Windsor Elliott was a fashion model who appeared frequently in Vogue during the late 1960s, representing the elegance and style of the era. She was photographed by noted fashion photographers including Irving Penn, Bert Stern, Gianni Penati, Henry Clarke, and Gene Laurents.
Elliott’s work featured memorable images such as posing in a yellow mink jacket, wearing camellias in her hair, and modeling for high-end brands like Christian Dior and Estée Lauder. With her refined presence and versatility, she became part of the visual legacy of fashion’s golden age, and her images remain enduring symbols of 1960s glamor.
Take a look at these glamorous photos to see portraits of Windsor Elliott from the late 1960s.
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| Windsor Elliott with camelias, dress by Sarmi, photo by Arnaud de Rosnay, September 1968 |
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| Windsor Elliott in beautiful black silk dress with white lace shimmering over gold galloon and pearls that edge the deep neckline and wrists by Oscar de la Renta, photo by Irving Penn, Vogue, September 1, 1968 |
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| Windsor Elliott in fur-lined loden cloth cape cut like a poncho over a loose-legged belted jumpsuit of wool and alpaca by Ginala, photo by Irving Penn, Vogue, September 1, 1968 |
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| Windsor Elliott in lapis-blue satin party dress, small top seamed in panels with dirndl skirt by Leslie Fay, belt and pin by Mimi di N, photo by Irving Penn, Vogue, September 1, 1968 |
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| Windsor Elliott in a short black velvet dress with a white organdy collar crossed in front and buttoned in back by Jane Justin for Don Sophisticates, coiffure by Suga of Kenneth, photo by Irving Penn, Vogue, September 15, 1968 |
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| Windsor Elliott in a wool-silk-mohair dirndle dress striped in emerald green on the bodice and more green stripes at the hem of the ruched black skirt by Cardinali, coiffure by Alan of Kenneth, photo by Bert Stern, Vogue, August 15, 1968 |
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| Windsor Elliott in big-collared admiralty coat of black wool Melton cloth with brass buttons over black-and-white windowpaned wool dress by Bill Blass for Maurice Rentner, photo by Gianni Penati, Vogue, October 15, 1968 |
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| Windsor Elliott in black patent leather dirndl, worn with black jersey shirt, belts by Yves Saint Laurent, photo by Gianni Penati, Vogue, November 15, 1968 |
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| Windsor Elliott in gaucho culottes of rich brown velvet and full-sleeved shirt with golden fringe falling from collar and cuffs, photo by Bert Stern, Vogue, August 15, 1968 |
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| Windsor Elliott in nightdress of huge red hearts on fuschia by Princess Luciana for Cira of Caprolan nylon tricot, photo by Alexis Waldeck, Vogue, November 15, 1968 |
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| Windsor Elliott in pale mist-pink chiffon skirt, the turtleneck top drenched in pearly beading, by Eric, made to order at Bergdorf Goodman, photo by Bert Stern, Vogue, October 1, 1968 |
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| Windsor Elliott in shimmering lamé shirt, an embroidered black velvet weskit and pants by Deanna Littell, belt by Bagatelle, coiffure by Kenneth, photo by Irving Penn, Vogue, September 15, 1968 |
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| Windsor Elliott in short, wide-collared houndstooth coat, back-belted, over an ivory jersey dress with matching gaiters by Belle Saunders for Abe Schrader, photo by Irving Penn, Vogue, September 1, 1968 |
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| Windsor Elliott in sleeveless navy knit dress crossed with white from Vogue Pattern 7345, Marvella bracelets around the ankles, photo by Gianni Penati, Vogue, July 1, 1968 |
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| Windsor Elliott in tailored gray wool pantsuit, double-breasted jacket with flap hip-pockets by Don Simonelli for Modelia, plaid stocking-shoes by Golo, photo by Gianni Penati, Vogue, October 15, 1968 |
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| Windsor Elliott in the perfect smoking jacket in black velvet embroidered with jet and black braid over straight braid-striped pants by Bill Blass for Maurice Rentner, photo by Irving Penn, Vogue, September 1, 1968 |
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| Windsor Elliott in yellow mink jacket side-buttoned over straight pants of Russian broadtail lamb, both by Maximilian, handbag by Janis Barden, photo by Irving Penn, Vogue, September 15, 1968 |
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| Windsor Elliott is wearing a jeweled Sam Browne belt of bright blue enameled rings linked with rhinestones over a white ermine tunic and black Russian broadtail pants by Maximilian, jewelry by Ciner, photo by Gianni Penati, Vogue, November 15, 1968 |
