20 Photos of George Clooney in the 1990s

George Clooney made his debut starring in minor TV shows in the 1980s, but really came to fame with his role as Dr. Doug Ross on the hit medical drama ER from 1994 to 1999. After leaving the series in 1999, he made a cameo appearance in the 6th season and returned for a guest spot in the show’s final season. For his work on the series, Clooney received two Primetime Emmy Award nominations for Outstanding Lead Actor in a Drama Series in 1995 and 1996. He also earned three Golden Globe Award nominations for Best Actor – Television Series Drama in 1995, 1996, and 1997.

Clooney began appearing in films while working on ER. His first major Hollywood role was in the horror comedy-crime thriller From Dusk till Dawn, directed by Robert Rodriguez and co-starring Harvey Keitel. He followed its success with the romantic comedy One Fine Day with Michelle Pfeiffer, and the action-thriller The Peacemaker with Nicole Kidman. In 1998, he co-starred in the crime-comedy Out of Sight opposite Jennifer Lopez, marking the first of his many collaborations with director Steven Soderbergh. He also starred in Three Kings during the last weeks of his contract with ER.

After leaving ER, Clooney starred in commercially successful films including Wolfgang Petersen’s disaster film The Perfect Storm (2000) which was a box office success. The same year he starred in the Coen brothers adventure comedy O Brother, Where Art Thou? (2000). The film, a modern satire, is loosely based on Homer’s epic Greek poem the Odyssey and the Preston Sturges 1941 classic film Sullivan’s Travels. This film is set in 1937 rural Mississippi during the Great Depression. He plays escaped convict Ulysses Everett McGill. He received a Golden Globe Award for Best Actor – Motion Picture Musical or Comedy nomination for his performance. Variety critic Todd McCarthy compared Clooney to Clark Gable, writing: “Not for the first time recalling Clark Gable in his looks and line delivery, Clooney clearly delights in embellishing Everett’s vanity and in delivering the Coens’ carefully calibrated, high-toned dialogue.”