38 Glamorous Fashion Photos of Nena von Schlebrügge in the 1950s and 1960s

Nena von Schlebrügge (born January 8, 1941) was a notable fashion model during the 1950s and 1960s, known for her aristocratic beauty, elegance, and presence in both European and American fashion circles.

In 1955, at the age of 14, Nena was discovered by Vogue photographer Norman Parkinson when he was on a tour in Stockholm, Sweden. In 1957, Nena moved to London, United Kingdom, to pursue a career in high-fashion modeling. She found immediate success and was invited to come to New York City by Eileen Ford of the Ford Modeling Agency to continue her modeling career.

In the snow storm of March 1958, at the age of 17, Nena arrived in New York City on the Queen Mary. In New York City, she continued her career as a top model, working at Vogue and Harper’s Bazaar. She was photographed by many fashion photographers, including Gleb Derujinsky.

In 1967, she had a part in the Edie Sedgwick film Ciao! Manhattan. The film took four years to make; and drastic changes from the original story were made, causing the filmmakers to remove many scenes, including Nena’s, shot in 1967.

She was briefly married to Timothy Leary from 1964 to 1965. After marrying the Buddhist scholar Robert Thurman in 1967 she adopted the name Nena Thurman. The actress Uma Thurman is their daughter.

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Westminster in 1987 Through Fascinating Photos

Westminster is the main settlement of the City of Westminster in Central London, England. It extends from the River Thames to Oxford Street and has many famous landmarks, including the Palace of Westminster, Buckingham Palace, Westminster Abbey, Westminster Cathedral, Trafalgar Square and much of the West End cultural centre including the entertainment precinct of West End theatre.

With the development of the old palace alongside the abbey, Westminster has been the home of England’s government since about 1200, and from 1707 the Government of the United Kingdom. In 1539, it became a city. Westminster is often used as a metonym to refer to the Parliament of the United Kingdom, which sits in the Palace of Westminster.

These fascinating photos were taken by Peter Marshall that show street scenes of Westminster in 1987.

Travellers, Westway, Bishop's Bridge Rd, Paddington, Westminster, 1987

A Lombardi & Sons, Delicatessen, Churton St, Pimlico, Westminster, 1987

Alley, Burne St, Lisson Grove, Westminster, 1987

Asian Stores Ltd, Dickie Dirts, Khyber Restaurant, Westborne Grove, Westminster, 1987

Barge, Railway Bridge,Regent's Canal, Lisson Grove, Westminster, 1987

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Artist Dario Campanile Standing in Front of the Artwork He Created in 1986 for Paramount Studios

Italian-American fine artist Dario Campanile posing with a picture Paramount commissioned him in 1986 to paint for its 75th anniversary. The company later used the painting as a basis for its new logo. That logo was introduced as a prototype in the 1986 film The Golden Child; the 1987 film Critical Condition are both the first to feature the finalized version of the logo. 1999’s South Park: Bigger, Longer & Uncut was the first to use an enhanced version of the logo, which was last used on 2002’s Crossroads.

Campanile didn’t just slap some paint on a canvas and call it a day. He researched. The original Paramount mountain was rumored to be inspired by Ben Lomond, a peak in Utah. But instead of sticking to one specific mountain, Campanile took a bit of artistic liberty, combining the grandness of different ranges to create something larger-than-life.

Armed with brushes, paints, and a whole lot of talent, he created a painting that was more than just a logo—it was an invitation to escape, to dream, to lose yourself in the magic of cinema. What makes Campanile’s work stand out is the sheer realism.

The original Campanile painting was housed in Paramount’s archives, and for a while it was displayed in the studio lot. In more recent years, the painting has been occasionally showcased in logo retrospectives and studio history documentaries.

Campanile has spoken in interviews about how the painting was a turning point in his career. Although he was initially more of a surrealist, the success of the Paramount commission led to new opportunities and broader recognition in both commercial and fine art worlds.

45 Beautiful Color Photos Showcasing ’50s Women’s Casual Style

In the 1950s, women’s casual wear reflected the era’s emphasis on femininity, neatness, and structure, even in relaxed settings.

Common casual outfits included fitted blouses with Peter Pan collars or sleeveless button-down shirts, often tucked into high-waisted bottoms. Patterns like gingham, polka dots, and florals were especially popular. Capri pants and pedal pushers—slim, cropped trousers—offered a more practical, sporty alternative to skirts. Circle skirts and poodle skirts, often knee-length and full, were worn with tucked-in tops or lightweight sweaters. Twin sets—matching cardigan and pullover sweaters—were a popular choice for a polished daytime look. The shirtwaist dress, with its tailored bodice and full skirt, was another staple of casual daywear, often belted to emphasize the waist.

