Lilyan Tashman: Hollywood’s Best-Dressed Icon of the Jazz Age

Lilyan Tashman (1896–1934) was an American actress celebrated for her sophisticated style and sharp supporting roles in silent and early sound films.

Born in Brooklyn, Tashman began in vaudeville and on Broadway before moving to Hollywood in the early 1920s. Known as one of the best-dressed women on screen, she specialized in glamorous, witty characters that perfectly suited the spirit of the Jazz Age. She appeared in numerous films throughout the 1920s and early ’30s and successfully transitioned into the talkie era.

Though her career was cut short by illness at the age of 37, Tashman remains remembered as a distinctive and stylish figure of early Hollywood. These vintage photos capture the elegance, style, and glamorous presence of Lilyan Tashman, Hollywood’s best-dressed icon of the Jazz Age.

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20 Photos of Cass Elliot in the Early 1970s

In the 1970s, Cass Elliot actively redefined her image and career following the breakup of The Mamas & the Papas. Shedding the moniker “Mama Cass” to establish herself simply as Cass Elliot, she transitioned into a solo pop act, television personality, and cabaret headliner before her death in July 1974.

She signed with RCA Records in 1971 after leaving Dunhill. Her self-titled 1972 album Cass Elliot, along with The Road Is No Place for a Lady (1972), showcased a refined, vocal-focused pop and cabaret style. Also in 1971, she partnered with Traffic guitarist Dave Mason to release the collaborative album Dave Mason & Cass Elliot, featuring tracks like “Too Much Truth, Too Much Love.”

Elliot became a fixture on prime-time American television. She hosted her own TV specials, frequently co-hosted The Tonight Show Starring Johnny Carson, and made appearances on The Julie Andrews Hour, The Carol Burnett Show, and The Muppet Show pilots. Unlike her disastrous 1968 Las Vegas solo debut, her early 1970s live nightclub and cabaret performances, particularly at the London Palladium in July 1974, were critical and commercial triumphs.

On July 29, 1974, at age 32, Elliot died in her sleep from heart failure in London, immediately following a sold-out, two-week engagement at the London Palladium. A persistent urban legend claimed she choked on a ham sandwich, but official pathology reports confirmed her death was caused by heart failure brought on by chronic obesity and cardiovascular strain.

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24 Vintage Photos of 1960s Beauty Shops

These vintage photos capture the atmosphere of beauty shops during the 1960s. Inside the salons, women sit under large hairdryers, get their hair styled into the decade’s popular looks, or wait their turn amid mirrored walls, Formica counters, and bright lighting.

The images reveal the social side of the beauty parlor as a place of conversation, transformation, and everyday glamour. They offer a nostalgic look at a familiar space that played a central role in women’s lives and the style of the era.

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Twiggy During the Launch of Her Own Clothing Collection in London, 1967

On February 16, 1967, British cultural icon and supermodel Twiggy (Lesley Hornby) officially launched “The Twiggy Look Collection” in London. At the time, Twiggy was 17 and at the height of “Twiggymania.”

The collection was born out of a collaboration between Twiggy and two fresh graduates from the Royal College of Art, Paul Babb (or Babbs) and Pamela Proctor. Funded and manufactured by dress makers Leonard Bloomberg and Sidney Ellis, the line aimed to capture the rebellious, youthful energy of London’s “Youthquake” and make high fashion highly accessible to the average teenager. At launch, garments were famously priced between £3 and £6, allowing everyday young women to easily recreate Twiggy’s style.

The line perfectly encapsulated late-1960s Mod fashion, mirroring Twiggy’s own distinct personal aesthetic. Bold, structural, and short hemlines that dominated the London street-style scene. Tailored pinstripe suits paired with neck scarves and loafers, emphasizing the model’s signature boyish charm. Vibrant colors, ribbed knits, and experimental styles, such as her famous newspaper print dress, often accessorized with oversized plastic jewelry, kipper ties, and thick striped tights.

