bring back some good or bad memories

September 9, 2019

20 Beautiful Postcards Capture Everyday Life of American Indians in the Early 20th Century

The Collection of American Indian postcards is held by the DeGolyer Library, Southern Methodist University.

The collection is comprised of postcard views of Navaho, Hopi and Pueblo Indians; pueblos; interiors of Hopi houses; ceremonials; and blanket weaving. Views of American Indians, Blackfoot, Apache, Hopi and Pueblo are prints of paintings, some by Winold Reiss for the Great Northern Railway, W.E. Rollins and Fred Harvey.

Old Carreta, Laguna Pueblo, New Mexico, circa 1901

An Up-stairs room, Hopi House, Grand Canyon of Arizona, circa 1903

Old Blanket Room in Hopi House, Grand Canyon of Arizona, circa 1903

Old Blanket Room in Hopi House, Grand Canyon of Arizona, circa 1903

Navajo Indian Blanket Weaver, circa 1904





You Could Stop at Five or Six Stores, or Just One

But once you see the one you’ll probably want to look at the other five stores...



“You Could Stop At Five Or Six Stores” is a scripted line repeatedly uttered by several actors while auditioning for an unknown commercial at the Sarantos Studio of Acting in Oak Park, Illinois.

The quote rose to online notoriety and became a popular subject of parodies after an edited montage reel of the audition, which consists of various actors awkwardly delivering the tagline along with other off-screen commentaries and dramatic poses.



The First Sydney Post Office

As the population of the colony grew, so did the volume of incoming mail. When ships arrived in Sydney Cove they were mobbed by people searching for letters and parcels.

By 1809 there were escalating complaints to the Lieutenant-Governor of fraud, theft and extortion at the docks. The New South Wales Corps, which had deposed Governor Bligh in 1808, moved to rein in the chaos by appointing an official postmaster.

On 25 April 1809 Isaac Nichols, an emancipated convict, was appointed as Postmaster, a position that authorized him to board ships and receive letters and parcels addressed to people within the colony.

He was ordered to establish an office at his home in George Street, where letters could be picked up and the collection prices would be fixed.

On 26 June 1809 Isaac Nichols boarded the brig Experiment and collected the first bag of mail from Britain. This is recognized as the birth of the postal system in Australia.

The first Sydney Post Office: The Post Office operated from the home of the first postmaster, Isaac Nichols, in lower George Street. This photograph was taken a few years before the building was demolished in 1889. (Photos: State Library of NSW)

Isaac Nichols was born on 29 July 1770 at Calne, Wiltshire, England. At the age of 21, he was found guilty of stealing and sentenced to seven years transportation. Nichols arrived in Port Jackson on 16 October 1791.

Nichols was hardworking and possessed the rarest of convict qualities, sobriety. His honesty and diligence impressed Governor Hunter, who appointed Nichols as the Chief Overseer of convict gangs in Sydney.

In 1797 Nichols completed his sentence and Governor Hunter granted him 50 acres (20 hectares) of land in the Concord district.

The rise of Isaac Nichols was meteoric. In 10 years, he increased his land holdings to 1400 acres (566 hectares), opened an inn on George Street, established a shipyard and built the Governor Hunter, a 33-ton trading schooner.

By 1806 Nichols was one of the wealthiest businessmen in the colony.



Italian Classic Beauty: 50 Glamorous Photos of Marilù Tolo in the 1960s and ‘70s

Born 1944 in Rome, Italian film actress Marilù Tolo worked as an assistant of Mario Riva in the RAI variety show Il Musichiere at a very young age. She made her film debut at 16 years old in Alberto Lattuada's Sweet Deceptions.


Tolo appeared in 64 films between 1960 and 1985, notably Marriage Italian Style (1964), Espionage in Lisbon (1965), and Eneide (1971).

Tolo was also a fashion model and a close friend of Italian stylist Valentino. Valentino said in an interview to Italian newspaper La Repubblica that Tolo was the only woman he had ever really loved.

Take a look at these glamorous photos to see the beauty of young Marilù Tolo in the 1960s and 1970s.










