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November 29, 2025

The Story of Roque José Florêncio, the Slave Turned Into a “Human-Breeding Machine” in the 19th Century

Roque José Florêncio was allegedly born around 1827 in Sorocaba. He was purchased around 1849 by the powerful landowner and coffee grower Francisco da Cunha Bueno, who later became the Viscount of Cunha Bueno, and was taken to the Fazenda Santa Eudóxia. He was nicknamed “Pata Seca” (Dry Paw), reportedly due to his long, thin hands.

Oral accounts describe him as an extraordinarily tall and strong man, possibly reaching 2.18 meters (over 7 feet). These physical characteristics, combined with a contemporary belief that tall men with thin shins were more likely to produce male offspring, sealed his fate.


Roque was systematically exploited by his enslaver as a “slave-breeder” (escravo reprodutor). This horrific practice was aimed at increasing the plantation's enslaved labor force, particularly after the slave trade was banned in 1850 (Lei Eusébio de Queirós). He was allegedly forced to impregnate enslaved women regularly and is said to have fathered more than 200 children (some accounts suggest over 250).

Due to his role as a “breeding slave,” Roque was often granted a relatively different life than most other enslaved people. He reportedly did not work in the coffee fields and lived outside the senzala (slave quarters). He was entrusted with the care of the farm’s transport animals and tasked with riding a long distance daily to fetch his master's correspondence.

With the abolition of slavery in 1888 (Lei Áurea), Roque was freed. While performing his duties as a courier, he had met and later married a woman named Palmira. The Viscount of Cunha Bueno allegedly granted the couple 20 alqueires (a measure of land), where they built a home and raised nine children together.

Tragically, much of the land Roque was given was gradually appropriated by influential, wealthy farmers through irregular demarcation, a common occurrence that left newly freed Black Brazilians marginalized and impoverished. He was reportedly left with only a small fraction of the promised land.

One of the most remarkable parts of the Pata Seca legend is his alleged extreme longevity. He is widely believed to have lived to be 130 years old, with his death recorded on February 17, 1958. While this claim places him as a supercentenarian and is a key part of his myth, it lacks rigorous historical confirmation.

Due to the forced reproduction and his later marriage, Roque José Florêncio is considered the direct ancestor of a significant portion of the population in the district of Santa Eudóxia, some estimates suggest up to 30%.

Today, Pata Seca is remembered as a legendary figure whose story highlights the brutal realities of Brazilian slavery, particularly the institutionalized sexual violence and the efforts to create a domestic supply of enslaved labor. His history is preserved through oral reports and the memory of his countless descendants in the region.

Beautiful Portraits of Jean Harlow From ‘The Girl from Missouri’ (1934)

The Girl from Missouri is a sassy, pre-Code comedy-drama film released in 1934, starring the iconic Jean Harlow as Eadie Chapman, a spirited, ambitious young woman determined to marry a millionaire and escape her humble, small-town roots.

The film’s plot follows Eadie as she navigates the competitive and often ruthless world of New York’s elite, using her sharp wit and undeniable charm to secure her future. It is a classic example of pre-Code Hollywood cinema, where Eadie’s character embodies the era’s liberated female protagonists—she is overtly sexual, independent, and unapologetic about her pursuit of wealth, a portrayal that would become heavily censored after the full enforcement of the Production Code later that year.

Co-starring Franchot Tone, the movie is remembered for its snappy dialogue and Harlow’s vibrant performance, solidifying her status as the “Blonde Bombshell” of the 1930s. These beautiful photos capture portraits of Jean Harlow during the filming of The Girl from Missouri in 1934.






November 28, 2025

50 Gorgeous Photos of Gloria Grahame in the 1950s

Gloria Grahame (born Gloria Penelope Hallward; November 28, 1923 – October 5, 1981) was an American actress. She began her acting career in theater, and in 1944 made her first film for MGM. In the 1950s, Grahame was a prominent Hollywood actress, primarily known for her compelling performances as a sultry femme fatale in film noir classics. Her decade was marked by career highs, including an Academy Award win, and dramatic personal life scandals that ultimately led to the wane of her Hollywood career.

Grahame’s career peaked in the early-to-mid 1950s. She was celebrated for her ability to portray complex characters, blending vulnerability with a husky drawl and distinctive physical presence (including a famous “pout” she sometimes enhanced by tucking cotton in her lip).

Starring opposite Humphrey Bogart in In a Lonely Place (1950), Grahame delivered one of her most acclaimed performances as a woman who falls in love with a troubled screenwriter, in a haunting exploration of suspicion and identity. She won the Academy Award for Best Supporting Actress for her role in The Bad and the Beautiful (1952), a performance that lasted only nine minutes of screen time, a record at the time.

