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November 29, 2025

45 Snapshots of People Having Fun at the Beach From Between the 1920s and 1940s

In the early 20th century, people at the beach adhered to strict social norms of modesty and decorum, with activities focused more on leisurely wading and socializing than on swimming or sunbathing. Attire was cumbersome, often made of heavy wool, and covered most of the body, a stark contrast to modern beach culture.

Beachwear was heavily dictated by the era's focus on modesty, with fashion evolving from full-coverage garments in the 1900s to slightly more streamlined, though still substantial, suits by the 1920s.

Despite the restrictive clothing, the beach was a popular social destination. Once on the sand or by the water, people would gather for picnics, gossip, flirt, and stroll along the promenade. Below is a collection of 45 candid snaps of people at the beach from between the 1920s and 1940s:






Willem Steelink Jr.: Painter of the Dutch Rural Life

Willem Steelink Jr. (1856–1928) was a Dutch painter and graphic artist, widely recognized for his evocative landscapes that often featured shepherds and flocks of sheep.

Born into an artistic family, he trained with his father before studying at the Royal Academy of Fine Arts in Amsterdam and Antwerp. Initially focusing on historical and genre scenes, Steelink Jr. later shifted his artistic focus after discovering the natural beauty of the Gooi region’s heathlands. His mature style was heavily influenced by both the Hague School, known for its soft, silvery tones, and the Laren School, which captured rural life with atmospheric light.

In addition to his popular paintings, he was an accomplished engraver and lithographer, illustrating books and creating etchings of works by contemporary Dutch masters. His art was popular with international collectors and can be found in several museums today, including the Gemeentemuseum in The Hague.

A Shepherdess With Her Flock

A Shepherd and Flock on a Shady Track

A Shepherd and His Flock by a Fen

A Shepherd With His Flock of Sheep on His Way Home

A Cheerful Welcome

The Story of Roque José Florêncio, the Slave Turned Into a “Human-Breeding Machine” in the 19th Century

Roque José Florêncio was allegedly born around 1827 in Sorocaba. He was purchased around 1849 by the powerful landowner and coffee grower Francisco da Cunha Bueno, who later became the Viscount of Cunha Bueno, and was taken to the Fazenda Santa Eudóxia. He was nicknamed “Pata Seca” (Dry Paw), reportedly due to his long, thin hands.

Oral accounts describe him as an extraordinarily tall and strong man, possibly reaching 2.18 meters (over 7 feet). These physical characteristics, combined with a contemporary belief that tall men with thin shins were more likely to produce male offspring, sealed his fate.


Roque was systematically exploited by his enslaver as a “slave-breeder” (escravo reprodutor). This horrific practice was aimed at increasing the plantation's enslaved labor force, particularly after the slave trade was banned in 1850 (Lei Eusébio de Queirós). He was allegedly forced to impregnate enslaved women regularly and is said to have fathered more than 200 children (some accounts suggest over 250).

Due to his role as a “breeding slave,” Roque was often granted a relatively different life than most other enslaved people. He reportedly did not work in the coffee fields and lived outside the senzala (slave quarters). He was entrusted with the care of the farm’s transport animals and tasked with riding a long distance daily to fetch his master's correspondence.

With the abolition of slavery in 1888 (Lei Áurea), Roque was freed. While performing his duties as a courier, he had met and later married a woman named Palmira. The Viscount of Cunha Bueno allegedly granted the couple 20 alqueires (a measure of land), where they built a home and raised nine children together.

Tragically, much of the land Roque was given was gradually appropriated by influential, wealthy farmers through irregular demarcation, a common occurrence that left newly freed Black Brazilians marginalized and impoverished. He was reportedly left with only a small fraction of the promised land.

One of the most remarkable parts of the Pata Seca legend is his alleged extreme longevity. He is widely believed to have lived to be 130 years old, with his death recorded on February 17, 1958. While this claim places him as a supercentenarian and is a key part of his myth, it lacks rigorous historical confirmation.

Due to the forced reproduction and his later marriage, Roque José Florêncio is considered the direct ancestor of a significant portion of the population in the district of Santa Eudóxia, some estimates suggest up to 30%.

Today, Pata Seca is remembered as a legendary figure whose story highlights the brutal realities of Brazilian slavery, particularly the institutionalized sexual violence and the efforts to create a domestic supply of enslaved labor. His history is preserved through oral reports and the memory of his countless descendants in the region.

