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July 26, 2026

Mick Jagger With His Aston Martin DB6 in London, 1966

In the early summer of 1966, Mick Jagger celebrated his new wealth by splashing out an estimated £5,000 on a brand new Aston Martin DB6, at that time the marque’s latest, state-of-the-art tourer. (It had been launched the previous autumn.) He was the lead singer of The Rolling Stones, who at that point were second only to The Beatles in terms of fame and international success. In outrage and rebelliousness, they were without peer.

The Rolling Stones had begun by covering American R&B and blues songs, but that had a limited shelf life. Pushed by manager Andrew Loog Oldham, they began to write their own material and there then ensued an extraordinary sequence of self-penned hits. Between spring 1965 and early summer 1966, the Stones had four number one hits and a number two in the UK. In the US they had six top tens and three number ones. All were written by Mick Jagger and Keith Richards.

By spring 1966, the money was beginning to flow in. Still only 22, Mick Jagger was becoming very rich. Behind the rebellious image, he was also, at the same time, becoming a key member of the new pop aristocracy.

These shots were taken in by Gered Mankowitz in June 1966 in a London mews, just off Baker Street: Jagger had recently moved into a flat in Harley House, near the top end of Harley Street, between Marylebone Road and Regent’s Park. The idea was to show The Rolling Stones “at home,” a then standard fan magazine trope. Still only a teenager himself at the time, Gered was the closest photographer to the group. He remembers that “Mick was in an excellent mood all day. We hung out and took a load of silly images of him generally taking the mickey out of the ‘at home’ format.”






A Stagecoach Drawn by Four Horses on the Virginia Canyon Road in Yellowstone National Park, 1905

This historic photograph captures a four-horse yellow-painted tourist stagecoach kicking up dust as it navigates the treacherous terrain of Virginia Canyon Road in Yellowstone National Park in the summer of 1905. In the background, the rushing waters of the Virginia Cascades slice through the canyon.


While Yellowstone was established as America's first national park in 1872, horse-drawn stagecoaches reigned supreme as the primary mode of internal transportation from 1886 until the mid-1910s. Wealthy tourists would arrive at the park’s boundaries via steam trains. From there, they boarded large passenger coaches operated by licensed transportation companies for grueling 3-to-5-day loop tours of the park’s geysers, lakes, and canyons.

The route shown here along Virginia Canyon Road was notoriously narrow, steep, and unpaved. Drivers, often called “whips,” had to possess immense skill to handle a team of four to six horses along sharp cliffside drop-offs with a vehicle fully loaded with passengers and heavy luggage.

This 1905 photograph documents the final peak of the stagecoach era. Just a few years later, the rapid invention and adoption of the automobile changed everything. Following intense public pressure, motorized vehicles were officially permitted into Yellowstone in 1915. By 1917, horse-drawn commercial stagecoaches were completely banned from the park's main roads, closing a romantic but rugged chapter of Western American travel.

35 Bold Photos Capturing 1980s Young Fashion

These bold vintage photos, from Steven Martin, perfectly capture the vibrant and rebellious spirit of young fashion in the 1980s. From oversized blazers, neon colors, and shoulder pads to acid-wash jeans, leather jackets, and statement accessories, the images showcase the bold individuality and high-energy style that defined the decade.

Whether on city streets, at parties, or hanging out with friends, these snaps reflect the confidence, creativity, and carefree attitude of 1980s youth culture, a time when fashion was loud, expressive, and unapologetically fun.






July 25, 2026

Carmen Miranda: The Brazilian Bombshell of Hollywood

Carmen Miranda (1909–1955) was a Brazilian singer, dancer, and actress who became one of the most iconic and energetic stars of Hollywood’s Golden Age.

Famous for her colorful fruit-adorned hats, vibrant costumes, and lively Latin rhythms, Miranda brought Brazilian samba and samba-inspired music to American audiences in the 1940s. With her infectious smile, dynamic performances, and flamboyant style, she starred in numerous musical films and became a cultural symbol of Latin glamour and joy during World War II.

These vibrant vintage photos perfectly capture the joyful spirit and unforgettable style of Carmen Miranda, the Brazilian Bombshell who lit up Hollywood with her charisma and rhythm.






40 Historical Photographs of “Night Witches,” the Soviet Pilots Who Bombed the Nazis During World War II

The “Night Witches” (German: Nachthexen; Russian: Nochnye Vedmy) were the all-female Soviet 588th Night Bomber Regiment (later the 46th “Taman” Guards Night Bomber Aviation Regiment) of the Soviet Air Forces during World War II. They flew harassment and tactical bombing missions on the Eastern Front from 1942 to 1945.

In October 1941, after the German invasion (Operation Barbarossa), celebrated Soviet aviator Marina Raskova (often called the “Soviet Amelia Earhart”) used her influence with Stalin to secure approval for three women’s aviation regiments. These were the 586th Fighter Aviation Regiment, the 587th Bomber Aviation Regiment, and the 588th Night Bomber Regiment. The 588th was the only one that remained entirely female throughout the war.

