks and Patti Mccarty During a Weekend Jaunt at Catalina Island, 1941

In June 1941, Columbia Pictures starlets Betty Brooks and Patti McCarty spent a weekend away on Santa Catalina Island off the coast of Southern California, capturing classic pre-WWII Hollywood glamour and leisure. Shot by LIFE photographer Peter Stackpole, this photo essay documented the care-free summer adventures of the two 20-year-olds.

At the time, both McCarty and Brooks were aspiring contract “bit players” who had recently signed with Columbia Pictures and quickly became close friends. LIFE framed the trip as a special “treat” for the young starlets. Patti McCarty had never previously traveled off the California mainland, and Betty Brooks had never stepped foot on a boat before the trip.

Stackpole captured them enjoying classic Catalina pastimes—riding in speedboats, looking through glass-bottom boats, posing on the rocky shore, and playing with local wildlife like a white peacock. This lighthearted excursion captures a final moment of pure, pre-war American leisure. Only six months later, following the attack on Pearl Harbor in December 1941, civilian tourism to Catalina Island was completely halted as the military transformed the island into a federal training zone.








(Photos by © Peter Stackpole/Life Picture Collection/Shutterstock)

October 1, 2026

Portraits of Julie Andrews as Eliza Doolittle in the Original Broadway Production of “My Fair Lady” (1956)

Julie Andrews shot to international stardom by originating the iconic role of Eliza Doolittle in the original Broadway production of My Fair Lady, which premiered on March 15, 1956, at the Mark Hellinger Theatre. Only 20 years old and relatively unknown to American audiences at the time, her performance opposite Rex Harrison’s Professor Henry Higgins became a monumental piece of musical theater history.

Based on George Bernard Shaw’s 1913 play Pygmalion, the musical featured a legendary book and lyrics by Alan Jay Lerner and music by Frederick Loewe. The role of Eliza is widely considered one of the most physically and vocally demanding in musical theater due to its dramatic shifts and wide, punishing vocal ranges. Andrews famously used physical details to ground the character, admitting she initially stood pigeon-toed in heavy boots to capture the clumsy flower girl before straightening her posture as Eliza transformed into a “lady.”

The show won six Tony Awards and went on to achieve one of the longest runs in theater history. Andrews anchored the production for two years on Broadway before reprising her celebrated role for another 16 months in London’s West End.

Despite her massive stage success, Warner Bros. head Jack L. Warner infamously bypassed Andrews for the 1964 film adaptation, opting instead for established Hollywood star Audrey Hepburn because they “wanted a name.” This snub turned into a legendary Hollywood silver lining: freed from the film adaptation, Andrews was cast by Walt Disney in Mary Poppins (1964), winning the Academy Award for Best Actress and cementing her legacy as a cinematic superstar just before starring in The Sound of Music (1965).






Una Merkel: Spirited Supporting Star of Classic Hollywood

Born in Covington, Kentucky, American actress Una Merkel (1903–1986) was known for her lively, wisecracking supporting roles in classic Hollywood films. She began on the stage in New York before moving to Hollywood, where she became a familiar face in 1930s cinema.

Merkel appeared in numerous films, including 42nd Street (1933) and the memorable fight scene opposite Marlene Dietrich in Destry Rides Again (1939). With her sharp comic timing and distinctive Southern-tinged delivery, she specialized in playing loyal friends, sassy sidekicks, and spirited characters.

Later in her career, Merkel returned to the stage, winning a Tony Award, and received an Academy Award nomination for Summer and Smoke (1961). These vintage photos capture the charm, energy, and distinctive screen presence of Una Merkel, a memorable supporting star of Hollywood’s Golden Age.






1912 Baker Electric Model W Runabout: Elegant Early Electric Motoring

The 1912 Baker Electric Model W Runabout is a rare and charming example of early American electric automobiles.

Produced by the Baker Motor Vehicle Company of Cleveland, Ohio, Baker was one of the leading manufacturers of electric cars in the Brass Era. The Model W Runabout featured a compact, stylish open body designed for urban driving, powered by an electric motor that offered quiet and clean operation compared to the gasoline cars of the time.

With its refined appearance and practical design, the Baker Electric appealed to drivers seeking ease of use and sophistication. Today it stands as a fascinating reminder of the early promise of electric vehicles more than a century ago. These elegant photos capture the refined design and pioneering spirit of the 1912 Baker Electric Model W Runabout, a rare classic from the dawn of electric motoring.






English Rose: 30 Portraits of a Young and Beautiful Deborah Kerr in the 1940s

In the 1940s, Deborah Kerr (September 30, 1921 – October 16, 2007) evolved from a promising young stage actress into one of Britain’s defining screen stars and an international Hollywood talent. Her decade was marked by a signature “English rose” screen persona—refined, poised, and ladylike—backed by remarkable dramatic intensity beneath the surface.

After early stage work, Kerr made a notable film debut in Gabriel Pascal’s Major Barbara (1941) and gained acclaim for Love on the Dole (1941). Directed by Michael Powell and Emeric Pressburger (The Archers), Kerr played three distinct women across three different generations in The Life and Death of Colonel Blimp (1943). The film showcased her extraordinary versatility and established her as a major British star.

She starred as an Irish nationalist in I See a Dark Stranger (1946), winning the New York Film Critics Circle Award for Best Actress. In Black Narcissus (1947), Kerr delivered one of her definitive performances as Sister Clodagh, an Anglican nun struggling with past memories and psychological tension in a remote Himalayan convent. Her controlled, emotionally charged performance caught global attention.

Following her acclaim in Black Narcissus, Metro-Goldwyn-Mayer signed her to a Hollywood contract in 1947, promoting her as “Deborah Kerr – rhymes with Star.” She instantly achieved Hollywood stardom by playing opposite Clark Gable in the satirical advertising drama The Hucksters (1947). This high-profile role firmly cemented her status as a global symbol of post-war cinematic glamour, setting the stage for her legendary, six-time Academy Award-nominated career in the decades that followed.









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