Charles Verschuuren Jr. (1891–1955) was a distinguished Dutch-American illustrator and painter, celebrated for his versatile talent that seamlessly transitioned between the worlds of commercial art and fine portraiture.
Born into an artistic family in the Netherlands, Verschuuren brought a European sensibility to the vibrant American art scene, eventually becoming a prominent figure in New York. He is perhaps best remembered for his dynamic posters and sophisticated advertisements, which often featured a bold use of color and a keen sense of composition that defined the aesthetic of the early 20th century.
Beyond his commercial success, Verschuuren was a masterful portraitist, known for his ability to capture the dignity and character of his subjects with a graceful, refined touch. His body of work stands as a testament to an era where art and industry converged, leaving behind a legacy of elegance and visual storytelling.
Through these works, we can appreciate the meticulous craftsmanship that made Verschuuren one of the most sought-after illustrators of his generation.
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| Drukkerij Kotting, circa 1917 |
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| Café-Restaurant "Moderne", 1917 |
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| Ravensberg, Voor Straat Reclame, 1917 |
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| Darmoer je zien! Flora Revue, 1918 |
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| Oranje Hein, 1918 |
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| Erdal, Schoencrème Koopt 'n groote doos!, 1919 |
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| Regata Artisten Feest, 1919 |
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| Casino, Cabaret, circa 1920s |
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| Clown and donkey, 1920 |
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| Dieve Meid (Thief Girl), circa 1920 |
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| De Kermis Meid, 1921 |
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| Hittepetit, burlesk zangspel, 1921 |
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| Internationale Hygiënische Tentoonstelling, Amsterdam, 1921 |
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| Paleis voor Volksvlijt Amsterdam Zuid-Afrikaansche-Tentoonstelling, 1921 |
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| 't Schatje van het Kolkje (The Sweetheart of the Canal Ring), 1922 |
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| Phi-Phi, Operette van Christiné, 1922 |
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| Specialiteiten, Flora, circa 1924 |
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| Je moet slim zijn, De Erdal schoencrême bovenaan. Alleen echt met den Pelikaan, circa 1925 |
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| Muziekvereeniging Kunst aan het Volk, Enschedé - Grande Kermesse, 1925 |
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| "De BIG van het 168ste, franse militaire klucht in 3 bedrijven, door Jac. Peter", 1926 |
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| Amst. Coöp. Keuken, circa 1920s |
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| De Zedelijkheids Apostel Klucht in 3 bedrijven door louis Scheuer en Leo Wilde, circa 1920s |
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| Diploma Instituut "Schoevers", circa 1920s |
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| Drukkerij Kotting, circa 1920s |
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| Drukkerij Kotting, circa 1920s |
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| Erdal Schoenencrême, Hoe grooter de doos des te beter de Koop, circa 1920s |
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| Gloria Reinigt Alles! Rotterdam, circa 1920s |
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| Hütter's optische industrie, circa 1920s |
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| Kwatta Soldaten. Militaire Klucht, circa 1920s |
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| Madneze poetspasta, circa 1920s |
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| Nettoyeur, circa 1920s |
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| Passie-Spelen Amsterdam, circa 1920s |
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| Popular man, circa 1920s |
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| Publieke Vrouw, circa 1920s |
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| Publieke Vrouw, circa 1920s |
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| Quo Vadis? (een verhaal uit den tijd van Nero), circa 1920s |
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| Solar Schoencrême, circa 1920s |
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| Verkeer-Reclame Tentoonstelling, Paleis voor Volksvlijt, Amsterdam, circa 1920s |
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| 'n Kwartje voor de meid, circa 1920s |
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| Zomer-Tuin van het tentoonstellingsgebouw "Meta" Paleis voor Volksvlijt-Amsterdam, circa 1920s |
Fantastic early graphics!! Thanks!
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