January 19, 2019

20 Fascinating Vintage Photos of Secretaries From the 1950s and 1960s

Since the advent of television and the movies, Americans have come to love secretarial characters from Miss Hathaway in The Beverly Hillbillies to Mrs. Wiggins in The Carol Burnett Show to Jennifer Marlow in WKRP in Cincinnati.


In the 1950s and ’60s, the number one job for American women was the secretarial occupation. The most common job for American women today is still the same. According to the U.S. Census, 96% of the approximately 4 million people who identify themselves today as secretaries (or something similar) are women.

Below are some of fascinating vintage photographs of secretaries from the 1950s and 1960s.










Cycling on the Streets of Paris Under Nazi Occupation in 1942

These photographs were taken by André Zucca in Paris while the city was occupied by the Germans during World War II. Zucca was a French photographer and Nazi collaborator, most well known for his work with the German propaganda magazine Signal.


While everything changed with the German occupation, most things also remained the same. The German occupiers made the French pay for the costs of the occupation in foodstocks, so food was very scarce. Other things, like gasoline and rubber (bicycle tires), were almost impossible to obtain.

Despite all that, France no longer was at war. Life, at least on the surface, appeared more normal than in places like London and Berlin. Men and women went to work, sat in cafés, went to the movies, and even watched or participated in bike races. This did not make them collaborateurs. After all, it would have served little if all Parisians had sat in a corner and sulked for years while the Germans were occupying the city. Even the resistance fighters kept up appearances and tried to live as normal a life as possible, so they did not arouse the suspicion of the Gestapo or their French counterparts.










January 18, 2019

The Queen of the B-Movie Bad Girls: 50 Glamorous Photos of Cleo Moore in the 1950s

Born 1924 in Galvez, Louisiana, American actress Cleo Moore usually featured in the role of a blonde bombshell in Hollywood films of the 1950s. She also became a well-known pin-up girl.

Moore made her film debut in 1948 in Embraceable You. She also played the leading lady in the film serial Congo Bill and worked for Warner Brothers briefly in 1950. She worked for RKO Radio Pictures from 1950–52, making such films as Hunt the Man Down and Gambling House.


In 1952, Moore signed with Columbia Pictures and began starring in films. In 1953, she made one of her most remembered movies, One Girl's Confession. She went on to co-star in Thy Neighbor's Wife (1953), and Bait (1954).

Although never obtained true film stardom, Moore has become a cult fan favorite, with several of her films being considered cult classics. She was considered as the "Queen of the B-Movie Bad Girls" due to her rising popularity with buffs of the film noir genre.

Moore died in her sleep at the age of 48 in 1973.

Take a look at these glamorous photos to see the beauty of Cleo Moore in the 1950s.










23 Vintage Photos of Frank Zappa and the Mothers of Invention in the 1960s and 1970s

The Mothers of Invention were an American rock band from California. Formed in 1964, their work is marked by the use of sonic experimentation, innovative album art, and elaborate live shows.

Originally an R&B band called the Soul Giants, the band’s first lineup included Ray Collins, David Coronado, Ray Hunt, Roy Estrada and Jimmy Carl Black. Frank Zappa was asked to take over as the guitarist following a fight between Collins and Coronado, the band’s original saxophonist/leader. Zappa insisted that they perform his original material, and on Mother’s Day in 1964, changed their name to the Mothers. Record executives demanded that the name be changed, and so “out of necessity,” Zappa later said, “we became the Mothers of Invention.”


After early struggles, the Mothers earned substantial popular commercial success. The band first became popular playing in California’s underground music scene in the late 1960s. Under Zappa’s helm, it was signed to jazz label Verve Records as part of the label’s diversification plans. Verve released the Mothers of Invention’s début double album Freak Out! in 1966, featuring a lineup including Zappa, Collins, Black, Estrada and Elliot Ingber. Don Preston joined the band soon after.

Under Zappa’s leadership and a changing lineup, the band released a series of critically acclaimed albums, including Absolutely Free, We’re Only in It for the Money and Uncle Meat, before being disbanded by Zappa in 1969. In 1970, he formed a new version of the Mothers that included Ian Underwood, Jeff Simmons, George Duke, Aynsley Dunbar and singers Mark Volman and Howard Kaylan (formerly of the Turtles, but who for contractual reasons were credited in this band as the Phlorescent Leech & Eddie). Later adding another ex-Turtle, bassist Jim Pons, this lineup endured through 1971, when Zappa was injured by an audience member during a concert appearance.

Zappa focused on big-band and orchestral music while recovering from his injuries, and in 1973 formed the Mothers’ final lineup, which included drummer Ralph Humphrey, trumpeter Sal Marquez, keyboardist/vocalist George Duke, trombonist Bruce Fowler, bassist Tom Fowler, percussionist Ruth Underwood and keyboardist/saxophonist Ian Underwood. The final album using the Mothers as a backing band, Bongo Fury (1975), featured guitarist Denny Walley and drummer Terry Bozzio, who continued to play for Zappa on non-Mothers releases.










When Bodybuilding Was Outlawed: Vintage Photographs Capture Bodybuilding Scene in the USSR in the 1970s and ’80s

Back in the 1960-70s the government of the USSR strictly forbid the opening of bodybuilding gyms. Simply put, they didn’t accept “kulturizm” (Russian word for bodybuilding).

According to Russia Beyond, it all began in the 1960s, when cinemas across the Soviet Union were screening the Spanish-Italian film Hercules, where the title role was played by Steve Reeves. By today’s standards, his physique would not cause a sensation in the bodybuilding world, but for people in the USSR it was impressive. Hercules was seen by 36 million people and it spurred many men to get in shape.

A year later Soviet bodybuilders were blessed with new icon in Gojko Mitic, a Yugoslav actor and gymnast who rose to fame as a noble Red Indian in films produced in the GDR. In the late 1970s and early ’80s, everyone wanted to be like Gojko. And even a state ban on his films didn’t change this.

On the 15th of January 1970, the Department of Sport of the USSR issued an order. The document prohibited the training, promotion and development of not only kulurizm (bodybuilding), but also women’s football, karate, the card game bridge and classes on the hatha yoga system. The main argument for the ban concerned mysticism and alien ideology, while undermining the authority of local forms and methods of physical education.

But, despite the ban, enthusiasts pursued their interests at their own risk and continued to hold contests. Severodvinsk had become one of the centers of these activities thanks to Alexander Lemehov and Vladimir Humelev – the two brightest representatives of USSR bodybuilding.











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