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August 29, 2026

The Story of Gordon “Pawnee Bill” Lillie and May Lillie, One of the Old West’s Most Unique Romances and Enduring Business Partnerships

Gordon William “Pawnee Bill” Lillie (1860–1942) and Mary Emma “May” Manning Lillie (1869–1936) were a real-life Wild West power couple: he a showman, interpreter, and rancher; she a sharpshooter and equestrian who became a star of their shows. Their story blends romance, frontier entrepreneurship, show-business spectacle, buffalo conservation, and personal tragedy.


Gordon Lillie was born February 14, 1860, in Bloomington, Illinois. His family later moved to Kansas. As a young man he worked as a cowboy, trapper, teacher, and interpreter at the Pawnee Agency in Indian Territory. The Pawnee gave him the nickname that stuck: Pawnee Bill. In 1883 he joined Buffalo Bill Cody’s newly formed Wild West show as interpreter and performer with a Pawnee contingent.

May Manning was born March 12, 1869, in Philadelphia to a Quaker family; her father was a physician. She was educated and refined (sources note she attended or graduated from Smith College). In 1883–1885, while the Buffalo Bill show was in Philadelphia, the teenage May watched a parade or performance and caught the eye of the long-haired, buckskin-clad Gordon. He was smitten; she later recalled thinking him “a funny man.” They courted by letter for about two years while she finished school. Her parents initially objected to their refined daughter marrying a cowboy, but eventually consented.

They married on August 31, 1886, at her parents’ home in Philadelphia. Gordon’s wedding gifts included a pony and a Marlin .22 target rifle, practical presents that foreshadowed her future career.

Encouraged by May’s family, Gordon launched his own troupe in 1888: Pawnee Bill’s Historic Wild West (later expanded with names such as Historical Wild West, Indian Museum and Encampment). The first season struggled financially, but the show recovered and became successful, touring the U.S. and Europe for years. At its height it employed hundreds of people, hundreds of horses, cattle, buffalo, and other animals.

May quickly became a star. She learned to shoot (starting with prairie chickens) and to perform trick riding, always riding sidesaddle in a full skirt. Billed as the “Champion Girl Horseback Shot of the West,” “greatest Lady Horseback Rifle-shot of the World,” “Princess of the Prairie,” or “New Rifle Queen,” she wowed audiences with accurate shooting from horseback. She was one of the early women to star as both equestrian and sharpshooter in Wild West shows. Some accounts note she lost two fingers in a shooting accident around 1899 but continued performing.

One source links her determination to perform with personal grief: shortly after marriage they had a son who died at about six weeks old; watching Gordon work with horses helped pull her out of despair and into the show life. Gordon also played a public role in the 1889 Oklahoma Land Run as a leader of “Boomers” seeking the opening of the Unassigned Lands; this raised his profile and helped relaunch the show successfully.

30 Fascinating Photos of New York Street Scenes in the 1970s

These fascinating photos offer a vivid glimpse into everyday life on the streets of New York during the 1970s. From bustling sidewalks and crowded intersections to quiet neighborhood moments, the images capture the energy, grit, and character of the city at a time of social change and urban transformation.

Ordinary people, classic cars, storefronts, and street culture come together to create a powerful visual record of New York in one of its most distinctive decades. Together, these photos preserve the raw atmosphere and authentic spirit of the city more than fifty years ago.

Chinatown, New York, June 1970

Broadway and 52nd Street, New York, June 1970

Brooklyn Bridge, New York, July 1970

Empire State Building, New York, June 1970

General Motors, New York, June 1970

44 Amazing Photographs From the Set of “Gold Diggers of 1933”

Gold Diggers of 1933 is a quintessential American pre-Code musical film released by Warner Bros. on May 27, 1933. Directed by Mervyn LeRoy with legendary, show-stopping musical sequences choreographed by Busby Berkeley, the film is widely celebrated as both a dazzling escapist fantasy and a gritty cultural document of the Great Depression.

The story follows three out-of-work New York showgirls (Joan Blondell, Ruby Keeler, and Aline MacMahon) struggling to survive the Depression. When a wealthy, incognito songwriter (Dick Powell) offers to fund their new Broadway show, a series of romantic misunderstandings, high-society interventions, and clever “gold-digging” schemes unfold.

The movie features prominent stars of the era, including Warren William, Joan Blondell, Aline MacMahon, Ruby Keeler, Dick Powell, Guy Kibbee, and a memorable early appearance by Ginger Rogers.

It features iconic songs by Harry Warren and Al Dubin. Berkeley’s kaleidoscopic, elaborate geometry shines in numbers like the ironic, upbeat “We’re in the Money” (sung partly in Pig Latin by Ginger Rogers) and the deeply poignant, socially conscious “Remember My Forgotten Man,” which directly addresses the plight of forgotten World War I veterans and the unemployed.

