Sophia Loren (born September 20, 1934) became an international film star following her five-picture contract with Paramount Pictures in 1958. Among her films at this time were Desire Under the Elms with Anthony Perkins; Houseboat, a romantic comedy co-starring Cary Grant; and George Cukor’s Heller in Pink Tights.
In 1960, Loren starred in Vittorio De Sica’s Two Women, a stark, gritty story of a mother who is trying to protect her 12-year-old daughter in war-torn Italy. The two end up gang-raped inside a church as they travel back to their home city following cessation of bombings there. Originally cast as the daughter, Loren fought against type and was eventually cast as the mother (actress Eleonora Brown would portray the daughter). Loren’s performance earned her many awards, including the Cannes Film Festival's best performance prize, and an Academy Award for Best Actress, the first major Academy Award for a non-English-language performance or to an Italian actress. She won 22 international awards for Two Women. The film was extremely well received by critics and a huge commercial success. Though proud of this accomplishment, Loren did not show up to this award, citing fear of fainting at the award ceremony. Nevertheless, Cary Grant telephoned her in Rome the next day to inform her of the Oscar award.
During the 1960s, Loren was one of the most popular actresses in the world, and continued to make films in the United States and Europe, starring with prominent leading men. In 1961 and 1964, her career reached its pinnacle when she received $1 million to appear in El Cid and The Fall of the Roman Empire. In 1965, she received a second Academy Award nomination for her performance in Marriage Italian-Style opposite Marcello Mastroianni.
Among Loren’s best-known films of this period are Samuel Bronston’s epic production of El Cid with Charlton Heston, The Millionairess (1960) with Peter Sellers, It Started in Naples (1960) with Clark Gable, Vittorio De Sica’s triptych Yesterday, Today and Tomorrow (1963) with Marcello Mastroianni, Peter Ustinov’s Lady L (1965) with Paul Newman, Arabesque (1966) with Gregory Peck, and Charlie Chaplin’s final film, A Countess from Hong Kong (1967) with Marlon Brando.
Here, a beautiful Sophia Loren as photographed by Francois Pages in 1962:
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