Born 1834 in Frankfurt am Main, German photographer Giorgio Sommer became one of Europe's most important and prolific photographers of the 19th century. Active from 1857 to 1888, he produced thousands of images of archeological ruins, landscapes, art objects and portraits.
After studying business in Frankfurt, Sommer opened his first photography studio in Switzerland, where he made relief images of mountains for the Swiss government. In 1856, moved his business to Naples and later (1866) formed a partnership with fellow German photographer Edmund Behles who owned a studio in Rome. Operating from their respective Naples and Rome studios, Sommer and Behles became one of the largest and most prolific photography concerns in Italy.
Sommer and Behles exhibited extensively and earned numerous honors and prizes for their work (London 1862, Paris 1867, Vienna 1873, Nuremberg 1885). At one time, Sommer was appointed official photographer to King Victor Emmanuel II of Italy.
Sommer was involved in every aspect of the photography business. He published his own images that he sold in his studios and to customers across Europe. In later years, he photographed custom images for book illustrations, as well as printing his own albums and postcards.
In Naples, Sommer opened a total of four additional studios: at No. 4 and No. 8 Monte di Dio, No. 5 Magazzino S. Caterina, and a last at Piazza della Vittoria.
Sommer died in Naples in 1914 at the age of 79.
These amazing photographs are part of Sommer's work that he captured everyday life of Italy from the 1860s and 1880s.
After studying business in Frankfurt, Sommer opened his first photography studio in Switzerland, where he made relief images of mountains for the Swiss government. In 1856, moved his business to Naples and later (1866) formed a partnership with fellow German photographer Edmund Behles who owned a studio in Rome. Operating from their respective Naples and Rome studios, Sommer and Behles became one of the largest and most prolific photography concerns in Italy.
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| Italy in the mid-19th century by Giorgio Sommer |
Sommer and Behles exhibited extensively and earned numerous honors and prizes for their work (London 1862, Paris 1867, Vienna 1873, Nuremberg 1885). At one time, Sommer was appointed official photographer to King Victor Emmanuel II of Italy.
Sommer was involved in every aspect of the photography business. He published his own images that he sold in his studios and to customers across Europe. In later years, he photographed custom images for book illustrations, as well as printing his own albums and postcards.
In Naples, Sommer opened a total of four additional studios: at No. 4 and No. 8 Monte di Dio, No. 5 Magazzino S. Caterina, and a last at Piazza della Vittoria.
Sommer died in Naples in 1914 at the age of 79.
These amazing photographs are part of Sommer's work that he captured everyday life of Italy from the 1860s and 1880s.
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| Messina harbour, circa 1862 |
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| Oxen and carts, Rome, circa, 1862 |
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| Piazza del Campidoglio from Palazzo Senatorio, Rome, circa 1862 |
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| The market, Piazza Navona, Rome, 1865 |
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| Amalfi Marina, circa 1865 |
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| Bridge of Sighs, Venice, circa 1865 |
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| Leaning Tower of Pisa, circa 1865 |
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| Messina cathedral, Sicily, circa 1865 |
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| Naples from San Martino, circa 1865 |
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| Old Palace from the Boboli Garden, Florence, circa 1865 |
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| Piazzetta San Marco and Isola St Giorgio, Venice, circa 1865 |
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| Riviera di Chiaia, Naples, circa 1865 |
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| Topographical view of Monreale, Sicily, circa 1865 |
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| Via Appia, Rome, circa 1865 |
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| Dancing the Tarentella, Naples, circa 1875 |
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| Facades in S. Lucia, Naples, circa 1878 |
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| Marina of Capri, circa 1880 |
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| Naples, circa 1880 |
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| Posillipo, Naples, circa 1880 |
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| Via Roma, Napoli, circa 1880 |
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| Palazzo Vecchio, Florence, 1883 |
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| Agrigento, view from the Temple of Jupiter, 1888 |
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| Capri, 1888 |
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| Casa del Fauno, Pompei, 1888 |
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| Largo Plazza, Naples, 1888 |
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| Piazza Trinita Maggiore, Naples, 1888 |
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| Ravello, 1888 |
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| The Anapo river and the papyrus, Syracuse, 1888 |
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| Villa Nazionale, Naples, 1888 |
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| Villa Nazionale, Naples, 1888 |
