Ava Gardner: Sultry Glamour on the Set of ‘The Little Hut’ (1957)

Ava Gardner shines with effortless glamour and seductive charm in the 1957 romantic comedy The Little Hut. Cast as the elegant and desirable Lady Susan Ashlow, she stars alongside Stewart Granger as her wealthy but neglectful husband and David Niven as his witty best friend. Set against the backdrop of a deserted tropical island, the film follows the trio’s playful and provocative love triangle after a shipwreck leaves them stranded.

In a series of sun-drenched scenes, Ava dazzles in chic resort wear, flowing gowns, and minimalist island attire that perfectly highlight her legendary beauty and magnetic screen presence. Though the film itself is a light-hearted comedy of manners, it remains one of the finest showcases of Gardner at the peak of her Hollywood allure: sultry, sophisticated, and utterly captivating.

Here are some stunning portraits of Ava Gardner, captured at the height of her beauty during the filming of The Little Hut in 1957.

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45 Wonderful Color Photos of a Young and Beautiful Jayne Mansfield in the 1950s

Jayne Mansfield (born Vera Jayne Palmer; April 19, 1933 – June 29, 1967) rose to prominence in the 1950s as one of Hollywood’s most iconic blonde bombshells and sex symbols. She was often positioned as 20th Century Fox’s curvaceous alternative to Marilyn Monroe, earning nicknames like the “Working Man’s Monroe.” Her hourglass figure (she famously claimed 40-21-35 measurements), platinum blonde hair, breathy voice, revealing outfits, and bold publicity stunts made her a tabloid sensation and pin-up queen.

Mansfield arrived in Hollywood in 1954, but her breakthrough was a masterclass in “the publicity stunt.” After minor roles, she gained national attention for her performance in the Broadway hit Will Success Spoil Rock Hunter? (1955), playing the ditzy Rita Marlowe. 20th Century Fox signed her in 1956, intending to use her as leverage in their contract disputes with Marilyn Monroe. She popularized the “Pink Palace” lifestyle, dyeing everything from her pets to her cars (including a famous Chrysler) her signature shade of pink. Her filmography in the late 1950s leaned heavily into the “dumb blonde” archetype, but she played it with a knowing, satirical wink.

Mansfield was famous for being "famous for being famous" before the concept was mainstream. She was the queen of the “wardrobe malfunction,” most notably the 1957 incident where she was photographed with Sophia Loren. The photo of Loren giving Mansfield’s cleavage a “side-eye” remains one of the most famous paparazzi shots in history. She was a favorite of Playboy (appearing in the February 1955 issue), helping the magazine establish its early aesthetic of the “girl next door” turned glamorous pin-up.

Behind the “dumb blonde” facade, Mansfield reportedly had an IQ of 163, spoke five languages, and was a classically trained pianist and violinist. The 1950s was the era of the “Hourglass Figure,” and Mansfield pushed this to the extreme. She was famously marketed with the measurements 40-21-35, emphasizing a silhouette that was physically impossible for most, often achieved through rigorous corseting and “bullet bras.”

Despite the rivalry manufactured by the press, Mansfield was a huge fan of Marilyn Monroe, though Monroe reportedly found Jayne’s over-the-top imitations of her “vulgar.”

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Edie Sedgwick: Warhol’s Iconic Muse and the Ultimate Symbol of 1960s Glamour

Edie Sedgwick, born Edith Minturn Sedgwick in 1943, was the ultimate 1960s style icon and one of Andy Warhol’s most unforgettable muses.

A beautiful socialite from a prominent New England family, Sedgwick exploded onto the New York art scene in 1965 when she arrived at Warhol’s legendary Factory. With her signature silver-blonde cropped hair, heavy black eyeliner, chandelier earrings, and bold miniskirts, she embodied the era’s youthquake spirit.

Vogue magazine hailed her as a “Youthquaker,” and Sedgwick quickly became the star of Warhol’s underground films, including Poor Little Rich Girl and Beauty No. 2. For a brief, dazzling moment, she and Warhol formed one of the most glamorous and talked-about partnerships in Pop Art history, until their dramatic split in 1966.

Though her life was turbulent and tragically cut short at the age of 28, Edie Sedgwick remains an enduring symbol of 1960s glamour, rebellion, and the fleeting nature of fame. Here are some stunning vintage portraits of Warhol’s brightest superstar, the ultimate icon of Swinging Sixties glamour and tragedy.

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Tom Crean Holding a Litter of Sled Dog Puppies During the Shackleton Expedition of 1914–1916

This black and white image, taken by photographer Frank Hurley in 1915 aboard the ship Endurance (or on the ice after it was trapped), shows Tom Crean, the renowned Irish Antarctic explorer and second officer on Ernest Shackleton’s Imperial Trans-Antarctic Expedition (1914–1917), holding a litter of adorable sled dog puppies.

The puppies, born on January 7, 1915, were offspring of two of the expedition’s Canadian sled dogs: Samson (one of the largest) and Sally. From left to right in Crean’s arms: Roger, Toby (in the back), Nell (in the front), and Nelson. There was one female (Nell) and three males.

Crean served as a key “dog handler” figure and was deeply attached to the animals. The expedition’s 69 dogs (part of a larger group originally acquired) were essential for hauling sledges, though tragically, as supplies dwindled during the survival ordeal after the Endurance was crushed by ice, many had to be euthanized for food. Crean reportedly insisted on performing this difficult task himself to spare the dogs any distress from unfamiliar hands.

Despite the warmth of the photograph, the story has a somber end. As the Endurance was eventually crushed by the ice and supplies dwindled, the crew was forced to live on the floating ice pack. In April 1916, Shackleton made the agonizing decision to shoot the remaining dogs and puppies. They were simply too expensive to feed, and with the crew facing starvation, the dogs were used as food. Crean reportedly insisted on performing this difficult task himself to spare the dogs any distress from unfamiliar hands.

