Born 1946 in Manhattan, New York, American actress and former model Ann Turkel was photographed for American Vogue in the 1960s. Patrick Lichfield captured images of her on location in the United Kingdom, the Bahamas, and Italy during the early 1970s, and included them in his 1981 book
The Most Beautiful Women.
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| Ann Turkel in the 1960s |
After a brief appearance in the film Paper Lion (1968), her first major role was in the 1974 film, 99 and 44/100% Dead starring her future husband Richard Harris, and they acted together in The Cassandra Crossing (1976), Golden Rendezvous (1977) and Ravagers (1979).
Her other movie roles included Portrait of a Hitman (1979), with Jack Palance, and Humanoids from the Deep (1980), Deep Space (1988) and The Fear (1995). She also played the role of modeling agent and immortal Kristen in “Chivalry”, a season four episode of Highlander: The Series.
Take a look at these glamorous photos to see portraits of a young Ann Turkel as a model in the 1960s.
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| Ann Turkel in Roman-striped evening pajamas by Galanos, earrings by Michael Hic, sandals by Dal Co, photo by Horst P. Horst, 1966 |
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| Ann Turkel in shimmering long sleeved pull-over and pants of pale blue crepe embroidered solidly with silver paillettes by Norman Norell, photo by Horst P. Horst in Mr. Norell's apartment, Vogue US, 1966 |
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| Ann Turkel in silver-pailletted full-length dress by Norman Norell, earrings and ring by Schreiner, photo by Horst P. Horst in Norell’s home, Vogue, November 15, 1966 |
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| Ann Turkel in silvered stretch jeans and shirt by Lynn Stuart, painting by Vasarely, photo by Horst P. Horst, 1966. |
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| Ann Turkel in silvered stretch jeans and shirt by Lynn Stuart, painting by Vasarely, photo by Horst P. Horst, 1966 |
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| Ann Turkel next to painting by Tom Wesselmann wearing dinner pajamas of wide satin pants, jewelled short satin top, by Dominic for Matty Talmack, photo by Horst P. Horst, 1966 |
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| Ann Turkel photographed by Horst P. Horst, Vogue, 1966 |
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| Ann Turkel reclining on a red couch, wearing striped, wide legged dinner pajamas by Galanos, photo by Horst P. Horst, Vogue, November 15, 1966 |
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| Ann Turkel from the series ‘Furs’ in Leningrad, 1967 |
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| Ann Turkel in blazing Pinwheel print at-home shift in highly polished heavy tricot by Vanity Fair, photo by Bert Stern, Vogue, March 1, 1967 |
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| Ann Turkel in brilliant yellow crêpe jumpsuit worn under a sleeveless coupe de velours coat of shimmering bonsai trees fastened with jewels by Givenchy, coiffure by Carita, photo by Irving Penn, Vogue, November 15, 1967 |
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| Ann Turkel in crèpe-georgette mini-dress by Pierre Cardin, photo by David Bailey, French Vogue, March 1967 |
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| Ann Turkel in flowing sky-blue silk charmeuse crêpe dinner-pyjamas by Stella, earrings by Apex Art, photo by David Bailey, Vogue, October 1, 1967 |
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| Ann Turkel in shimmering gold dinner coat, welted and belted by Originala in Comark vinyl, photo by Irving Penn, Vogue, January 1, 1967 |
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| Ann Turkel in silk crêpe dress the color of young moss under a cluster of petals shaped to a bolero, sashed high with pink velvet by Sophie of Saks Fifth Avenue, photo by David Bailey, Vogue, October 1, 1967 |
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| Ann Turkel in tailored shirtdress in fire-flower brocade of wool and metallic threads by Samuel Winston, coiffure by Suga of Kenneth, photo by David Bailey, Vogue, November 1, 1967 |
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| Ann Turkel in tiger color combination dress and matching stockings of Caprolan nylon by Oscar de la Renta Boutique, Vogue, March 15, 1967 |
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| Ann Turkel on the domes of the Catherine Palace in nearby Pushkin, photo by Fred Maroon, 1967 |
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| Ann Turkel wearing short dark brown linen dress sashed in shrimp-pink leather by Susan Small, photo by Helmut Newton in Tunis, Vogue UK, 1967 |
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| Ann Turkel in beautifully tailored chrome-yellow mink coat closed with shine fro fastenings by Maximilian, white stock by Emily Wetherby, photo by Irving Penn, Vogue, August 15, 1968 |
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| Ann Turkel in cutout sea coral suit, the low draped décolletage is held by acrystal hoop by Cole of California, cap by Emme, photo by Bill Silano, Harper's Bazaar, May 1968 |
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| Ann Turkel in deep, plush cotton evening dress with rhinestone highlights by Murray Nieman for Hannah Troy, Harper's Bazaar, September 1968 |
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| Ann Turkel in flame-dyed mink coat with smoky black streaks going round from small rolled collar to just below the knee by Christian Dior Furs, photo by Irving Penn, Vogue, August 15, 1968 |
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| Ann Turkel in fresh autumn color wool plaid coatdress buttoning off to one side and kilting out beneath a wide-swung leather belt by Rondina-Manzo, coiffure Alan of Kenneth, photo by Bert Stern, Vogue, September 15, 1968 |
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| Ann Turkel in geranium-red wool coat buckled and buttoned in brass by Bardley, white felt bowler by Adolfo, shoes by Charles Jourdan, photo by Bert Stern, Vogue, January 15, 1968 |
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| Ann Turkel in SAGA mink jacket, deep green banded in black, snug through the shoulders, cut full through the back by Reiss & Fabrizio, earrings and rings by Van Cleef & Arpels, photo by Irving Penn, Vogue, August 15, 1968 |
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| Ann Turkel wearing print button-front dress by Originala, photo by Gianni Penati, Vogue, January 1968 |
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| Ann Turkell in coral bodysuit composed of two handkerchief pointed triangles connected with round crystal rings by De Weese, photo by Bill Silano, Harper's Bazaar, May 1968 |
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| Ann Turkel wearing a gold chain with large gem studded pendant by Madame Grès, elaborate coiffure styled by Kenneth, make-up by Max Factor, photo by Bert Stern, Vogue, 1969 |
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| Ann Turkel wearing little brass grommets by Originala with a hat by Adolfo and handbag by Latinas; hair by Hugh Harrison, photo by Bert Stern, 1969 |
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