Although James Taylor released his debut album for the Beatles’ Apple Records in 1968, it wasn’t until his second LP, 1970’s Sweet Baby James for Warner Bros. Records, that most audiences were introduced to the singer-songwriter. The album, featuring such Taylor songs as “Fire and Rain,” “Country Road,” “Blossom,” and the title cut, was a significant success, commercially, it reached #3 on the U.S sales chart, and critically, it received a Grammy Award nomination for Album of the Year from his peers.
By late 1969, folk musician and photographer Henry Diltz had been photographing many of the biggest recording artists in Southern California, in Los Angeles’ burgeoning Laurel Canyon music scene for several years, and had become a top choice for publicity pictures and album cover photos. In December, 1969, he was hired to shoot some black and white publicity shots of James Taylor, but he liked the colors that day.
“Peter Asher called me one day and asked if I could come to his house and photograph this guy that he was producing,” Diltz
told Best Classic Bands. After experiencing success as one-half of the British pop vocal duo Peter and Gordon, Asher had become an executive for Apple Records and signed Taylor. He ultimately resigned his position with the label to become Taylor’s manager.
“I went over and as I walked into the living room,” said Diltz, “James was sitting on the far side, sort of behind the piano with his back to the window, finger-picking ‘Oh, Susannah’ on his guitar. And being a musician, it just absolutely blew me away to hear this music box version of the song. I couldn’t even believe it. It was angelic. I kind of sunk down in front of him and asked if he would play it again. The first pictures I took of him, he was sitting there.”







The photographer then suggested that they “go outside somewhere,” and they went over to a friend of Diltz’s who had a place called “The Farm.”
“It was kind of a musical commune,” he recalled. “There were little sheds, little outhouses and things. So we took pictures there. It was very quiet. We weren’t talking much. And at one point James leaned on this big post. He’s a tall guy and he leaned on it and it filled my frame… my horizontal frame… in a perfect way. I thought, ‘Holy cow… I’m taking black and white, because they wanted publicity pictures.’ So I said, ‘Wait a minute, James, don’t move.’ And I picked up my color camera because in my mind I was thinking I want to show this in my slide shows for my hippie friends and I wanted to show this picture that was blowing my mind.”