Journals from the crew (including Shackleton and Hurley) noted that the dog meat was surprisingly “tasty,” with Nelson’s meat reportedly tasting like veal. For Crean, who had raised them, this was a particularly devastating moment.

Today, this image stands as a testament to Crean’s character, a man known as much for his immense physical toughness as his deep compassion. If you ever find yourself in Annascaul, County Kerry, there is a statue of Crean directly across from his pub, the South Pole Inn, which depicts him exactly as he appears in this photo: a weathered explorer with his arms full of puppies.

1913 Talbot 15hp (20/30hp) Works Hill-Climber: The Last Invincible Talbot

The 1913 Talbot 15hp (20/30hp) Works Hill-Climber is a rare and legendary survivor from the golden age of Edwardian motorsport. Built by the Clement-Talbot factory as a pure competition machine, this lightweight, stripped-down racer was engineered specifically to conquer British hill-climb events.

Powered by a highly tuned 4-litre four-cylinder engine delivering approximately 120 horsepower at 3,000 rpm, it combined advanced features: including a robust chassis, full-pressure lubrication, larger valves, and stronger internals, with ferocious performance. These qualities helped the Talbot works team earn the legendary nickname “Invincible Talbot” as they dominated the 1913 hill-climbing season.

Chassis number 5473, registered LF 3807, is the sole known surviving example of these factory hill-climb specials. It was driven by works driver George Day and later owned and raced by the legendary Captain Sir Malcolm Campbell. More than a century later, this extraordinary machine remains a powerful symbol of pre-World War I British engineering grit and the raw, untamed spirit of early motorsport.

Below is a stunning set of photographs capturing the 1913 Talbot 15hp (20/30hp) Works Hill-Climber in all its glory.

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Lawnchair Larry’s Epic Balloon Flight in 1982

Larry Walters, nicknamed “Lawnchair Larry” or the “Lawn Chair Pilot,” was a 33-year-old truck driver from California who, on July 2, 1982, achieved unexpected fame by flying a homemade balloon rig consisting of an ordinary aluminum lawn chair (bought from Sears) tied to 42 helium-filled weather balloons.

Walters had dreamed of flying since childhood. With help from his girlfriend Carol Van Deusen, he bought about 45 weather balloons from a military surplus store, filled them with helium (using a fake letter claiming they were for a TV commercial), and attached them in clusters to the chair, which he dubbed “Inspiration I.” He equipped himself with a parachute, a pellet gun (to pop balloons for descent), a CB radio, sandwiches, beer, a camera, and an altimeter.

The launch happened in the backyard of a home in San Pedro, Los Angeles. The chair was initially tethered to his Jeep with a rope for a planned gentle ascent to about 100 feet or so, followed by a drift toward the Mojave Desert. However, the tether broke prematurely, and the rig shot upward rapidly.

Instead of a low, leisurely float, Walters reached an altitude of approximately 15,000–16,500 feet (about 4,600–5,000 meters). At that height, he drifted into controlled airspace near Long Beach Airport (and reportedly in the vicinity of LAX approaches). He was spotted by at least two commercial airline pilots (from Delta and TWA), who radioed air traffic control about a “man in a lawn chair” flying at their altitude. Walters himself used the CB radio to communicate, famously saying something like he was at 16,000 feet and thought he was in trouble. He also reported being cold at high altitude.

After about 45 minutes aloft, he began popping balloons with his pellet gun to descend. He accidentally dropped the gun, complicating control, but managed a slow descent. His rig eventually tangled in power lines in Long Beach, causing a 20-minute blackout in a neighborhood. He climbed down safely, unharmed except for the adventure.

Just after landing, Walters spoke to the press, saying: “It was something I had to do. I had this dream for twenty years, and if I hadn't done it, I think I would have ended up in the funny farm. [...] Since I was 13 years old, I've dreamed of going up into the clear blue sky in a weather balloon. […] By the grace of God, I fulfilled my dream. But I wouldn't do this again for anything.”

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Tilly Tizzani: The Elegant Face of 1960s Italian Chic

Tilly Tizzani (1938–1975) was one of the most prominent Italian top models of the 1960s. She quickly became an international fashion icon thanks to her striking beauty, elegant presence, and strong facial features.

Tilly frequently appeared on the covers and editorial pages of prestigious magazines such as Vogue, Harper’s Bazaar, and Queen. She was photographed by legendary photographers including Irving Penn, Hiro, and Norman Parkinson, and worked with top designers like Yves Saint Laurent, Givenchy, Nina Ricci, Trigère, and Fabiani.

With a style that was both sensual and sophisticated, Tilly Tizzani, alongside Isa Stoppi, is considered one of the most representative Italian models of the golden era of the 1960s. Take a look at these vintage photos to see beautiful fashion portraits of Tilly Tizzani during the 1960s.

Tilly Tizzani, photo by Norman Parkinson for Queen magazine, 1962

Tilly Tizzani in a romantic blouse by Adelaar, Vogue, November 15, 1962

Tilly Tizzani in big fleecy wool skirt with sleeveless tuck-in top lashed with snakeskin belt by Sloat, hat by Mr. John, photo by Bert Stern, Vogue, August 1, 1962

Tilly Tizzani in brilliant green, wild cardigan coat of mohair and cotton by Marquise, pin by Hattie Carnegie, photo by Bert Stern, Vogue, October 1, 1962

Tilly Tizzani in crimson wool crêpe dress, bare and high-waisted with an enormous fringed shawl by Adele Simpson, dangly jet-black earrings by Cadoro, coiffure by Kenneth Batelle, photo by Bert Stern, Vogue, October 15, 1962

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