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August 19, 2025

Léon Bakst’s Exotic Costume Designs For ‘The Sleeping Princess’ (1921)

Born 1866 as Leyb-Khaim Izrailevich Rosenberg, Russian painter and stage and costume designer of Jewish origin Léon Bakst was best known for his groundbreaking work with Sergei Diaghilev’s Ballets Russes. His vivid, imaginative designs for productions such as Cleopatra (1909), Scheherazade (1910), The Firebird (1910), Daphnis and Chloe (1912), The Sleeping Princess (1921) and others revolutionized theatrical aesthetics in the early 20th century.

Bakst’s use of bold colors, exotic motifs, and innovative costumes not only transformed stage design but also influenced fashion and interior decoration of the era. Beyond the theater, he created portraits and decorative works that reflected his flair for drama and ornamentation.

Bakst’s legacy endures as one of the most influential figures in modern stage and costume design. He died in 1924 in a clinic in Rueil Malmaison, near Paris, from lung problems. In late 2010, the Victoria and Albert Museum in London presented an exhibit of Bakst's costumes and prints. Take a look at these exotic and imaginative costume designs by Léon Bakst for The Sleeping Princess.

Costume Design for 'The Sleeping Princess' – The Queen

Costume Design for 'The Sleeping Princess' – The Queen

Costume Design for 'The Sleeping Princess' – A Courtier

Costume Design for 'The Sleeping Princess' – A Minister of State

Costume Design for 'The Sleeping Princess' – Baroness

August 18, 2025

30 Vintage Photos of a Young Shelley Winters in the 1940s

Shelley Winters (born Shirley Schrift; August 18, 1920 – January 14, 2006) was an American film actress whose career spanned seven decades. She won Academy Awards for The Diary of Anne Frank (1959) and A Patch of Blue (1965), and received nominations for A Place in the Sun (1951) and The Poseidon Adventure (1972), the latter of which also earned her a Golden Globe Award for Best Actress in a Supporting Role - Motion Picture, as well as a nomination for a British Academy Film Award for Best Supporting Actress.

In the 1940s, Winters was just beginning her Hollywood career, after working as a model and Broadway understudy. She moved to New York and studied at the Actors Studio (later becoming one of its famous alumni).

Winters arrived in Los Angeles during World War II. Like many aspiring actresses, she worked odd jobs while auditioning. She shared an apartment with Marilyn Monroe for a time during those early years. She began with uncredited parts in films like What a Woman! (1943), Sailor’s Holiday (1944), and Knickerbocker Holiday (1944).

By the late 1940s, Winters started securing larger roles. Her breakthrough role was as a waitress and murder victim in the film A Double Life (1947), which was distributed by Universal. This role led to a long-term contract with Universal and a quick rise to stardom. She followed this with a supporting role in Larceny (1948) and a second-billed role in Johnny Stool Pigeon (1949). Other notable films from this period include Cry of the City (1948) and Take One False Step (1949). Her career continued to ascend in Hollywood with roles in The Great Gatsby (1949) and Winchester '73 (1950).






Boxing by Elderly Ladies Wearing Aprons, New York, 1925

In a fascinating glimpse into New York’s vibrant social history, a 1925 photograph captures a group of older ladies engaging in a playful boxing match while wearing aprons. This unexpected scene blends humor, camaraderie, and a touch of rebellion against the era’s conventional expectations of older women. The aprons, typically symbols of domesticity and traditional female roles, contrast sharply with the spirited activity, highlighting a lively moment of fun and defiance.


During the 1920s, women across America were experiencing significant social changes—embracing newfound freedoms, experimenting with fashion, and pushing boundaries in public life. This image reflects those shifting attitudes, showing that age and societal roles didn’t necessarily confine women’s energy or sense of humor. The ladies’ smiles and determined stances convey a sense of joy and solidarity, suggesting that they relished the opportunity to step outside the expected norms, even if only for a brief moment.

More than just a candid snapshot, this scene offers a valuable window into the everyday lives and personalities of women in early 20th-century urban America. It challenges stereotypes about aging and femininity, revealing a spirited resilience and zest for life that transcended the years. The photo stands as a charming testament to the power of friendship, laughter, and breaking conventions—no matter one’s age or attire.

