Born in Los Angeles in 1918, Henry Clarke, a renowned fashion photographer, discovered his calling in 1945 whilst working as an accessorist at Condé Nast in New York. During an encounter with the Cecil Beaton during a photography session at
Vogue’s studio, Clarke was entranced by the photographic image. He promptly abandoned his fashion job, borrowed a Rolleiflex camera and began taking pictures.
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Fashion photography by Henry Clarke in the 1960s |
Deciding to try his luck abroad, Clarke moved to Paris in 1949. There his friend, Robert Randall, reintroduced him to the fashion world. He quickly found work at Fémina, L’Album de Figaro and Harper’s Bazaar.
The next year, Clarke began a collaboration with the French, English and American editions of Vogue that would last more than a quarter-century. With the help of women like Suzy Parker, Ann Sainte Marie and Bettina who were the most glamorous models of the day, he captured the elegance of the modern woman: young, lively, carefree and seductive.
In the 1960s, Diana Vreeland, the formidable editor of Vogue, sent him to such exotic locations as Syria, Iran, India and Mexico to create exciting fashion layouts.
Upon his death in 1996, it was revealed that Henry Clarke had named the Institut Pasteur as universal legatee of his estate. He bequeathed his historical collection of photographs to the Musée de la Mode et du Costume in Paris.
These stunning photos are part of his work that Henry Clarke took portraits of classic beauties in the 1960s.
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Model in pink dress, 1960 |
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Tamara Nyman, 1962 |
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Vogue, October 1962 |
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Veruschka, 1964 |
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Wilhelmina wearing a crêpe evening dress by Gustave Tassell, 1964 |
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Verushka wearing an Emilio Pucci bikini top with a long wrapped skirt, the print is Egyptian inspired in purples, greens, yellows and white, Brazil, 1965 |
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Editha Dussler wearing a brown and white Persian print jibba by Chombert, Valley Göreme, Turkey 1966 |
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Editha Dussler wearing a dress by B.H. Wragge, 1966 |
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Editha Dussler wearing a full skirted striped silk evening dress by Tiziani, 1966 |
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Editha Dussler wearing Anne Fogarty, Valley Göreme, Turkey, 1966 |
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Editha Dussler wearing Ellen Brooke, 1966 |
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Editha Dussler wearing Hannah Troy, 1966 |
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Editha Dussler, 1966 |
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Model wearing a gown of sky-blue chiffon and a crystal beaded top by Pat Sandler, 1966 |
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Model wearing a short silver sequined dress by Joan Arkin in the Valley Göreme, Turkey, Vogue, December 1, 1966 |
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Model wearing orange Christian Dior dress, Istanbul, Turkey, Vogue, December 1966 |
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Model wearing pants and top by Bill Blass, Turkey, 1966 |
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Susan Murray wearing a slit print skirt and thin-strapped top by Emilio Pucci, 1966 |
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Vogue, December 1966 |
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Benedetta Barzini at Santa Maria di Gesu in Sicily, wearing a turquoise dress with a matching drawstring shaping a high waist by Leslie Fay and a wide brimmed turquoise hat by Till, 1967 |
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Benedetta Barzini, 1967 |
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Marisa Berenson, 1967 |
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Model is standing between statues at the Villa Palagonia, Bagheria, Sicily, 1967 |
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Samantha Jones in a caftan-inspired dress in colorful hand printed zigzag by Livio de Simone, rings and bracelets by Tiziani, India, Vogue, 1967 |
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Samantha Jones, 1967 |
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Simone D'Aillencourt in Emilio Pucci, 1967 |
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Simone D'Aillencourt in Tiffeau, 1967 |
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Simone D’Aillencourt, 1967 |
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Sue Murray, Vogue summer look, Palermo, Italy, 1967 |
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Maria Schiano in Revillion, 1968 |
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Marina Schiano wearing a transparent evening chiffon pullover and pants in fuchsia by Adolfo, at Chichén Itzá, Mexico, outside the Temple of Warriors, 1968 |
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Model wearing a blue coat with a circular pattern and a matching hat by Mila Schoen, 1968 |
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Françoise Leroy, 1969 |
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Marina Schiano, 1969 |
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Marisa Berenson in Halston, 1969 |
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Mary Ann Restivo, 1969 |
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Model in a Bill Blass silk organza dress, 1969 |
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Moyra Swan, 1969 |
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Moyra Swan, 1969 |
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Moyra Swan, 1969 |
(Photo © Henry Clarke)
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