Federico Seneca (1891–1976) was a towering figure in early 20th-century graphic design, celebrated for his ability to blend artistic avant-garde with commercial appeal.
As the art director for Perugina and later Buitoni, Seneca revolutionized Italian advertising by moving away from literal depictions toward bold, stylized metaphors. He is perhaps most famous for creating the iconic visual identity of the “Baci” chocolate, inspired by Francesco Hayez’s famous painting The Kiss, which featured two star-crossed lovers silhouetted against a midnight blue background. His style was deeply influenced by Futurism and Cubism, characterized by clean geometric shapes, dramatic lighting, and a sense of dynamic movement.
Seneca’s work did more than just sell products, it transformed the Italian landscape into an open-air gallery, making sophisticated modern art accessible to the general public and defining the visual language of an era.
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| Perugina Cioccolato & Confetture, 1922 |
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| La Perugina, 1922 |
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| Cioccolato Perugina, 1923 |
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| Fano, Stazione Balneare, 1923 |
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| Buitoni, Pastina glutinata, 1928 |
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| Cioccolatni Perugina, 1928-29 |
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| Pastina Glutinata, 1928 |
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| Perugina, 1928 |
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| Buitoni, Pastina Glutinata, 1929 |
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| Cacao Perugina, 1929 |
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| Cioccolatini Perugina, 1929 |
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| Cioccolatini Perugina, circa 1930 |
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| Modiano, 1930 |
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| Amaro Ramazzotti, 1933 |
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| Manifesto pubblicitario “Odeon Follies", Milano, 1934 |
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| Talamone, uova a sorpresa Unica, 1934 |
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| 2ª Mostra Mercato dei Vini Tipici d'Italia, Siena, 1935 |
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| Coppa della Perugina Auto Moto Club, 1950 |
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| Zàini, Uova di cioccolato con sorpresa, 1950 |
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| Manifesto per reclame “Pibigas cuoce”, 1951 |
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| Pibigas Ilumina, 1951 |
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| Pibigas riscalda, 1951 |
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| Lavabiancheria automatica, Fiat, 1952 |
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| Panettoni Sala, 1955 |
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| Cinzano Soda, 1958 |
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