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March 15, 2026

30 Candid Photos of Jackie Kennedy Onassis With Her Younger Sister Lee Radziwill From Between the 1950s and Early 1970s

The relationship between Jacqueline Kennedy Onassis and her sister, Lee Radziwill, was a complex tapestry of fierce loyalty and sharp sibling rivalry. During the mid-20th century, they were the world’s most watched sisters—icons of style who navigated the heights of political and social power while privately wrestling for their mother’s approval and their own identities.

The sisters were raised in the upper classes of New York society. Jacqueline was three and a half years older than Lee, and they affectionately called each other “Jacks” and “Pekes” as children. In the 1950s, the sisters were young socialites establishing their lives. While they were close, the seeds of competition were planted early by their mother, Janet Auchincloss, who often pitted them against one another.

Jackie married the rising political star John F. Kennedy in 1953. Lee, perhaps feeling the pressure to keep pace, married Michael Canfield the same year. In 1959, Lee married Prince Stanislaw Albrecht Radziwill, gaining a title. For a brief moment, Lee was a “Princess” while Jackie was merely a Senator’s wife, a dynamic that shifted dramatically with the 1960 election.

The 1960s defined their public image. As Jackie became First Lady, Lee became her unofficial lady-in-waiting and most trusted confidante. Lee accompanied Jackie on the famous 1962 trip to India and Pakistan. They were a formidable duo, though Lee often struggled with being “the sister of the First Lady.” Ironically, it was Lee who first became close with Greek shipping tycoon Aristotle Onassis. She was widely rumored to have romantic designs on him, but she ultimately stepped aside to let Jackie cruise on his yacht, the Christina, following the death of Jackie’s infant son, Patrick, in 1963.

After JFK’s assassination, Lee was a pillar for Jackie, frequently staying at her homes in Georgetown and New York to help her navigate the suffocating grief.

The 1970s saw the relationship fracture under the weight of “The Golden Greek” and shifting ambitions. In 1968, Jackie married Aristotle Onassis. For Lee, this was a profound sting; she had loved Onassis first, and Jackie’s marriage to him felt like a public erasure of Lee's own romantic history.

While Jackie lived as “Jackie O” in the early 1970s, Lee attempted to forge her own career in interior design and even tried her hand at acting (which was panned by critics). Lee’s lifestyle often outpaced her income, leading to a reliance on Onassis (and later Jackie) for financial support. This created an imbalance of power that fueled resentment.

Despite their periods of “cold war” silence, their bond remained unique. They shared a secret language and a childhood history that no one else could touch. Lee once famously said, “I’m nobody’s sister,” yet she spent her life defined by that very connection.






The Moment Jack Ruby Shot Lee Harvey Oswald in Dallas on November 24, 1963

One of the most shocking moments in American history, captured live on television and in photographs. On the morning of November 24, 1963, just two days after President John F. Kennedy’s assassination, Lee Harvey Oswald was being transferred from Dallas Police Headquarters to the county jail. As he was escorted through the basement of the Dallas Police Department, nightclub owner Jack Ruby stepped forward from the crowd of reporters and detectives and fired a single .38-caliber revolver shot into Oswald’s abdomen at point-blank range.


Oswald died approximately two hours later at Parkland Memorial Hospital, the same hospital where President Kennedy had died two days earlier.

The shooting was broadcast live on national television, making it one of the first acts of violence ever witnessed in real time by a mass audience. The famous photograph, taken by Robert H. Jackson of the Dallas Times Herald, won the 1964 Pulitzer Prize for Photography.

Jack Ruby (52) shoots Lee Harvey Oswald (24). The image was captured by Dallas Times Herald photographer Robert H. Jackson and it won the 1964 Pulitzer Prize for Photography.

Jack Beers’s photograph taken a split second before Jack Ruby shot Lee Harvey Oswald on November 24, 1963. The photo was used on the front page of the Dallas Morning News the next day

A camera captures the back of Jack Ruby as he shoots Lee Harvey Oswald who is being escorted by guards during a television press conference at the Dallas police headquarters.

The AP says this is Jack Ruby’s hat on the ground just after shooting Lee Harvey Oswald in 1963.

Mugshot of Jack Ruby taken November 24, 1963, after his arrest for killing Lee Harvey Oswald.

25 Stunning Real Photo Postcards of Zarah Leander in the 1930s and 1940s

During the 1930s and 1940s, Zarah Leander (March 15, 1907 – June 23, 1981) was the most prominent and highest-paid film star in Nazi Germany, known for her deep, dark contralto voice and dramatic persona. Despite her Swedish origin, she became a massive commercial success for the state-owned Universum Film AG (UFA) between 1936 and 1943.

Leander began her career in Swedish theater in 1929 before moving to larger stages in Stockholm and Vienna. She signed a lucrative contract with Berlin-based UFA in 1936, choosing Germany over Hollywood primarily due to family considerations and the high salary offered. She quickly became a superstar with films like Premiere (1937) and To New Shores (Zu neuen Ufern, 1937), directed by Douglas Sirk.

Marketed as a tragic lover and glamorous diva, she was often compared to Greta Garbo and Marlene Dietrich. Her 1942 film Die groĂŸe Liebe (The Great Love) became the single biggest box office success in the history of the Nazi film industry, seen by approximately 27 million people. While she never joined the Nazi party, she performed in “request concerts” for soldiers and her work was heavily used for propaganda, making her a highly controversial figure after the war.