Beautiful Portraits of Jean Harlow From ‘The Girl from Missouri’ (1934)

The Girl from Missouri is a sassy, pre-Code comedy-drama film released in 1934, starring the iconic Jean Harlow as Eadie Chapman, a spirited, ambitious young woman determined to marry a millionaire and escape her humble, small-town roots.

The film’s plot follows Eadie as she navigates the competitive and often ruthless world of New York’s elite, using her sharp wit and undeniable charm to secure her future. It is a classic example of pre-Code Hollywood cinema, where Eadie’s character embodies the era’s liberated female protagonists—she is overtly sexual, independent, and unapologetic about her pursuit of wealth, a portrayal that would become heavily censored after the full enforcement of the Production Code later that year.

Co-starring Franchot Tone, the movie is remembered for its snappy dialogue and Harlow’s vibrant performance, solidifying her status as the “Blonde Bombshell” of the 1930s. These beautiful photos capture portraits of Jean Harlow during the filming of The Girl from Missouri in 1934.






November 28, 2025

50 Gorgeous Photos of Gloria Grahame in the 1950s

Gloria Grahame (born Gloria Penelope Hallward; November 28, 1923 – October 5, 1981) was an American actress. She began her acting career in theater, and in 1944 made her first film for MGM. In the 1950s, Grahame was a prominent Hollywood actress, primarily known for her compelling performances as a sultry femme fatale in film noir classics. Her decade was marked by career highs, including an Academy Award win, and dramatic personal life scandals that ultimately led to the wane of her Hollywood career.

Grahame’s career peaked in the early-to-mid 1950s. She was celebrated for her ability to portray complex characters, blending vulnerability with a husky drawl and distinctive physical presence (including a famous “pout” she sometimes enhanced by tucking cotton in her lip).

Starring opposite Humphrey Bogart in In a Lonely Place (1950), Grahame delivered one of her most acclaimed performances as a woman who falls in love with a troubled screenwriter, in a haunting exploration of suspicion and identity. She won the Academy Award for Best Supporting Actress for her role in The Bad and the Beautiful (1952), a performance that lasted only nine minutes of screen time, a record at the time.

In The Big Heat (1953), her role as a gangster’s moll who is shockingly disfigured with hot coffee became one of the most indelible and iconic images in film noir history. In a departure from her usual noir roles, she played the “can’t-say-no” girl Ado Annie in the film musical Oklahoma! (1955), showcasing her versatility, though rumors of her being difficult on set began to surface.

Grahame’s personal life was often as tumultuous as her on-screen roles and garnered significant tabloid attention, which eventually impacted her career. She was married multiple times, including to director Nicholas Ray, with whom she made In a Lonely Place. Their marriage ended amid controversial circumstances, including allegations by Ray that he caught Grahame in bed with his then 13-year-old son, Anthony Ray. Grahame later married Anthony Ray when he was 23 and she was 37, a scandal that further fueled the tabloids and contributed to the decline of her mainstream Hollywood career after the mid-1950s.






Funny Photos of Classic Hollywood Stars Walking the Turkey

During the Golden Age of Hollywood, it was a common publicity stunt for movie studios to stage seasonal photo shoots featuring their biggest stars posing with live turkeys for Thanksgiving. These publicity photos were part of a coordinated, seasonal effort by major studios to promote their contract players. Studio photographers and publicity departments would create fun, campy, and often glamorous images to keep the stars and their upcoming films in the public eye during the holiday season.

The pictures offered a playful contrast to the stars’ typically glamorous on-screen images, humanizing them for the public. These images were often sent to magazines and newspapers nationwide to generate buzz.

Bette Davis

Virginia Gibson

Barbara Bates


Vera Ellen

Irene Vanbrugh: A Leading Light of the Edwardian Stage

Irene Vanbrugh (1872–1949) was a distinguished English actress who had a prominent stage career spanning over fifty years. She was a leading lady particularly known for her performances in plays by playwrights like Arthur Wing Pinero, J.M. Barrie, and Oscar Wilde; she notably created the role of Gwendolen Fairfax in the original 1895 production of The Importance of Being Earnest.

Although primarily a stage performer, Vanbrugh also appeared in a number of silent films and talking pictures in her later years. For her extensive contributions to the theatre, she was honored as a Dame Commander of the Order of the British Empire (DBE) in 1941.

Vanbrugh was also a keen supporter of the Royal Academy of Dramatic Art (RADA), of which her brother was the principal, and the Academy’s theatre was later named the Vanbrugh Theatre in honor of her and her sister, Violet, who was also an actress.









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