The launch event was heavily documented at a massive press photo-call in London’s West End, featuring Twiggy standing proudly alongside clothing rails filled with her eponymous labels. The collection solidified her status not just as a face for other brands, but as an independent, global fashion force.

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30 Amazing Portraits of Lita Ford in the 1980s

As a solo artist in the 1980s, Lita Ford, dubbed the “Queen of Metal,” became a definitive fashion icon of the glam metal and hair metal era. Transitioning from the raw punk-rock energy of The Runaways to a polished, radio-friendly pop-metal sound, her image seamlessly blended hyper-feminine glamor with aggressive, badass rocker edge.

Ford’s look was anchored by the quintessential ‘80s “big hair.” She wore her bleached-blonde locks highly teased, backcombed, and heavily sprayed to achieve maximum volume, often paired with feathered layers and choppy bangs. Her makeup matched the theatricality of the Sunset Strip: bold smoky eyeshadow, heavy eyeliner, and striking red or pink lipstick that stood out under intense stage lighting.

Her wardrobe was a masterclass in heavy metal style. She regularly performed in skin-tight black leather pants, studded bodysuits, and fishnet stockings, accessorized with fingerless leather gloves, spiked wristbands, and wide statement belts. For a softer, radio-ready visual identity around her 1988 breakthrough album Lita, she incorporated cropped lacy tops, bustiers, and fringe.

When not clad in leather, Ford embraced the classic rocker denim aesthetic. This included heavily distressed, acid-washed, or shredded jeans and cropped denim jackets covered in patches or metallic studs, bridging the gap between heavy metal and casual street style.

No Lita Ford look was complete without her instrument. She made the aggressive, angular shapes of B.C. Rich guitars a central part of her visual brand. Whether shredding on a hot-pink “Bich” double-neck or a blood-red “Warlock,” these fiercely designed instruments contrasted with her blonde glam look to solidify her status as a powerful, unapologetic guitar hero.

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30 Vintage Photos Showing What Life Looked Like in the Early 1900s

These vintage photos offer a fascinating glimpse into everyday life in the early 1900s. From busy city streets and rural scenes to family gatherings, workers, and ordinary moments at home, the images capture a world on the brink of modern change.

Clothing styles, transportation, architecture, and daily routines all reflect the social and technological conditions of the time. These photos preserve a vivid visual record of how people lived more than a century ago.

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Burke-Amey: Bold American Fashion of the 1960s

Burke-Amey was a New York fashion house founded in 1959 by designer Ronald Amey and his business partner Joseph Burke. Known for inventive use of fabrics, bold prints, and sophisticated ready-to-wear and couture designs, the label reflected the vibrant style of 1960s American fashion. Amey’s creations often featured striking color combinations, graphic patterns, and refined silhouettes that appealed to stylish clients.

In 1970, Amey bought out his partner and continued under his own name, though the original Burke-Amey label remains remembered for its distinctive contribution to mid-century American design. These elegant designs showcase the bold style and refined craftsmanship of Burke-Amey, a distinctive voice in 1960s American fashion.

Dorothea McGowan in biased black silk crêpe dress by Burke-Amey, photo by Irving Penn, Vogue, July 1, 1960

Dorothea McGowan in sleeveless dress and jacket of wild grape-pink grained silk, jacket tied with brown satin sash and point d'esprit scarf by Burke-Amey, grape straw hat by Emme, photo by Irving Penn, Vogue, March 1, 1961

Simone d'Aillencourt in plaid wool dress by Burke-Amey and bulbous turban-hat by Lilly Daché, photo by Horst P. Horst, Vogue, 1962

Wilhelmina in long and heavy white crêpe dress masked by a flouncy lace caraco embroidered with black straw flowers by Burke-Amey, kidskin gloves by Viola Weinberger, photo by Irving Penn, Vogue, March 1, 1963

Brigitte Bauer in bold black and white wool houndstooth suit over a black and white silk paisley blouse stock-tied, by Burke-Amey, belt by Chanel, bag by Coblentz, photo by Horst P. Horst, Vogue, February 1, 1964

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