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March 14, 2023

35 Vintage Photos of Teenage Girls in the 1930s

While the term teenager wasn’t widely used in the 1930s, the 14-18 year old high school girl was a unique consumer of handmade and purchased clothing. Most clothing shops called them “juniors,” “junior miss,” or “misses” for the older teens. For the most part, clothing available for teens was larger sized children’s clothing or small women’s clothing. While the teenage girl had a ready opinion on what she wanted to wear, her clothing still looked like that of her mother’s.


Leaving frilly knee length little girls’ clothing behind and gradating into young womanhood, around age 14, was a right of passage. She could now wear moderate heels, stockings, jewelry, shapewear lingerie, and makeup, although she usually didn’t in her day to day life.

The teenage girl needed clothing that was “mature” yet at the same time comfortable and versatile, going from school to social activity to home five days a week. On weekends, the teenager could put on her sporty casual clothes, repeating her long list of social engagements and helping around the house too.

Take a look at these vintage photos to see what teenage girls looked like in the 1930s.








Doodler’s Paradise, 1941

In 1941, this telephone booth, in West Orange, N. J., was made especially for doodlers. Its walls are lined with blackboards on which the person telephoning can make weird signs to his heart’s content, jot down telephone numbers, and generally enjoy himself at the fine art of “doodling.”



20 Amazing Photos of the Hispano-Suiza H6B Dubonnet Xenia

The Hispano-Suiza H6B Dubonnet Xenia is a one-off luxury car made by Spanish automobile manufacturer Hispano-Suiza for French pilot and racing car driver André Dubonnet in 1938. The car was built on the chassis of the Hispano-Suiza H6B, however it uses the larger, more powerful engine from the H6C and an entirely new body design by luxury coachbuilder Jacques Saoutchik.

Although based on the chassis of the H6B, the Dubonnet Xenia uses the upgraded straight-6 engine from the H6C model. This 7,983 cc (487 cu in) SOHC engine utilized an aluminum block and a billet steel crankshaft for a lighter and stronger construction. The engine produced 160 hp (119 kW) at 3,050 rpm, able to propel the car to an estimated top speed of around 110 mph (177 km/h) thanks to the slippery aerodynamics of the body.

The exterior of the Dubonnet Xenia features many aviation and Art Deco inspired details owing to the time period and Dubonnet’s history as a fighter pilot in World War I. These details include the wraparound windshield, the large slatted grill extending below the long hood, and the unconventional rear-hinged doors that operated by sliding out and back towards the rear of the car.

Dubonnet’s focus on aerodynamics can also be seen in the exterior design of the car. The flared front fenders taper off in a teardrop shape towards the rear, as does the tail of the car. Notably, the Dubonnet Xenia has fender skirts that cover almost the entirety of the rear wheels to reduce drag, a technique pioneered 10 years earlier on a land speed record attempt car.

Here below is a set of amazing photos of the Hispano-Suiza H6B Dubonnet Xenia.








Axl Rose and Stephanie Seymour Photographed by Bruce Weber for Interview Magazine, 1992

During the 1980s and 1990s, Stephanie Seymour was one of the most popular supermodels, being featured in the Sports Illustrated Swimsuit Issue and the cover of Vogue, as well as being a former Victoria’s Secret Angel.

By mid-1991, she had become involved with Axl Rose, the lead singer of Guns N’ Roses. She appeared in two music videos by Guns N’ Roses: “Don’t Cry” and “November Rain.” The couple were reportedly engaged, but they broke up in February 1993.

In August 1993, Rose sued Seymour claiming she assaulted him and stole more than $100,000 worth of jewelry. Seymour countersued claiming he was physically abusive. Seymour subpoenaed Erin Everly, Rose’s ex-wife, to testify that she was also abused by him. The lawsuits were eventually settled.






March 13, 2023

The Amazing Stories Behind Gia Carangi’s 5 Different Covers of Cosmopolitan’s US Edition

One of the crowning achievements of any model’s career is securing a spot on the cover of a fashion magazine, and during the late 1970s and ’80s, Cosmopolitan was one of the most coveted gigs for any top model. The late supermodel Gia appeared on the cover of not just one but five different issues of Cosmopolitan’s US edition.


Throughout her short career, she appeared in the pages of Harper’s Bazaar and countless other fashion magazines, on the covers of the Italian, British and French editions of Vogue, and even the cover of the all-important, career-defining American Vogue. But her most important covers are her Cosmopolitan covers, each shot by famed photographer Francesco Scavullo (1921–2004), who exclusively shot the magazine covers for more than 30 years. Scavullo considered Gia a muse and featured her on five different Cosmopolitan covers between 1979 and 1982. She was, for a time, the ultimate Cosmo girl.

Gia first met Scavullo through makeup artist Way Bandy, who helped get her first test shoot with the photographer. Scavullo was quite taken with Gia: she didn’t fit into any of the usual model categories. The session went well, and Scavullo booked her again two weeks later for a cover try. That session also went well, and the pictures had a good chance of being used. She got a voucher for the standard cover fee, which was $100.

“I was mad about her,” Scavullo recalled. “She was very candid in front of the camera. She wasn’t stylized, she didn’t pose. She was like an actress in front of the camera. You got a million pictures that had her head in them. She had her own little way of modeling. She jumped around; you couldn’t set your lights and you couldn’t hold her still. You had to let her go, you couldn’t direct her.”