Portraits of a Young Patrick Swayze in 1979, Around the Time the Film “Skatetown U.S.A.” Came Out

Patrick Wayne Swayze (August 18, 1952 – September 14, 2009) was an American actor, singer-songwriter and dancer. Known for his romantic, tough, and comedic roles in blockbusters and cult films, Swayze was nominated for three Golden Globes and received a star on the Hollywood Walk of Fame in 1997.

Having trained at the Harkness and Joffrey Ballet Schools in New York, Swayze was a highly skilled dancer. In the mid-1970s, he performed with the Eliot Feld Ballet Company before moving into musical theater. One of his early stage roles was Danny Zuko in the Broadway production of Grease, which showcased both his charisma and dance ability.

Swayze began transitioning into screen acting around this time. He made his television debut in 1979 in the musical comedy Skatetown, U.S.A., where his athleticism and charm were immediately noticeable. His role as Ace Johnson, the leader of a roller-skating gang known as the “Westside Wheelers,” showcased his natural athleticism and dance background. As a professionally trained dancer who had also competed in roller skating as a teenager, Swayze performed all of his own skating and stunts in the film. Swayze’s performance was widely praised as one of the few redeeming qualities of the movie.

In this era, Swayze still carried his dancer’s lean, muscular build, and his look often reflected the late 1970s disco and rock style—longer feathered hair, open shirts, and a confident stage presence.






30 Gorgeous Portraits of Samantha Eggar From the 1960s

English actress Samantha Eggar is best known for her work in film, television, and theater during the 1960s and 1970s. She gained international recognition for her role in The Collector (1965), for which she won the Best Actress award at the Cannes Film Festival and received an Academy Award nomination.

Known for her elegance and striking screen presence, Eggar went on to star in a range of films, including Doctor Dolittle (1967), The Molly Maguires (1970), and David Cronenberg’s psychological horror The Brood (1979). In addition to her film career, she has appeared in numerous television productions and stage performances.

Take a look at these gorgeous photos to see the beauty of a young Samantha Eggar from the 1960s.






Rare Photos of a Very Young Mae West in the 1910s

Mary Jane “Mae” West (August 17, 1893 – November 22, 1980) was an American actress, singer, comedian, screenwriter, and playwright whose career spanned more than seven decades. Recognized as a prominent sex symbol of her time, she was known for portraying sexually confident characters and for her use of double entendres, often delivering her lines in a distinctive contralto voice. West began performing in vaudeville and on stage in New York City before moving on to film in Los Angeles.

West was already performing on the vaudeville stage as a teenager. By the mid-1910s, she was appearing in New York vaudeville houses under the stage name “Baby Mae.” Even as a very young performer, she had a reputation for a flirtatious, witty, and confident stage presence—traits that later defined her Hollywood image. She often sang popular songs and did comedic routines that hinted at the sexual innuendo she became famous for.

In 1911, she made her Broadway debut in the revue A La Broadway. Through the decade, she appeared in revues and musical comedies, including Vera Violetta (1911) and Sometime (1918).

In the 1910s, Mae West looked quite different from the platinum-blonde screen goddess we remember. She was brunette with soft features, petite (around 5 feet tall), and already experimenting with glamorous fashion and figure-enhancing styles.

By the end of the 1910s, Mae West was carving out her niche as a daring performer—still years away from the film roles of the 1930s, but already laying the groundwork for her persona as America’s queen of double entendre.







Amazing Covers of Science and Invention Magazine During the 1920s

Science and Invention was an American popular science and technology magazine founded by Hugo Gernsback in 1920. Originally launched as Electrical Experimenter in May 1913, the magazine was renamed Science and Invention and became one of the earliest periodicals to blend scientific curiosity with futuristic imagination.

The magazine featured articles on new inventions, do-it-yourself projects, and speculative ideas about technology’s role in the future. It was also known for its colorful, often visionary cover art that captured the excitement of progress and innovation.

Although it ceased publication in August 1931, Science and Invention left a lasting influence on science fiction and popular interest in technology. Here is a collection of amazing covers from Science and Invention magazine during the 1920s.

Science and Invention magazine cover, September 1920

Science and Invention magazine cover, January 1921

Science and Invention magazine cover, March 1921

Science and Invention magazine cover, October 1921

Science and Invention magazine cover, February 1922




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