September 8, 2019

Stunning Photos of Cyndi Lauper at Coney Island For Her Album “She’s So Unusual” in 1983

Born 1953 in Astoria, New York City, American singer, songwriter, actress and activist Cyndi Lauper has spanned her career over 40 years.

Her album She's So Unusual (1983) was the first debut album by a female artist to achieve four top-five hits on the Billboard Hot 100—"Girls Just Want to Have Fun", "Time After Time", "She Bop", and "All Through the Night"—and earned Lauper the Best New Artist award at the 27th Grammy Awards in 1985.
“When I explained my vision to Janet Perr, who was the art director, she suggested Coney Island,” Lauper said. “Janet and I went together to location scout with Annie Leibowitz who was the photographer — I was so lucky to work with Annie on my first album cover — and we came upon the Roberto Clemente building and we knew it would be the perfect backdrop. I wanted it to be a study of midday light. It’s my favorite time of day as far as lighting goes.”
Here below are stunning photos of Cyndi Lauper photographed by Annie Leibovitz at Coney Island for her album She's So Unusual in 1983.










One of England’s Greatest Comedians: 27 Vintage Photographs of Peter Sellers in the 1960s and 1970s

Peter Sellers was born in Southsea, Hampshire, in southern England, where by chance his parents were performing in a local vaudeville show, on September 8, 1925. His father was William Sellers, a pianist and musical director, and his mother was Agnes Marks, a character actress. Sellers was ethnically half-Jewish from his mother's side, but was not religious.

As a youth, Sellers attended Miss Whitney’s School of Dancing in Southsea and Madame Vacani’s Dancing Classes in London before enrolling in St Aloysius’ Boarding and Day School for Boys. Just after his 18th birthday, Sellers was drafted into the British Royal Air Force. He became an official RAF concert entertainer, and between 1943 and 1946, Sellers spent his free time performing comedy sketches and playing the drums for the other servicemen.


After returning home from the war, Sellers pursued a position with the British Broadcasting Corporation (BBC). By 1948, he had taken part in a few moderately successful auditions, none of which had resulted in an invitation to join the BBC. Having grown impatient for stardom, Sellers chose to take matters into his own hands. The comic made a telephone call to Roy Speer, producer of the BBC radio program, Show Time. Sellers posed as a popular radio star and recommended himself to Speer. The producer, impressed with Sellers’ “acting,” gave him a spot on the air. Following his initial appearances on Show Time, Sellers became a sought-after radio personality.

On the long-running BBC radio show, Crazy People (later called The Goon Show), Sellers established himself as a master impressionist. The show’s zany collection of skits and Sellers’ outrageous characters have been recognized as the predecessors to Monty Python’s Flying Circus.

By the time The Goon Show was canceled in January 1960, Sellers had earned the exposure necessary to begin a career in film. After appearing in several British pictures, Sellers achieved success in the U.S. with The Mouse That Roared (1959). In 1960, he received international attention for his role in the film The Millionairess, in which he co-starred with Sophia Loren.

The incredibly versatile Sellers could slip in and out of characters with surprising speed. His genius was displayed through his depiction of multiple characters in Mouse as well as in several other films throughout his career. Dr. Strangelove (1964), considered Sellers’ best film, earned him his first Oscar nomination in 1965. In 1963, Sellers introduced the world to his best-known character, Inspector Clouseau, The Pink Panther’s bumbling master of disguise. There were four sequels to this successful comedic film: A Shot in the Dark (1964), The Return of the Pink Panther (1974), The Pink Panther Strikes Again (1976), and Revenge of the Pink Panther (1978).

Sellers garnered his second Oscar nomination for the critically acclaimed film, Being There (1979), in which he played the childlike Chance, a gardener mistaken for an economic guru. Sellers’ controlled performance was key to the success of this subtle comedy. The comedian’s film career ended just before his death in 1980, with The Fiendish Plot of Fu Manchu.