Accessories were minimal but deliberate: simple flats or saddle shoes, short gloves, and cat-eye sunglasses completed many casual ensembles. These beautiful color photos were found by daves_archive that show what women looked like from the 1950s.

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36 Rare Behind the Scenes Snaps From the Making of Comedy Horror Film “House” (1985)

House is a 1985 American comedy horror film directed by Steve Miner. The film is the first installment in the House film series, and stars William Katt, George Wendt, Richard Moll, and Kay Lenz. The film centers on Roger Cobb, a troubled author who moves into his late aunt Elizabeth Hopper's seemingly haunted house, and is forced to deal with supernatural phenomenon. All the while, he tries to solve the mystery of his son Jimmy’s disappearance.

House began filming on April 22, 1985. The first two weeks of production comprised shooting exteriors at the estate known today as Mills View, a Victorian style home first built in 1887 and located on Melrose Avenue in Monrovia, California. At the time, the building was owned by two Los Angeles firemen, brothers Brian and John Wade.

Production designer Gregg Fonseca and a crew of five spent about four weeks modifying the existing Victorian manor that included repainting the whole of the exterior, bordering the front yard with a wrought iron fence supported by stone pillars, and attaching foam spires to the roof. The back of the house had its clapboard façade covered with brick, and landscapers were brought in to plant flowers and reseed the dying lawn. The yard had no sidewalk at the time, so a faux walkway – made from plywood painted gray to look like concrete, and positioned to lead straight to the front porch – was added as a finishing touch. This sidewalk was pivotal in the finished film. Some time after production, a true concrete walkway was then installed in the same spot, capturing the evil nature of the one in the film.

The final six weeks of production moved operations to Ren-Mar Studios in Hollywood, where two floors of the interior of the Monrovia house were recreated on sound stages. This included sets for the living room, staircase, den and three upstairs bedrooms. On a separate adjacent set, the jungle exteriors for the Vietnam flash-back scenes were also built on sound stages, taking three days to put together.

A total of seven monsters were designed and fabricated for the production. These creatures – which included the obese witch, the zombified corpse of Big Ben (Richard Moll), three demonic kids, the flying skull-faced monster in the void, the plaque mounted marlin that comes to life and the war demon from the closet – were constructed by seventeen special effects artists, over a period of three-and-a-half months. The war demon, in particular, was an elaborately built puppet, measuring eighteen feet, fully mechanized, operated by fifteen people and featured a fully working lower bowel system. In addition to puppetry and animatronics, also stop-motion and actors in rubber suit was used to create the monsters.

Despite mixed reviews, House grossed $22.1 million worldwide on a $3 million budget, making it a financial success. The film has since gone on to become a cult favorite among genre fans, and was followed by three sequels.

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Romantic Photos of Michael Caine and Bianca Pérez-Mora Macías (Later Known as Bianca Jagger) in the Late 1960s

Michael Caine and Bianca Macías, later known as Bianca Jagger, were in a relationship in the 1960s. They met in Paris and dated for several years, with Macías even moving to England with Caine.

While their relationship was public and involved some time together, People magazine reported that Macías later described Caine as “unkind, superficial and kept me like I was his geisha,” indicating that their relationship ultimately ended negatively.

Below are some romantic photos of Michael Caine and Bianca Macías together in the late 1960s:

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35 Stunning Portrait Photos of Julie Newmar in the 1950s and ’60s

Julie Newmar is an American actress, dancer, and singer best known for her role as Catwoman in the 1960s television series Batman. Born 1933 in Los Angeles, California, she began her career as a dancer and appeared in a number of films and stage productions before gaining widespread recognition for her television work.

Newmar’s portrayal of Catwoman in the Batman series (1966–1967) became iconic due to her sultry performance, wit, and striking costume, helping define the character for generations. Her tall, statuesque figure and distinctive voice made her stand out in Hollywood, and she was often cast in roles that emphasized her physical presence and elegance.

On stage, Newmar won a Tony Award for Best Featured Actress in a Play for The Marriage-Go-Round. Beyond acting, she is also known for her work in real estate and as an inventor (she holds a patent for a type of pantyhose designed to enhance the female figure).

A pop culture icon, she was honored in the 1995 film To Wong Foo, Thanks for Everything! Julie Newmar, where her name symbolizes style and confidence. She has continued to make appearances in film and television over the years and is celebrated as a pioneering and multifaceted performer.

These stunning photos offer a glimpse into the elegance and allure of a young Julie Newmar at the height of her beauty in the 1950s and 1960s.

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