In The Big Heat (1953), her role as a gangster’s moll who is shockingly disfigured with hot coffee became one of the most indelible and iconic images in film noir history. In a departure from her usual noir roles, she played the “can’t-say-no” girl Ado Annie in the film musical Oklahoma! (1955), showcasing her versatility, though rumors of her being difficult on set began to surface.

Grahame’s personal life was often as tumultuous as her on-screen roles and garnered significant tabloid attention, which eventually impacted her career. She was married multiple times, including to director Nicholas Ray, with whom she made In a Lonely Place. Their marriage ended amid controversial circumstances, including allegations by Ray that he caught Grahame in bed with his then 13-year-old son, Anthony Ray. Grahame later married Anthony Ray when he was 23 and she was 37, a scandal that further fueled the tabloids and contributed to the decline of her mainstream Hollywood career after the mid-1950s.






Funny Photos of Classic Hollywood Stars Walking the Turkey

During the Golden Age of Hollywood, it was a common publicity stunt for movie studios to stage seasonal photo shoots featuring their biggest stars posing with live turkeys for Thanksgiving. These publicity photos were part of a coordinated, seasonal effort by major studios to promote their contract players. Studio photographers and publicity departments would create fun, campy, and often glamorous images to keep the stars and their upcoming films in the public eye during the holiday season.

The pictures offered a playful contrast to the stars’ typically glamorous on-screen images, humanizing them for the public. These images were often sent to magazines and newspapers nationwide to generate buzz.

Bette Davis

Virginia Gibson

Barbara Bates


Vera Ellen

Irene Vanbrugh: A Leading Light of the Edwardian Stage

Irene Vanbrugh (1872–1949) was a distinguished English actress who had a prominent stage career spanning over fifty years. She was a leading lady particularly known for her performances in plays by playwrights like Arthur Wing Pinero, J.M. Barrie, and Oscar Wilde; she notably created the role of Gwendolen Fairfax in the original 1895 production of The Importance of Being Earnest.

Although primarily a stage performer, Vanbrugh also appeared in a number of silent films and talking pictures in her later years. For her extensive contributions to the theatre, she was honored as a Dame Commander of the Order of the British Empire (DBE) in 1941.

Vanbrugh was also a keen supporter of the Royal Academy of Dramatic Art (RADA), of which her brother was the principal, and the Academy’s theatre was later named the Vanbrugh Theatre in honor of her and her sister, Violet, who was also an actress.






Jimi Hendrix Photographed by Rob Bosboom in London, 1967

The images feature a 25-year-old Jimi Hendrix early in his solo career in London, shortly after his arrival in England the previous September. The photos were taken by Rob Bosboom in January 1967. The session took place at 34 Montagu Square in London. This was the flat rented by Ringo Starr of The Beatles, and it was a significant hub for London’s music scene in the 1960s.

Bosboom was a prominent Dutch music photographer in the 1960s, primarily working for magazines like the Dutch Muziek Express. He developed an especially good relationship with Jimi Hendrix. These images offer a glimpse into Hendrix’s time in London as he launched his solo career with The Jimi Hendrix Experience, before gaining massive fame back in the US at the Monterey Pop Festival later that same year.







Vintage Photos Capture Street Scenes of Seattle in the 1970s

The streets of Seattle in the 1970s presented a gritty, transitional urban landscape, a distinct departure from the gleaming tech hub of today. Downtown, areas around First Avenue and Pike Place Market buzzed with a diverse mix of long-haired counter-culture youths, sailors from the nearby port, and working-class locals.

Fashion was a collision of styles: bell-bottom jeans, tie-dye shirts, and military surplus jackets were commonplace sights, often worn under the perpetual gray skies. The air carried the smells of fresh fish and strong coffee mixed with exhaust fumes from classic American cars: Chevys, Fords, and Volkswagens that dominated traffic, as the city had not yet fully embraced modern public transit.

The 1970s vibe was defined by an earthy, slightly rough-around-the-edges authenticity, as Seattle navigated a period of economic fluctuation and cultural change. These vintage photos, from duckswim2, capture street scenes of Seattle in March 1977.

View from bus to downtown, the Hat 'n' Boots Texaco Gas Station, Seattle, Washington, 1977

Hat 'n' Boots, Seattle, Washington, 1977

View from downtown to Space Needle, Seattle, Washington, 1977

Pioneer Building, Downtown Seattle, Washington, 1977

A building at night, Seattle, Washington, 1977




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