After appearing in over 60 films as well as on numerous radio and television shows throughout his career, Sellers died of a heart attack on July 24, 1980. Displaying his unending sense of humor, the comic said good-bye with one last joke. At Sellers’ request, the song “In The Mood” was played at his funeral, a tune that he hated. According to biographer Roger Lewis, Sellers had told his son Michael that the song was “wonderfully inappropriate – hence, wonderfully appropriate – for solemn occasions.”










Disneyland Ticket Stubs, circa 1960s

When Disneyland opened in 1955, visitors purchased an admission ticket to the park at the main gate booths and then purchased separate admission inside for each attraction. Less than three months after opening, Disney began selling “Value Books”, each of which contained several of each coupon labeled “A” through “C”, to supplement the pay-per-ride system. Attractions were then designated as “A”, “B”, or “C” attractions, and visitors needed to either purchase a specified coupon from a nearby booth or present the discount coupon book with the correct coupon attached. As determined by Disney, “A” attractions were the smallest or least popular, “B” attractions were more popular and/or more advanced, and “C” attractions were the most popular and/or most advanced. In 1956, Disney introduced the “D” designation for the most popular attractions and upgraded several former “C” attractions including Jungle Cruise to “D”.

In June 1959, amid the completion of Disneyland’s first major expansion, Disney introduced the “E” designation for the park’s most popular attractions and made the new Submarine Voyage, Matterhorn Bobsleds, and Disneyland–Alweg Monorail “E” coupon attractions. Additionally, the Santa Fe & Disneyland Railroad, Rocket to the Moon, Rainbow Ridge Pack Mules, Rainbow Mountain Stage Coaches, Mark Twain Riverboat, Sailing Ship Columbia, Rafts to Tom Sawyer Island, and Jungle Cruise – all previously “D” rides – were upgraded to “E”. “E” remained the highest attraction/coupon designation for over 20 years. Several “E” attractions were added throughout the 1960s and 1970s. In 1971 the coupon system was duplicated at the Magic Kingdom when it opened.

The coupons had a face value for use on rides, with an “A” ticket worth 10c, “B” 15c, “C” 25c, “D” 50c, and “E”, 85c. This meant one could ride any ride if the ticket or a combination of tickets met or exceeded the value of that ride, so one could overpay an “A” ticket ride with a “B” ticket or higher, or present an “A”, “C”, and “D” ticket together instead of an “E” ticket.

The coupon system was gradually phased out with the introduction of unlimited use tickets beginning in the late 1970s. This was largely due to competition from Magic Mountain, which, when it opened in 1971, allowed its visitors unlimited use of its attractions after paying the admission fee. By June 1982 coupons vanished entirely and were replaced by the present-day system where main gate admission entitles visitors to all rides and attractions, excluding coin-operated arcades.










Stunning Portraits From the Master Lensman Cecil Beaton

“Be daring, be different, be impractical, be anything that will assert integrity of purpose and imaginative vision against the play-it-safers, the creatures of the commonplace, the slaves of the ordinary.” – Cecil Beaton.

One of the greatest British lensmen, also an Oscar-winning stage and costume designer, Cecil Beaton (1904-1980) was best known for his elegant and decorative photographs of high society, including world leaders, royalty, film stars and international artists. His exceptional aesthetic taste, along with his dramatic persona, fierce ambition and dedication to social advancement are the main factors in Beaton’s over six-decade-long career. Below are some of the well-known names that fell under the multi-talented dandy’s sharp observations:

Marlene Dietrich, 1930. From the Cecil Beaton Studio Archive at Sotheby's.

Marlene Dietrich, 1930. For Vogue.

Marlene Dietrich, 1930. For Vogue.

Colette, 1930. From the Cecil Beaton Studio Archive at Sotheby's.

Norma Shearer, September 1930. For Vanity Fair.





35 Fascinating Photos Document Everyday Life of Ukraine During the War of Independence

The Ukrainian War of Independence, a period of sustained warlike conflict, lasted from 1917 to 1921 and resulted in the establishment and development of a Ukrainian republic – later a part of the Soviet Union as the Ukrainian Soviet Socialist Republic of 1922–1991.