But all that didn’t matter, given what Gia brought to the shoot. “With most models who move around, you get bad stuff,” Scavullo continued. “With her, you got wonderful stuff... It was like you got candid pictures of her and they were divine. There is something she had... no other girl has got it. I’ve never met a girl who had it. She had the perfect body for modeling; perfect eyes, mouth, hair. And, to me, the perfect attitude.”

Here’s a look back at each of Gia’s covers for Cosmo.

April 1979


Gia’s first appearance on the cover of Cosmopolitan was the April 1979 cover, which featured a shot of the supermodel wearing a Lycra bodysuit. Editor Helen Gurley Brown normally preferred that Scavullo shoot 12 different models each year, but after seeing the results of this shoot, she immediately ordered another Gia cover.

The Cosmo cover was actually Gia’s first major cover. A few weeks earlier, she had appeared on the April 1979 cover of the British edition of Vogue. Her first Cosmo cover sold spectacularly, as did the brown Norma Kamali unitard in which she appeared.


July 1979


Gia’s second Cosmopolitan cover was the July 1979 issue. Again shot by Scavullo, the memorable cover featured a sultry Gia wearing a yellow gravity-defying swimsuit.


January 1980


In late December 1979, Gia appeared on the cover of Cosmopolitan wearing a purple cardigan that revealed much of Gia’s “bosom” – as Scavullo would say. That same month, Gia also got her first magazine profile when she appeared on the cover of Philadelphia magazine’s annual “Hot People To Watch” issue. “Meet Gia,” the headline said. She was on her way to becoming a household name.


July 1980



Gia’s career was at its peak at the beginning of 1980, but when her confidant and agent Wilhelmina Cooper died from lung cancer in March 1980, a devastated Gia began abusing drugs and developed an addiction to heroin. Scavullo remembered a session with her in the Caribbean when “she was crying, she couldn’t find her drugs. I literally had to lay her down on her bed until she fell asleep.” The Scavullo image of Gia wearing a brown swimsuit, used for the July 1980 cover of Cosmo, had been shot before Gia’s drug habit began spiraling.


April 1982


Gia’s last official appearance on the cover of Cosmopolitan – and what would be her last cover appearance for an American magazine – was the April 1982 issue of Cosmo. The cover was a gift from Scavullo in an attempt to help her jump-start her modeling comeback after a 21-day detox program, and a run-in with the police in March 1981. Unfortunately, her sobriety was short-lived. “He did that because he was a very kind man and he felt sorry for her,” recalled Harry King, Gia’s hairstylist on the shoot. “Scavullo had had people very close to him be involved with drugs before.”

For the shoot, Gia wore a strapless Fabrice party dress, and posed with her hands tucked behind her. The camera angle was meant to minimize the bloating caused by the methadone Gia was taking to help treat her addiction to heroin and the weight gain from the sweets she was craving (makeup artist Way Bandy did what he could, too). The pose was designed to cover the gory abscess on her hand and it’s also widely believed that Gia’s arms were placed behind her to hide her track marks, though Scavullo maintained it was because Gia had put on weight and the pose made her look thinner.

Scavullo convinced Cosmo to use the shot of Gia for the cover of the 1982 issue. She was also interviewed inside for the magazine’s “This Month’s Cosmo Girl” feature, which had recently been created to respond to the public’s growing interest in fashion models.

(This original article was published on 29Secrets)


30 Fabulous Photos of Pat Crowley in the 1950s and ’60s

Born 1933 in Olyphant, Pennsylvania, American actress Pat Crowley starred as Judy Foster in the daytime version of A Date with Judy on ABC-TV in 1951. She starred as Doctor Autumn Claypool alongside Dean Martin and Jerry Lewis in Money from Home (1953), and in their final film together Hollywood or Bust (1956), in which she played Terry Roberts.


Crowley’s roles in Forever Female and Money from Home brought her the Golden Globe Award for New Star of the Year - Actress.

Crowley made guest appearances in many television series in the 1950s and 1960s, including the pilot for The Untouchables, The Lieutenant, Crossroads, The Fugitive (1963 Episode 2 - The Witch) The Alfred Hitchcock Hour, Riverboat, The DuPont Show with June Allyson, Rawhide (with Clint Eastwood), Wanted: Dead or Alive (with Steve McQueen), The Eleventh Hour, The Roaring 20s, Cheyenne, Mr. Novak, The Twilight Zone, The Fugitive, 77 Sunset Strip, The Tab Hunter Show, The Andy Griffith Show and The Man from U.N.C.L.E.

Crowley became known to a later era of television viewers for her roles on the serials Generations from 1989–90, Port Charles from 1997 to 2003, and The Bold and the Beautiful in 2005. She appeared in a 2006 episode of The Closer and a 2009 episode of Cold Case.

Take a look at these fabulous photos to see portraits of a young Pat Crowley in the 1950s and 1960s.








Garage Folds Against Side of Wall, 1962

A new awning garage bolts to an outside wall, folds flat when not in use, and pulls down to enclose a car. Its pivoted tubular ribs are spring-balanced for easy raising and lowering. British Carquad is made in seven lengths from 9 to 18 feet, can be attached to an existing garage for a second car or to house a small boat.






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