Most members were young volunteers in their late teens or early twenties, many with pre-war flying experience from civilian aviation clubs. The regiment was commanded by Major Yevdokiya Bershanskaya. Training was intense and compressed at the Engels Military Aviation School. The unit reached the front in mid-1942 as part of the 4th Air Army.

They flew obsolete Polikarpov Po-2 (also called U-2) biplanes—slow, open-cockpit wooden-and-canvas aircraft originally designed for training and crop-dusting. Fully loaded, they could carry only about 350 kg (770 lb) of bombs (typically two), had a top speed around 60–90 mph depending on load, and lacked radios, radar, or modern instruments in early use. Crews (pilot + navigator) often flew without parachutes until later in the war because of weight and low altitude.

Their signature tactic was to idle the engine near the target and glide in, releasing bombs with only the soft whooshing of the airframe (likened by Germans to a witch’s broomstick). This reduced detection by radar or sound. Planes operated in groups: some drew searchlights and flak while others approached silently. Crews typically flew 8–18 short sorties per night (each 30–50 minutes), returning to rearm and refuel. The planes’ low speed and high maneuverability made them hard for faster German fighters to engage effectively.

From June 1942 until the end of the war, the regiment flew roughly 23,000–24,000 combat sorties, logged nearly 29,000 flight hours, and dropped more than 3,000 tons of bombs plus tens of thousands of incendiary shells. They damaged or destroyed railways, bridges, fuel depots, warehouses, armored vehicles, and troop concentrations while also performing supply drops. They supported major operations including the Battle of the Caucasus, the Kuban/ Taman/ Novorossiysk fighting, the Crimean Offensive, operations in Belarus and Poland, and advances into East Prussia and toward Berlin.

In February 1943 the unit received the elite “Guards” designation and was later titled the 46th “Taman” Guards Night Bomber Aviation Regiment for its role in the Taman Peninsula battles. It earned the Order of the Red Banner and the Order of Suvorov.

About 32 members died during the war (combat, crashes, or other causes). Twenty-three received the Hero of the Soviet Union (the highest Soviet military honor), more than any other women’s unit. Notable high-sortie pilots included Irina Sebrova (over 1,000 sorties). Marina Raskova herself died in a non-combat crash in January 1943 while leading another regiment and received a state funeral.

The women faced outdated equipment, harsh weather, frostbite, sexual harassment and skepticism from some male personnel, and the constant risk of flak and night fighters. After the war the regiment was disbanded (October 1945). Many members returned to civilian life; postwar Soviet society largely pushed women back toward traditional roles, and the unit’s achievements received less public emphasis for a time. Their story later gained wider recognition through books, documentaries, and popular culture (including the Sabaton song “Night Witches”). They remain one of the best-known examples of women in direct combat roles in World War II and a striking case of effective use of limited resources through skill, endurance, and unconventional tactics.






1959 Maserati 3500 GT Spyder: Pure Italian Romance on Wheels

The 1959 Maserati 3500 GT Spyder was one of the most elegant and desirable Italian sports cars of the late 1950s. Designed by Giovanni Michelotti and built by Vignale, it combined a powerful 3.5-liter inline-six engine with sleek, flowing lines and a sophisticated open-top design.

Only a limited number of Spyders were produced, making it an ultra-rare and highly sought-after classic today. With its perfect balance of performance, luxury, and timeless Italian styling, the 3500 GT Spyder embodied the romance and passion of postwar Italian motoring.

These stunning photos beautifully showcase the pure Italian romance and timeless elegance of the 1959 Maserati 3500 GT Spyder. A true masterpiece on wheels, it remains one of the most desirable classics for collectors and enthusiasts who appreciate refined grand touring style.






30 Studio Portraits of a Young and Beautiful Lynda Carter in 1975

In 1975, Lynda Carter (born July 24, 1951) was 24 years old and at the start of her iconic run as Wonder Woman in the TV series that premiered that November. She had just been crowned Miss World USA in 1972 (reaching the top 15 at Miss World), and her striking beauty, height (around 5'9"), long dark brown hair, piercing blue eyes, and warm smile made her a perfect fit for the role of Diana Prince/Wonder Woman.

That year was the transformative year for Carter. After a few years of touring in bands and taking small television guest roles, her career reached a turning point on November 7, 1975, when she debuted as the lead in ABC’s pilot TV movie, The New Original Wonder Woman.

Before landing the part, Carter had nearly exhausted her savings pursuing acting in Los Angeles and was reportedly down to her last $25 in the bank, contemplating a move back home to Arizona. After actress Joanna Cassidy dropped out of contention, producers cast the 24-year-old Carter, who perfectly fit the physical look and earnest moral compass envisioned for the iconic DC superhero.

The 1975 pilot movie was a major success, leading directly to the full weekly series that ran for three seasons from 1976 through 1979 across ABC and CBS.









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