The war consisted of a series of military conflicts between different governmental, political and military forces. Belligerents included Ukrainian nationalists, anarchists, Bolsheviks, the forces of Germany and Austria-Hungary, the White Russian Volunteer Army, and Second Polish Republic forces. They struggled for control of Ukraine after the February Revolution (March 1917) in the Russian Empire. The Allied forces of Romania and France also became involved.

The struggle lasted from February 1917 to November 1921 and resulted in the division of Ukraine between the Bolshevik Ukrainian SSR, Poland, Romania, and Czechoslovakia. The conflict is frequently viewed within the framework of the Russian Civil War of 1917–1922, as well as the closing stage of the Eastern Front of the First World War of 1914–1918.

These fascinating photos from Southern Methodist University Digital Collections that documented everyday life of Ukraine in spring of 1918.

Kiev street scene with horses and buggies

Kiev street scenes

Kiev street scenes

Kiev. German military procession on a street

Kiev. German officers conversing with women and child in rail yard





September 7, 2019

Picture Hats: One of the Favorite Fashion Styles of Edwardian Women

The Edwardian fashion era is often remembered by large over-sized hats stacked with plums of feathers, bows, flowers, birds, lace, and tulle. They were called Gainsborough or Picture hats for how they framed a lady’s face.

This is a very broad category of hat; some versions may be similar to the halo or cartwheel hat. This style featured in virtually every decade of the 20th century, and has a history dating back to at least the 18th century.

These cool snaps that captured Edwardian women wearing their Picture hats.










Vintage Photos of Horse Drawn Omnibus in Australia From Between the Late 19th and Early 20th Centuries

In the 1880s Sydney’s main streets were laid with durable hardwood blocks. The city was filled with the sound of steel-tyred buses and other vehicles rumbling over these blocks, accompanied by the clip clopping of countless horses’ hooves.

The horse bus was usually hauled by two horses. At peak times, or up steeper hills like William Street to Kings Cross, four horses were used. Upstairs seats, reached by a vertical ladder, were the domain of male passengers until the advent of a ‘safety stairway’ in about 1890 allowed women to enjoy the freedom of upper deck travel.

The bus was operated by the Sydney Tramway & Omnibus Company, the city’s largest omnibus company, which serviced most of the eastern suburbs. Signage on the bus indicates that the fare for the Macquarie Place to Woollahra route was two pence or ‘tuppence’ each way. The plodding pace of the horse buses, the increasing cost of feed, and the intense competition from cable and electric trams, brought the horse bus era in Australia to an end by about 1910.

Horse drawn Manly tram, 1894.

A horse bus outside Redfern railway station in Sydney, 1895.

Horse buses outside the old Sydney Railway Station, corner of Devonshire and George streets, 1895.

Horse drawn omnibus from the privately runned Sydney Tramway and Omnibus Company in Sydney, 1897.

Horse-drawn omnibus in Sidney, Australia, 1898.





Le Fox-Terrier Au Pont des Arts by Robert Doisneau, 1953

“Nowadays people’s visual imagination is so much more sophisticated, so much more developed, particularly in young people, that now you can make an image which just slightly suggests something, they can make of it what they will.” – Robert Doisneau

These hilarious photographs of a painter at the Pont des Arts were taken by the great French photographer Robert Doisneau in 1953. During his long career, his poetic approach to street photography recorded French everyday life in often playful and surreal images. Always charmed by his subjects, he enjoyed finding amusing juxtapositions or oddities of human nature.

Doisneau initially studied engraving and lithography at the École Estienne in Paris to learn the crafts involved in the book trade, but claimed that the streets of the working class neighborhood of Gentilly provided his most important schooling. When he was sixteen he took up amateur photography but was reportedly so shy that he started photographing cobble-stones before progressing to children and then adults.

“People like my photos because they see in them what they would see if they stopped rushing about and took the time to enjoy the city,” Robert Doisneau used to say. It is very true, however, perhaps surprisingly, his most famous picture was staged.








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