Made on a budget of roughly $433,000, it went on to gross over $2.2 million domestically, making it one of the highest-earning movies of 1933. In 2003, it was selected for preservation in the United States National Film Registry by the Library of Congress for its historical and aesthetic significance.






August 28, 2026

Ramsay Ames: Sultry Beauty of 1940s B-Movies

Ramsay Ames (1919–1998), born Ramsay Phillips, was an American actress, model, and dancer known for her striking beauty and sultry screen presence in 1940s B-movies.

After starting as a dancer and model, Ames entered Hollywood and signed with Universal Pictures, appearing in films such as Ali Baba and the Forty Thieves and The Mummy’s Ghost. With her dark features and glamorous looks, she became a popular wartime pin-up and a memorable face of low-budget adventure and horror films.

Though her film career was relatively brief, Ames remains remembered as one of the distinctive beauties of classic B-movie cinema. These vintage photos capture the sultry glamour and classic allure of Ramsay Ames, a memorable star of 1940s Hollywood B-movies.






Sarla Thukral, India’s First Pilot Obtained Her Flying License at the Age of 21 in 1936

Sarla Thakral (also spelt Thakral; August 8, 1914 – March 15, 2008) was the first Indian woman to fly an aircraft. In 1936, at just 21 years old, she earned her aviation pilot license and famously made her first solo flight in a Gypsy Moth biplane while dressed in a traditional sari.


Her life is celebrated as a story of pioneering grit, resilience, and ultimate reinvention. Born in Delhi, she married P. D. Sharma at age 16. He came from a family of nine pilots and deeply encouraged her to fly. After training at the Lahore Flying Club, she secured her “A” license and accumulated over 1,000 hours of flight time.

She was actively working toward her commercial pilot license when her husband died in a tragic plane crash in 1939, leaving her a widow at age 24 with young children. Soon after, civil aviation training ground to a halt due to the outbreak of World War II, ending her commercial flying aspirations.

Undeterred, she shifted gears entirely. She moved to Delhi, remarried in 1948, and became a highly successful artist, watercolor painter, and designer of textiles and costume jewelry. She passed away in 2008 at the age of 93, leaving a lasting legacy that shattered gender barriers in Indian aviation.

30 Rare Color Photos of the 1953 Sarnia Tornado

These rare vintage color photos document the devastating 1953 Sarnia Tornado, a powerful F4 storm that struck the cities of Port Huron, Michigan, and Sarnia, Ontario, on May 21, 1953. The images capture the widespread destruction left in its wake, from collapsed buildings and uprooted trees to damaged homes and debris-filled streets.

Seven people were killed, 117 others were injured, and damages were estimated $17.6 million (1953 USD). Taken in the immediate aftermath, these color photos provide a vivid and historically valuable record of one of the most destructive tornadoes to hit the region, preserving the scale of the disaster and the resilience of the communities affected.

East side of Christina St. looking south to Cromwell St. following the tornado, May 21, 1953

East side of Front St. between Lochiel and Cromwell Sts. showing tornado damage to the Barr building and the Mackenzie-Milne building, May 21, 1953

East side of Front St. just south of Bank of Commerce following tornado, May 21, 1953

East side of Front St. looking south to Cromwell St. after tornado, May 21, 1953

Looking north down Euphemia St. to George St. after tornado, May 21, 1953

28 Portraits of a Young and Beautiful Tuesday Weld on 35mm Transparency Photo Slides From the 1960s

In the 1960s, Tuesday Weld (born Susan Ker Weld; August 27, 1943) transitioned from a ubiquitous teen sitcom queen into one of Hollywood’s most compelling, independent, and critically respected dramatic actresses. Her unique blend of striking, angelic beauty and a sharp, rebellious edge defined her presence during this counterculture era. Her decade was defined by major milestones across television, film, and a famous streak of non-conformity.

Weld kicked off the decade as a household name thanks to television. She won the 1960 Golden Globe for Most Promising Female Newcomer, cementing her stardom right at the start of the decade. She became a pop-culture fixation playing the beautiful, money-obsessed teenager Thalia Menninger on the hit CBS sitcom The Many Loves of Dobie Gillis. She starred alongside Elvis Presley in the 1961 film Wild in the Country, striking up a well-publicized off-screen romance and friendship with the singer.

Weld fought hard against Hollywood trying to box her into standard “sex kitten’ or “Lolita” archetypes. She began taking roles that allowed her to showcase actual depth, emotional nuances, and a dark comedic wit: Bachelor Flat (1962), Soldier in the Rain (1963), Lord Love a Duck (1966), and Pretty Poison (1968).

Weld’s fierce independence and reluctance to chase traditional super-stardom meant she famously turned down iconic roles that went on to be massive blockbusters: Lolita (1962), Bonnie and Clyde (1967), Rosemary’s Baby (1968), and True Grit (1969). When later asked by Dick Cavett why she routinely walked away from major career moves, she attributed it to having “moxie” and a desire to control her own life.









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