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| Windsor Elliott in a short ribbed cashmere pull with a high neck and low pockets by Jeanne Campbell for Sportwhirl, belt by Kenneth Jay Lane for Juness, photo by Arnaud de Rosnay, Vogue, May 1, 1969 |
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| Windsor Elliott in an Avril rayon and cotton overall in a sunny yellow by Gunter for Saks Fifth Avenue, Vogue, April 15, 1969 |
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| Windsor Elliott in an enchanting bathing suit in pink-and-white checks with scooped neck, puff sleeves and high sash, buttons at the back with matching bikini pants by Cole of California, photo by Arnaud de Rosnay, Vogue, May 1, 1969 |
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| Windsor Elliott in an evening, wide-legged jumpsuit in daisy-printed silk by Oscar de la Renta, photo by Irving Penn, Vogue, February 1, 1969 |
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| Windsor Elliott in black and white silk window pane jumpsuit with a reverse sash in red and white piqué by Oscar de la Renta, photo by Irving Penn, Vogue, April 15, 1969 |
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| Windsor Elliott in black crêpe dress that laces all the way to the waist with a tasseled cord by Oscar de la Renta, coiffure by Suga of Kenneth, photo by Irving Penn, Vogue, February 1, 1969 |
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| Windsor Elliott in black crêpe shirt and pants, shirt softly spilled to the hip, the stock looped at the throat by Jacques Tiffeau, coiffure by Suga of Kenneth, photo by Irving Penn, Vogue, February 1, 1969 |
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| Windsor Elliott in Crompton printed cotton velveteen suit by B.H. Wragge, Vogue, August 1, 1969 |
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| Windsor Elliott in double-gabardine, dark-brown coat with a skirt flared to mid-calf and cape-collar flaring around the shoulders, buttoned in topaz colored stones, by Jay L. Sarnoff for Custom Couture, photo by Irving Penn, Vogue, February 1, 1969 |
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| Windsor Elliott in lacquer-red silk safari-pyjamas to wear in the evening by Norman Norell, coiffure by Suga, photo by Irving Penn, Vogue, April 15, 1969 |
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| Windsor Elliott in little black ciré jacket that zips up to a high-standing collar over a long-sleeved dress by Mallory, photo by Gianni Penati, Vogue, April 1, 1969 |
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| Windsor Elliott in luxurious shoot-green chiffon embroidered with white beads and brilliants in a tiny bolero-top and wide chiffon pants by Elinor Simmons for Malcolm Starr, photo by Irving Penn, Vogue, April 15, 1969 |
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| Windsor Elliott in navy wool cape, pants and a gilt-buttoned weskit over a white silk crêpe shirt stocked at the neck by Sony Schotland of Golet, photo by Irving Penn, Vogue, February 15, 1969 |
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| Windsor Elliott in navy wool cape, pants and a gilt-buttoned weskit over a white silk crêpe shirt stocked at the neck by Sony Schotland of Golet, photo by Irving Penn, Vogue, February 15, 1969 |
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| Windsor Elliott in purple quilted ciré coat by Ginori, white fringed silk scarf by David St. David, black Corfam boots by Delman, photo by Gianni Penati, Vogue, April 1, 1969 |
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| Windsor Elliott in shiny black ciré trenchcoat with metal-studded belt by Lawrence of London and fringed scarf by David St. David, photo by Gianni Penati, Vogue, April 1, 1969 |
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| Windsor Elliott in silk organza little dress-top with a big bow across the back and matching pants in gala explosion of orange, pink, turquoise and deep green by Bill Blass for Maurice Rentner, photo by Irving Penn, Vogue, February 15, 1969 |
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| Windsor Elliott in silk, side-wrapped dress with V-neck and long sleeves in black-and-white stripes with a mix of daisies by Murray Nieman for Hannah Troy, photo by Irving Penn, Vogue, April 15, 1969 |
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| Windsor Elliott in slick, zippered, black basket-weave, ciré coatdress by Naman for Raincheetah, fringed scarf by Doro, cuffs by Ruza Creations, photo by Gianni Penati, Vogue, April 1, 1969 |
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| Windsor Elliott in tailored ensemble in pure wool knit by Kimberly, Vogue, March 15, 1969 |
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| Windsor Elliott is wearing makeup from the Ultima II Colection of the House of Revlon, jewelry by Tiffany, the bracelet by Donald Claflin for Tiffany, photo by Gene Laurents, Vogue, March 1, 1969 |
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| Windsor Elliott wearing vibrant eye dazzle by Urbane Eyes, a corded headband by Stanley Postek, hair by Kenneth, photo by Irving Penn, Vogue, March 15, 1969 |
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