After her Berlin villa was bombed in 1942 and she faced pressure to take German citizenship, Leander broke her contract and returned to Sweden in 1943. Initially shunned by the Swedish public and artistic community for her ties to the Third Reich, she was even banned from performing in Germany and Austria until 1948.

She eventually made a successful comeback across Europe in the late 1940s and 1950s, remaining a sentimental favorite in Germany until her death in 1981.






London Streets in the 1980s: A Decade of Grit and Glamour

London in the 1980s was a city of striking contrasts, where crumbling Victorian facades met the neon-lit energy of a new era.

The streets were a vibrant stage for self-expression, echoing with the sounds of post-punk, new wave, and the early beats of club culture. From the defiant Mohawks and leather jackets of Camden Town to the power suits and sleek red buses cruising through the City, the visual landscape was constantly shifting.

It was a decade marked by both social unrest and a creative explosion, where the grit of the urban environment served as a backdrop for the “New Romantic” fashion movement. These streets weren’t just transit routes, they were the living, breathing heart of a cultural revolution that redefined the spirit of the British capital forever.

These fascinating photos, captured by Peter Marshall, offer a glimpse into London streets during the first half of the 1980s.

Bus, Piccadilly, Westminster, 1980

Battersea High St, Battersea, Wandsworth, 1980

Closed Saturday, Open Sunday, Shop Door, Brick Lane, Spitalfields, Tower Hamlets, 1980

Mattresses, Brockley, Lambeth, 1980

Silver Belle Flour, St Mary's, Old Swan Wharf, Battersea, Wandsworth, 1980

Norman Hartnell: The Couturier to the Crown

Sir Norman Hartnell (1901–1979) was the undisputed master of British high fashion, legendary for his role as the primary dressmaker to Queen Elizabeth II and the Queen Mother. His illustrious career reached its zenith with two of the most significant garments in history: the Queen’s 1947 wedding dress and her 1953 Coronation gown.

Hartnell’s style was defined by a sense of “theatrical grandeur,” characterized by exquisite embroidery, intricate beadwork, and a masterful use of luxurious fabrics like tulle and satin. Beyond the palace gates, he was a visionary who brought British couture to the global stage, blending classical elegance with a quintessentially English romanticism.

A pioneer who was the first British designer to be knighted, Hartnell’s legacy remains woven into the very fabric of royal tradition and mid-century glamour. Slow down for a moment and enjoy the delicate beauty of Norman Hartnell’s world in these vintage photos below.

Model in beautiful dress named "Karenina," made of black taffeta with pearl-embroidered velvet collar and cuffs, swept to the back into a velvet-faced pastiche of a bustle by Norman Hartnell, photo by Richard Dormer, Harper's Bazaar UK, December 1948

Della Oake in cream-and-caramel tweed,Glenurquhart check, classic belted suit and creamy velour hat, by Norman Hartnell, leather bag from Asprey, photo by Richard Dormer, Harper's Bazaar UK, September 1951

Della Oake in loose coat of oatmeal-colored llama wool with a stand-up collar of black astrakhan and double patch-pockets with wide flaps by Norman Hartnell, photo by Richard Dormer, Harper's Bazaar UK, September 1951

June Duncan in white-and-black print taffeta dress, cut slim with an added panelled overskirt, bodice buttons up to high pointed collar by Norman Hartnell, photo by Henry Clarke, Harper's Bazaar UK, March 1951

Wenda Parkinson in gown fit for a queen by Norman Hartnell, photo by Norman Parkinson, 1951

30 Romantic Photos of Billy Crystal and Meg Ryan on the Set of “When Harry Met Sally...” (1989)

During the filming of When Harry Met Sally... in 1989, Billy Crystal and Meg Ryan developed a unique creative partnership that redefined the modern romantic comedy. Their collaboration, supported by director Rob Reiner and screenwriter Nora Ephron, produced some of the most enduring behind-the-scenes stories in film history.

The famous “fake orgasm” scene at Katz’s Delicatessen was Ryan’s idea to prove Harry’s cynicism wrong. Crystal then added the punchline, “I’ll have what she’s having,” which was delivered by Reiner’s mother, Estelle. To capture Harry’s post-divorce loneliness, Crystal stayed in a separate hotel room from the rest of the cast and crew while shooting in Manhattan. Many scenes were based on the real friendship between Reiner and Crystal. For example, the split-screen telephone conversations where they watched the same TV shows were activities they actually did together every night.

The script originally ended with Harry and Sally parting as friends. However, Reiner met his future wife during production and decided a romantic reconciliation was more fitting. Reiner encouraged Crystal and Ryan to spend time together off-set to build a genuine rapport, ensuring their on-screen rhythm felt effortless.

Columbia Pictures released When Harry Met Sally in selected cities, letting word of mouth generate interest, before gradually expanding distribution. The film grossed $92.8 million in North America, and was released to critical acclaim. Ephron received the BAFTA Award for Best Original Screenplay, as well as nominations for the Academy Award, WGA Award and Golden Globe. The film is ranked 23rd on AFI’s 100 Years... 100 Laughs list of the top comedy films in American cinema and number 60 on Bravo’s “100 Funniest Movies.”

In early 2025, Crystal and Ryan reunited at Katz’s Delicatessen to recreate the iconic diner scene for a Hellmann’s Super Bowl commercial. This reunion marked 35 years since the film's release, with the actors even wearing outfits that paid homage to their original 1989 looks.

































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