Vogue studio photography in the late 1940s and early ’50s marked a refined and elegant chapter in fashion imagery.
Working within the controlled environment of the studio, photographers created polished images that emphasized silhouette, dramatic lighting, and the luxurious details of haute couture. As the postwar period ushered in Christian Dior’s “New Look,” studio compositions became more expansive and feminine while retaining a sense of precision and sophistication.
Clean backdrops, careful posing, and masterful lighting defined the era’s aesthetic, producing some of the most enduring fashion photographs of the mid-century. These images remain a testament to the artistry and controlled glamour of Vogue’s studio tradition.
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| Model in beautiful dance dress of frosty chiffon and Enka rayon shimmering with sequins by Ben Gam, photo by Baker-Vogue Studio, Vogue, December 15, 1946 |
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| Bettina Graziani wearing a full-length mink coat with large cuffs from Fourrures Chombert, photo by Vogue Studio, Vogue, Paris, October 1948 |
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| Carole Jacquet in beautiful evening gown by Pierre Balmain, photo by Vogue Studio, Vogue, Paris, October 1948 |
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| Model wearing a one-shoulder, green jersey dress embroidered with feathers and sequins by Jeanne Lafaurie, photo by Vogue Studio, Vogue, Paris, October 1948 |
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| Model wearing a silver gray evening dress by Marcelle Dormoy, photo by Vogue Studio, Vogue, Paris, October 1948 |
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| Model wearing a soft, luxurious sheared beaver coat with large funnel collar by Fourrures Weil, photo by Vogue Studio, Vogue, Paris, October 1948 |
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| Model wearinga Royal Pastel EMBA mink coat designed by Christian Dior, photo by Vogue Studio, Vogue, Paris, October 1948 |
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| Régine Debrise wearing a Frost-Blue EMBA mink coat designed by Balenciaga, photo by Vogue Studio, Vogue, Paris, October 1948 |
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| Sophie Malgat wearing a classic camel's hair coat, double-breasted and belted, perfect for travel, by Hermès, photo by Vogue Studio, Vogue, Paris, October 1948 |
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| Sophie Malgat wearing a Silverblu EMBA mink coat designed by Pierre Balmain, photo by Vogue Studio, Vogue, Paris, October 1948 |
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| Wenda Parkinson wearing a sheared beaver jacket from Canada Furs, hat by Rose Valois, photo by Vogue Studio, Vogue, Paris, October 1948 |
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| Bettina Graziani wearing a Russian squirrel fur coat from Fourrures Weil, hat by Legroux Soeurs, photo by Vogue Studio, Vogue, Paris, September 1949 |
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| Capucine wearing a Baku hat trimmed with striped grosgrain ribbon and green and white satin by Gilber Orcel, photo by Vogue Studio, Vogue, Paris, March 1949 |
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| Model wearing a black-and-white harlequin print coat with large flap pockets and capelet by Hermès, hat by Florence, photo by Vogue Studio, Vogue, Paris, October 1949 |
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| Models in Bianchini Feriér velvet evening gowns, the purple by Balenciaga, the wine-red by Christian Dior, photo by Vogue Studio, Vogue, November 1949 |
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| Jackie Stoloff wearing a beautiful evening dress of shirred, black chiffon and overlaid with black lace by Paquin, photo by Vogue Studio, Vogue, Paris, September 1950 |
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| Jackie Stoloff wearing a side-wrapped hat by Le Monnier, photo by Vogue Studio, Vogue, Paris, November 1950 |
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| Model wearing a beautiful tulle evening gown sparkling with sequins by Jeanne Lafaurie, photo by Vogue Studio, Vogue, Paris, April 1950 |
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| Model wearing a short jacket and hat in chestnut Astrakhan fur by Jacques Heim, photo by Vogue Studio, Vogue, Paris, September 1950 |
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| Model wearing a spindle dress of ecru lace under an evening coat with heavily embroidered cuffs by Manguin, photo by Vogue Studio, Vogue, Paris, November 1950 |
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| Model wrapped in a luxurious white mink stole by Revillon, jewelry by Boucheron, photo by Vogue Studio, Vogue, Paris, December 1950 |
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| Régine Debrise wearing a Lesur wool coat by Jacques Griffe, photo by Vogue Studio, Vogue, Paris, April 1950 |
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| Sophie Malgat in full-length mink coat by Chombert, hat by Florence, photo by Vogue Studio, Vogue, Paris, October 1950 |
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| Sophie Malgat wearing a beautiful evening dress in satin and tulle called "Iphigénie" by Manguin, photo by Vogue Studio, Vogue, Paris, October 1950 |
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| Anne Gunning wearing a dress with side panel that's lined in polka-dots by Jacques Fath, photo by Vogue Studio, Vogue, Paris, April 1951 |
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| Bettina Graziani wearing a chalk colored melusine toque with a double veil by Legroux Soeurs, photo by Vogue Studio, Vogue, Paris, September 1951 |
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| Bettina Graziani wearing a redingote in a rough wool by Hermès, hat by Maud et Nano, photo by Vogue Studio, Vogue, Paris, September 1951 |
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| Bettina Graziani wearing a wool plaid coat with cape-collar by Hermès, hat by Simone Cange, photo by Vogue Studio, Vogue, Paris, March 1951 |
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| Della Oake wearing a two-piece silk suit with fringed trim and knotted sleeves that leave the shoulders uncovered by Raphael, hat by Nelly Maria Guy, photo by Vogue Studio, Vogue, Paris, April 1951 |
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| Fabienne Velos wearing a gold Indian silk strapless evening gown by Sumair Haute Couture, photo by Vogue Studio, Vogue, Paris, 1951 |
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| Gigi Terwalgne wearing a hat with a Louis XV knot and long sides in strawberry linen with a cockade in the same ribbon by Gilbert Orcel, photo by Vogue Studio, Vogue, Paris, March 1951 |
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| Gigi Terwalgne wearing a silk dress with pleated tiers by Jacques Fath, photo by Vogue Studio, Vogue, Paris, April 1951 |
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| Gigi Terwalgne wearing a straight black velvet dress adorned across the bodice with a wide satin ribbon tied in a knot by Balenciaga, photo by Vogue Studio, Vogue, Paris, October 1951 |
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| Jackie Stoloff wearing a black and pink glaced straw hat by Le Monnier, photo by Vogue Studio, Vogue, Paris, March 1951 |
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| Julia wearing a beautiful cultured pearl necklace from La Perla, photo by Vogue Studio, Vogue, Paris, December 1951 |
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| Julia wearing a white hat by Claude St. Cyr and Gigi Terwalgne wearing a black hat by Legroux Soeurs, photo by Vogue Studio, Vogue, Paris, April 1951 |
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| Model wearing a beautiful evening gown of Martelli tulle by Balenciaga, photo by Vogue Studio, Vogue, Paris, April 1951 |
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| Model wearing a white and navy ribbed piqué dress by Pierre Clarence, photo by Vogue Studio, Vogue, Paris, May 1951 |
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| Model wearing an elegant suit by Charles Montaigne, bag and gloves by Amaryllis, photo by Vogue Studio, Vogue, Paris, May 1951 |
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| Régine Debrise wearing a black grosgrain ribbon dress with red grosgrain ribbon belt wwith long streamers by Christian Dior, photo by Vogue Studio, Vogue, Paris, September 1951 |
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