Emilio Vilà (1887–1967) was a Catalan painter and poster artist whose vibrant, sophisticated work became an essential visual component of the Art Deco and “Années Folles” eras.
Moving from Spain to Paris in the early 20th century, Vilà quickly established himself as a master of the portrait, specializing in capturing the magnetic allure of the era’s most famous women, including stars like Mistinguett and Josephine Baker. His style was a unique blend of classical Spanish passion and Parisian avant-garde flair, characterized by bold lines, expressive use of color, and an uncanny ability to infuse his subjects with a sense of modern, independent spirit.
Beyond his canvases, Vilà was a pioneer in the world of commercial art and advertising. His theatrical posters and magazine covers for publications like Le Rire and Frou-Frou defined the aesthetic of the “Roaring Twenties,” turning everyday advertisements into collectible masterpieces. In the late 1920s, he returned to his roots in Llagostera, Spain, where he founded his own museum, ensuring that his legacy as a chronicler of beauty and glamour would endure.
Step into the dazzling world of the 1920s through the vibrant brushstrokes and iconic posters of Emilio Vilà.
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| Flapper with rose head-dress poster maquette, 1921 |
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| A. Batschari Cigarettes, 1925 |
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| Beauty, Bloom of Youth, Crème Simon, Paris, 1925 |
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| Lampe Iris, circa 1925 |
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| Nail polish advertisement poster maquette, 1925 |
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| La Nuit de l'Élégance, Grand Diner de Gala, Claridge, Paris, 1927 |
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| La Samaritaine, 1927 |
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| Ville de Cannes, La Nuit de l'Élégance, 1927 |
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| Bal Hispano Americain, Hôtel George V, En Blanc et Noir, Grande Fête des Fleurs, 1928 |
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| Grâce au Timbre Antituberculeux, 1928 |
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| Annabella, circa 1920s |
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| Bugatti poster advertisement maquette, circa 1920s |
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| Chaussures Dressoir, circa 1920s |
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| Cosmetics poster advertisement maquette, circa 1920s |
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| Exposition Emilio Vilá, Mains de Femmes, circa 1920s |
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| Flapper in white hat poster maquette, circa 1920s |
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| La Danse, circa 1920s |
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| Savon Palmolive, garanti sans suif, circa 1920s |
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| Smoke rings, circa 1920s |
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| Taking Ways! Pathé's "Baby Cine" Camera, circa 1920s |
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