Bring back some good or bad memories


ADVERTISEMENT
Showing posts with label 1960s. Show all posts
Showing posts with label 1960s. Show all posts

October 13, 2026

Paris in 1960 Through Fascinating Photos

These fascinating photos capture Paris in 1960, a city in the midst of postwar recovery and rapid modernization. The images show everyday life along the boulevards and side streets: elegantly dressed Parisians going about their routines, and the classic architecture of the capital.

Under the early years of the Fifth Republic, the city was cleaning its historic facades, expanding, and adapting to a new era while retaining much of its traditional charm. The photos offer a vivid and nostalgic glimpse of Paris at a moment of quiet transformation more than sixty years ago.

Paris. Arc de Triomphe - Tomb of the Unknown Soldier, 1960

Paris. Arc de Triomphe, 1960

Paris. Arc de Triomphe, 1960

Paris. Arc du Triomphe du Carrousel, 1960

Paris. Madeleine church, 1960

October 10, 2026

Ulla Bomser: Elegant Face of 1960s Fashion

Ulla Bomser is a Danish-born fashion model who rose to prominence in the mid-1960s, working in both New York and Paris. Known for her refined features and poised presence, she appeared in high-fashion editorials, including notable spreads for Vogue photographed by Gianni Penati.

Bomser modeled designs by leading couturiers of the era, such as Oscar de la Renta, embodying the elegant and sophisticated style of late-1960s fashion. After retiring from modeling in the early 1970s, Bomser later worked in film as an actress and assistant director, and co-founded a modeling agency in Milan.

These stylish photos capture the refined elegance and distinctive presence of Ulla Bomser, a memorable face of 1960s high fashion.

Ulla Bomser and Vidal Sassoon, photo by Francesco Scavullo, 1965

Ulla Bomser wearing a strapless corselet in lacy white nylon marquisette and Lycra net by Bien Jolie, hair by Vidal Sassoon, photo by Francesco Scavullo, Harper's Bazaar, November 1965

Ulla Bomser wearing a thin bandeau in white nylon spandex with small bows and held in place by elastic bands by Rudi Gernreich for Exquisite Form, photo by Francesco Scavullo, Harper's Bazaar, November 1965

Ulla Bomser in military two-piece dress in officer-green, tobacco or white by William pearson, hat by Emme, Vogue, December 1, 1966

Ulla Bomser in textured rayon and silk dress with demi-plastron bodice with twin buttons above side pockets by Louis Feraud for Saks Fifth Avenue, Vogue, March 1, 1966

October 8, 2026

30 Color Snapshots Show What Halloween Looked Like in the 1960s and 1970s

During the 1960s and 1970s, Halloween was a highly community-centric, uncommercialized neighborhood event characterized by freedom, simple DIY touches, and iconic (though notoriously uncomfortable) pop culture aesthetics.

Store-bought costumes during this era were dominated by two names: Ben Cooper and Collegeville. Sold in simple cardboard boxes at local drugstores, these outfits consisted of a flimsy plastic mask secured with a fragile rubber band and a matching flame-retardant vinyl smock emblazoned with the character’s name or face.

The character trends sharply tracked the pop-culture shifts of each decade. In the 1960s, classic monsters (Dracula, Frankenstein), fairytale princesses, and early TV/comic heroes like Batman, Yogi Bear, and Casper the Friendly Ghost dominated shelves. In the 1970s, costumes pivoted toward mainstream media, including Star Wars characters, the Sesame Street crew, superheroes, NASA astronauts, and music icons like KISS.

Trick-or-treating in the 1960s and 1970s was incredibly active, with neighborhoods packed with large groups of unsupervised children roaming freely after dark. Instead of custom plastic buckets, kids collected treats in classic brown paper grocery bags or standard pillowcases. It was common to receive homemade treats like popcorn balls, caramel apples, and homemade cookies. For candy, popular handouts included full-sized candy bars, Pixy Stix, Necco Wafers, Wax Bottles, and individual boxes of raisins.

Decorations were far simpler than the large-scale animatronics seen today. Neighborhood homes were typically decorated with cardboard window cutouts, tissue paper honeycomb pumpkins, and glowing plastic blow molds on front porches. Carved jack-o’-lanterns illuminated by real candles sat on stoops. School celebrations were massive events featuring costume parades, apple bobbing, and classroom parties.






October 7, 2026

Newly Unveiled Playful Photo Strip of Dolly Parton and Carl Dean Goofing Around in a Photobooth, ca 1960s

This candid, playful photo strip shows country music icon Dolly Parton and her late husband, Carl Dean, goofing around in a photobooth during the early days of their relationship in the 1960s.


