Johann Gottfried Steffan: Master of 19th-Century Swiss Landscape

Johann Gottfried Steffan (1815–1905) was a Swiss landscape painter regarded as one of the most important Swiss landscapists of the 19th century. Born in Wädenswil, he trained first as a lithographer before moving to Munich in 1833 to study at the Academy of Fine Arts.

Under the influence of Carl Rottmann, Steffan turned to realistic landscape painting and became a central figure among Swiss artists working in Munich. He specialized in idealized mountain and Alpine scenes, drawing motifs from the Swiss Alps, the Canton of Glarus, Lake Walen, and later from Berchtesgaden and Ramsau.

His carefully observed yet often romanticized landscapes remain valued examples of the Munich School’s approach to nature. These evocative works showcase the refined observation and romantic spirit of Johann Gottfried Steffan, a leading Swiss landscape painter of the 19th century.

Eiger, Mönch, and Jungfrau as Seen from Sulwald

A Little Stream near Lake Starnberg

A Stream in the Swiss Alps

A Waterfall in the Bavarian Alps

Alpine Glacier

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Some Candid Snaps of Brigitte Bardot Celebrating Her 40th Birthday at Her Home in Saint-Tropez, 1974

Brigitte Bardot celebrated her 40th birthday on September 28, 1974, by stepping away from the Hollywood glamour and embracing a quiet, personal transition. Having announced her retirement from acting the previous year to "get out elegantly," her 40th milestone marked a definitive shift from international sex symbol to dedicated animal rights activist.

Instead of a star-studded gala, Bardot spent the days leading up to her birthday sunbathing, dancing, and relaxing at her famous 10-room estate, La Madrague, in Saint-Tropez. She celebrated intimately with her mother, Anne-Marie, her boyfriend Laurent Vergez, and close friends.

In October 1974, she appeared in a Paris television studio to film a program titled “Pour vous, Madame” (“For You, Madam”), focusing on the experiences of women turning forty. In interviews, she spoke candidly about accepting the passage of time, noting that while aging used to terrify her in her late twenties, she had learned to love her wrinkles as reflections of her life story.

This birthday solidified her transition away from the film industry, freeing her to fully dedicate her life and global profile to animal welfare.

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Seymour Jacobson: Elegant American Dress Designer of Mid-Century Fashion

Seymour Jacobson (1909–2010) was an American dress designer and manufacturer known for his elegant cocktail and party dresses.

Beginning his career on New York’s Seventh Avenue in the mid-1930s, Jacobson produced refined ready-to-wear under labels including Seymour Jacobson, Ltd., Donna Paula, and Luciana Moda. His designs were worn by notable women of the era, among them Grace Kelly, Rita Hayworth, and Eleanor Roosevelt.

Jacobson specialized in sophisticated silhouettes and quality fabrics that reflected the polished style of mid-century American fashion. Later in his career, he expanded into Italian knits and operated a shop in Rome, continuing to create tailored, wearable elegance for an international clientele.

These stylish designs showcase the refined craftsmanship and timeless elegance of Seymour Jacobson, a distinctive voice in mid-century American fashion.

Alice Bruno in two-toned pure silk taffeta dress for evening, comes with its own tri-angular cut jacket with contrasting lining by Seymour Jacobson, Harper's Bazaar, November 1951

Dovima in black Chantilly lace and pure silk taffeta dress by Seymour Jacobson, Vogue, November 1, 1952

Dovima in black silk taffeta dress criss-crossed with velvet ribbon by Seymour Jacobson, 1952

Dovima in coat-dress of pure silk peau-de-soie with detachable linen over-collar piqué accented by Seymour Jacobson, Vogue, February 1, 1952

Dovima in dress of Chantilly lace over pleated nylon tulle skirt and nude taffeta sheath by Seymour Jacobson, Harper's Bazaar, December 1952

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34 Romantic Photos of Richard Gere and Jodie Foster on the Set of “Sommersby” (1993)

Directed by Jon Amiel, Sommersby (1993) paired Richard Gere and Jodie Foster in a romantic period drama adapted from the 1982 French film Le Retour de Martin Guerre. Set during the Reconstruction era following the American Civil War, the story follows Laurel Sommersby (Foster), who doubts whether the kinder, transformed man returning home as her long-lost husband, Jack Sommersby (Gere), is truly who he claims to be.

The production was filmed primarily on location in Bath County and Charlotte County, Virginia. The filmmakers constructed a period-accurate, 19th-century rural town set, complete with tobacco fields, timber structures, and period farm equipment, to recreate post-war rural South dynamics. Legendary French cinematographer Philippe Rousselot (A River Runs Through It, Dangerous Liaisons) captured the film’s warm, naturalistic palette, relying heavily on soft daylight and candlelight to match the 1870s setting.

Coming off Pretty Woman (1990) for Gere and back-to-back Oscar wins for Foster (The Accused, The Silence of the Lambs), the film marked a major star pairing for Warner Bros. On set, both actors were noted for balancing intense dramatic prep with a relaxed collaborative rapport between takes.