For decades, these intimate photos were completely hidden from the public eye. They were only discovered when archivists opened Carl Dean’s personal trunk, which the family referred to as a “time capsule.”

The photo strip was so buried that even Dolly Parton herself had not laid eyes on it since the day it was taken decades prior. When the team uncovered it, Dolly was reportedly completely “floored” by the discovery. The images were officially made public in late September 2026 as part of the grand opening of Dolly’s new Life of Many Colors Museum, located inside the SongTeller Hotel in Nashville, Tennessee.

What makes this photo strip exceptionally special to fans is how rare it is to see casual, personal documentation of the couple together. Dolly and Carl met on her very first day in Nashville in 1964, outside the Wishy Washy Laundromat when she was just 18 years old. They wed in a tiny ceremony in 1966 and remained deeply devoted to one another for nearly 59 years until Carl’s passing in 2025.

While Dolly became one of the most recognizable and beloved superstars on the planet, Carl fiercely protected his privacy, choosing to live a quiet life running an asphalt-paving business and completely avoiding red carpets, award shows, and cameras. Because he spent a lifetime avoiding the public eye, this newly unveiled photobooth strip serves as a beautiful, rare testament to the goofy, lighthearted, and deeply private love they shared long before the world came calling.




Olga Schoberová: Glamorous Czech Star of 1960s Cinema

Born 1943 in Prague as Olinka Bérová, Czech actress Olga Schoberová became one of the most striking screen presences of 1960s European and international cinema. She rose to prominence with roles in Czech films such as Lemonade Joe (1964) and the cult favorite Who Wants to Kill Jessie?, and later appeared in German, Italian, and English-language productions, including The Vengeance of She (1968).

With her blonde beauty and natural screen charisma, Schoberová was also the first Czech woman to appear on the cover of Playboy. After marrying Hollywood producer John Calley in the early 1970s, she largely stepped away from acting, leaving behind a brief but memorable career that captured the free spirit of the era.

These captivating photos highlight the beauty, charm, and distinctive screen presence of Olga Schoberová, a memorable star of 1960s cinema.






The Best Portraits of a Young and Beautiful Eva Marie Saint

Legendary actress Eva Marie Saint has died at the age of 102. Considered the last major surviving star of Hollywood’s Golden Age, she passed away from natural causes on Tuesday, October 6, 2026, at her home in Los Angeles, surrounded by her family.

Saint’s extraordinary career spanned more than seven decades across film, stage, and television. She made one of the most spectacular film debuts in cinema history, winning an Academy Award for Best Supporting Actress for her role as Edie Doyle opposite Marlon Brando in Elia Kazan’s On the Waterfront (1954). Famously, she accepted her Oscar while heavily pregnant and gave birth to her son just two days later.

She later cemented her cinematic legacy as the ultimate Alfred Hitchcock blonde, starring as the sophisticated secret agent Eve Kendall opposite Cary Grant in the classic thriller North by Northwest (1959). She went on to star in epic productions like Exodus (1960) opposite Paul Newman, The Sandpiper (1965), and Grand Prix (1966).

Saint originally honed her craft during the Golden Age of television. She was nominated for five Emmys throughout her career, winning a Primetime Emmy Award in 1990 for the miniseries People Like Us. She continued working well into her later years, playing Martha Kent (Superman’s adoptive mother) in Superman Returns (2005) and voicing Katara in Nickelodeon’s animated series The Legend of Korra.

She is one of the rare icons to possess two stars on the Hollywood Walk of Fame, one for her contributions to motion pictures and one for television.

Eva Marie Saint was married to director Jeffrey Hayden for 65 years until his passing in 2016. She is survived by their two children and four grandchildren.






October 2, 2026

Alexandra Afganisjew: An Icon of Late-1960s Style

Alexandra Afganisjew was a fashion model active in the late 1960s, known for her refined presence in high-fashion editorials of the period.

Afganisjew appeared in striking images captured by photographer James Moore, including a memorable 1969 shoot featuring a dramatic floral-print silk organza hooded cape and décolleté dress by designer Richard Tam. With her poised elegance and distinctive look, she embodied the sophisticated glamour of late-1960s fashion photography.

Though details of her career remain relatively scarce, her surviving portraits continue to highlight the era’s luxurious and romantic style. These stylish photos capture the refined elegance and distinctive presence of Alexandra Afganisjew, an icon of late-1960s style.

Alexandra Afganisjew in floral print challis apron-dress by Strega, headscarf by Doro, rings by Richelieu, photo by Neal Barr, Harper's Bazaar, April 1969

Alexandra Afganisjew in a cotton peasant shirt with humongous sleeves, touched with tucks and eyelet in front and cinched in apple-green and white stripes by Strega, hat by Halston, photo by Neal Barr, Harper's Bazaar, April 1969

Alexandra Afganisjew in a new cotton knit from Berocco jacketed dress by Barbarella, Vogue, December 1, 1969

Alexandra Afganisjew in a green glove leather jumpsuit stamped in yellow as sleek and silky as a foulard by Viola Sylbert for Samual Robert, photo by Guy Bourdin, Harper's Bazaar, August 1969

Alexandra Afganisjew in green-gold tunic with narrow wedge-shpaed trousers in cotton-backed vinyl by Sportwhirl, scarf by Doro, photo by Guy Bourdin, Harper's Bazaar, August 1969

September 30, 2026

30 Black and White Portraits of Angie Dickinson in the 1960s

Angeline Dickinson (née Brown; September 30, 1931) is an American retired actress. She began her career on television, appearing in many anthology series during the 1950s, before gaining her breakthrough role in Gun the Man Down (1956) with James Arness and the Western film Rio Bravo (1959) with John Wayne and Dean Martin, for which she received the Golden Globe Award for New Star of the Year.

During the 1960s, Dickinson cemented her status as a major Hollywood star, embodying a unique combination of glamour, sophistication, and grit. Following her definitive breakthrough as Feathers in Rio Bravo (1959), the 1960s saw her balance high-profile cinematic roles, a highly publicized association with the Rat Pack, and a changing personal life.

Dickinson was highly prolific throughout the decade. She appeared in Westerns and crime dramas, notable titles include The Killers (1964, with Lee Marvin and Ronald Reagan in his last film role), The Chase (1966, with Marlon Brando), and Point Blank (1967, opposite Lee Marvin again). These roles often cast her as strong, alluring women in tense or violent stories.

She co-starred in Ocean’s 11 (1960) with the Rat Pack (Frank Sinatra, Dean Martin, etc.), playing a key supporting role that boosted her visibility. She also appeared in Rome Adventure (1962) and other romantic or lighter films. While her biggest TV success (Police Woman) came in the 1970s, she did guest spots and TV movies in the 1960s that kept her in the public eye.

Dickinson was frequently described as one of the decade’s sex symbols with a distinctive husky voice and confident screen energy. She worked with major directors and co-stars, moving between Hollywood studio pictures and more stylish, edgier projects as the decade progressed.






September 28, 2026

Seymour Jacobson: Elegant American Dress Designer of Mid-Century Fashion

Seymour Jacobson (1909–2010) was an American dress designer and manufacturer known for his elegant cocktail and party dresses.

Beginning his career on New York’s Seventh Avenue in the mid-1930s, Jacobson produced refined ready-to-wear under labels including Seymour Jacobson, Ltd., Donna Paula, and Luciana Moda. His designs were worn by notable women of the era, among them Grace Kelly, Rita Hayworth, and Eleanor Roosevelt.

Jacobson specialized in sophisticated silhouettes and quality fabrics that reflected the polished style of mid-century American fashion. Later in his career, he expanded into Italian knits and operated a shop in Rome, continuing to create tailored, wearable elegance for an international clientele.

These stylish designs showcase the refined craftsmanship and timeless elegance of Seymour Jacobson, a distinctive voice in mid-century American fashion.

Alice Bruno in two-toned pure silk taffeta dress for evening, comes with its own tri-angular cut jacket with contrasting lining by Seymour Jacobson, Harper's Bazaar, November 1951

Dovima in black Chantilly lace and pure silk taffeta dress by Seymour Jacobson, Vogue, November 1, 1952

Dovima in black silk taffeta dress criss-crossed with velvet ribbon by Seymour Jacobson, 1952

Dovima in coat-dress of pure silk peau-de-soie with detachable linen over-collar piqué accented by Seymour Jacobson, Vogue, February 1, 1952

Dovima in dress of Chantilly lace over pleated nylon tulle skirt and nude taffeta sheath by Seymour Jacobson, Harper's Bazaar, December 1952

September 25, 2026

40 Beautiful On-Set Portraits of Sophia Loren From “Boccaccio ’70” (1962)

These beautiful on-set portraits capture Sophia Loren during the filming of the 1962 anthology film Boccaccio ’70. In the episode directed by Vittorio De Sica, she delivered one of her most iconic performances, combining glamour, humor, and screen presence.

The photos highlight her striking beauty, expressive features, and the elegant yet playful style that defined her work in this celebrated Italian production. They offer a vivid glimpse of Loren at the height of her international fame in the early 1960s.









FOLLOW US:
Facebook • Tumblr • Pinterest • Instagram

CONTACT US



Browse by Decades

Popular Posts

Advertisement

09 10