Sommersby was released in the United States on February 5, 1993, by Warner Bros. The film received generally positive reviews from critics, who praised the performances and chemistry of its lead actors, as well as Danny Elfman’s musical score, and was a box office success, grossing over $140 million worldwide on a budget of $30 million.

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Tim Allen in a 1978 Booking Photograph From the Kalamazoo, Michigan Sheriff’s Department

On October 2, 1978, a 25-year-old Tim Allen (then using his birth name, Timothy Alan Dick) was caught in an undercover sting operation at the Kalamazoo/Battle Creek International Airport in Michigan. He placed a brown Adidas gym bag containing 650 grams (1.43 pounds) of cocaine into an airport locker and handed the key to an undercover officer, Michael Pifer, who had been tracking him for months.

The timing of his arrest was incredibly dangerous for Allen. Michigan had recently passed a strict law that tied a mandatory life sentence without parole to any conviction involving more than 650 grams of cocaine. Faced with spending the rest of his life behind bars, Allen chose to cooperate with federal investigators. He provided the names of other high-level dealers involved in the drug ring, which eventually led to the indictment of roughly 20 people.

In exchange for his cooperation, the judge allowed Allen to plead guilty to felony drug trafficking with a significantly reduced sentence. He was sentenced to three to seven years in prison and ultimately served two years and four months at the Federal Correctional Institution in Sandstone, Minnesota.

Allen has since described prison as a massive wake-up call that forced him to grow up and take accountability. He also credits his time inside with helping him discover the true power of his comedy; he used his wit and dark humor to diffuse dangerous situations, win over both inmates and guards, and survive his sentence. “When I was incarcerated, I started focusing on where I wanted to be,” he told Us Weekly. “I did not want to do that ever again. I humiliated my family and friends and myself. I did not want to make that mistake [again].”

Following his parole in June 1981, Allen was determined to completely change his trajectory. He threw himself fully into the Michigan stand-up comedy circuit. A decade after his release, his routines caught the eye of television executives, landing him the starring role on the hit ABC sitcom Home Improvement in 1991, followed by iconic film roles in The Santa Clause and Toy Story.

Eleanor Powell: Queen of Tap in Golden Age Hollywood

Eleanor Powell (1912–1982) was an American dancer and actress celebrated as one of the greatest tap dancers of Hollywood’s Golden Age.

Known for her powerful, athletic style and extraordinary precision, Powell starred in a series of MGM musicals during the 1930s and early ’40s, including Born to Dance (1936), Broadway Melody of 1938, Rosalie (1937), and Broadway Melody of 1940, in which she famously danced alongside Fred Astaire. Her energetic performances and technical brilliance set her apart from other female dancers of the era.

Though her film career was relatively brief, Powell remains remembered as a true virtuoso of the screen musical. These vintage photos capture the energy, elegance, and unmatched talent of Eleanor Powell, the undisputed queen of tap in classic Hollywood.

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Photos of Meat Loaf on the Set of “The Rocky Horror Picture Show” (1975)

Meat Loaf’s performance as the wild, leather-clad ex-delivery boy Eddie in The Rocky Horror Picture Show (1975) is one of the film’s most high-energy highlights. Filmed between October and December 1974 at Bray Studios and Oakley Court in Berkshire, England, his brief time on set was filled with behind-the-scenes eccentricities and classic production history.

Meat Loaf had played Eddie (and Dr. Scott) in the 1974 Los Angeles stage production at Lou Adler’s Roxy Theatre. When 20th Century Fox greenlit the film adaptation, executive producer Lou Adler insisted on bringing Meat Loaf to the UK shoot alongside Tim Curry (Frank-N-Furter).

In the stage show, the actor playing Eddie traditionally doubled as Dr. Scott. Meat Loaf expected to play both roles in the movie as well. However, director Jim Sharman cast British actor Jonathan Adams as Dr. Scott, leaving Meat Loaf strictly with the role of Eddie. Meat Loaf later admitted he was initially disappointed by the decision, though he acknowledged Adams was great in the part. “I said you’re making a huge mistake and I still think they did, even though the actor was fine,” he said. “The way it was in the play was that Eddie and Dr. Scott really looked alike, so you knew it was his nephew and I was a really good Dr. Scott.”

For Eddie’s iconic entrance, crashing out of a freezer on a motorcycle during “Hot Phat-Pootie” / “Whatever Happened to Saturday Night?,” a stunt double handled the high-speed riding inside the laboratory set. However, Meat Loaf did his own close-ups and heavy performance work while seated on the stationary bike, pushing his physical limits despite filming in freezing, unheated estate conditions at Oakley Court.

After Frank-N-Furter kills Eddie with an ice pick, Eddie’s body is later served/revealed under a glass dining table. To get authentic reactions during the dinner scene, director Jim Sharman kept the rest of the cast (including Susan Sarandon and Barry Bostwick) in the dark about how Eddie’s corpse would be displayed. When Tim Curry pulled back the tablecloth to reveal the fake mannequin head modeled after Meat Loaf, the horror on the cast's faces was entirely real.

Despite the chaotic, freezing set conditions, Meat Loaf and Tim Curry developed a strong friendship during production. Meat Loaf frequently praised Curry’s dedication to staying in character as Frank-N-Furter, even between takes while shivering on cold soundstages.

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