Some Candid Photographs of Angelina Jolie as a Teenager in the Late 1980s and Early 1990s

Before transforming into a global superstar, Oscar winner, and humanitarian, Angelina Jolie’s teenage years in the late 1980s and early 1990s were marked by an early entry into modeling, a rebellious streak, and a distinct, moody aesthetic that would later define her early career.

Growing up in Los Angeles as the daughter of actor Jon Voight and Marcheline Bertrand, Jolie began modeling at the age of 14. Her early portfolio, captured by professional photographers like Harry Langdon and Sean McCall, reveals the sharp, highly striking features that would soon make her a major screen icon. During this era, her look blended classic Hollywood genetic traits, such as her famously prominent lips and high cheekbones, with the prevailing aesthetics of the early 1990s.

Jolie attended Beverly Hills High School (and later Moreno High School), where she felt isolated among the wealthy, traditional student body. During her mid-teens, she fully embraced a punk and goth subculture. She frequently wore all-black clothing, experimented with purple and dark hair dyes, and collected knives. At one point during her youth, frustrated with casting rejections and feeling disconnected from traditional high school life, she dropped out of acting classes with the intent of becoming a funeral director.

Her striking look and alternative vibe made her a favorite for music videos in the early 1990s. As a teenager, she appeared in videos for major artists, including Meat Loaf's “Rock and Roll Dreams Come Through” (1993), Lenny Kravitz’s “Stand by My Woman” (1991), and The Lemonheads’ “It’s About Time” (1993).

By age 16, Jolie returned to the theater and committed fully to acting. Her first major breakout came shortly after her teen years ended, starring in the cult classic Hackers (1995) at age 20, where her short cropped hair and cyberpunk style echoed the edgy, rebellious identity she cultivated throughout her adolescence. Here are some candid photographs of teenage Angelina Jolie from between the late 1980s and early 1990s:

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Gloria Paul: The Radiant Icon of Italy’s Dolce Vita Cinema

Gloria Paul is a British-born actress, singer, and dancer who became one of the most vibrant and beloved icons of Italian popular cinema during the 1960s and ’70s.

Blessed with striking, statuesque beauty and exceptional comedic timing, Paul initially found fame as a premier dancer in London’s West End and Paris’s legendary Lido before moving to Rome, where the Dolce Vita era was in full swing. She quickly established herself as a versatile star in Italy, shining brilliantly in musical comedies, Western parodies, and cult comedies alongside legendary comic duos like Franco and Ciccio and Totò.

Beyond her glamorous, lighthearted on-screen persona, her legacy is also one of immense personal strength; following a tragic domestic accident in the late 1990s that left her paralyzed, she faced life with remarkable resilience and grace.

Paul is remembered not only as a captivating symbol of European retro cinema but also as an inspiring figure of enduring dignity. These stunning portraits are a testament to why Gloria Paul captured the hearts of millions during the 1960s and ’70s.

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Henri Gray: Elegant Master of Belle Époque Illustration

Henri Gray (1858–1924), born Henri Boulanger, was a talented French illustrator and poster artist active during the Belle Époque period. He is best remembered for his elegant and dynamic posters, characterized by fluid lines, refined compositions, and a distinctive artistic style that blended Art Nouveau influences with classic illustrative techniques.

Gray created numerous advertising posters for theaters, products, and events, often featuring graceful female figures, theatrical scenes, and sophisticated typography. His works were highly regarded for their artistic quality and commercial appeal, contributing significantly to the golden age of French poster art alongside masters such as Alphonse Mucha and Jules Chéret.

Though less widely known today than some of his contemporaries, Henri Gray remains a respected figure in the history of graphic design and illustration. These refined and beautifully composed posters showcase Henri Gray’s exceptional talent for blending elegance, movement, and commercial appeal, cementing his place among the notable illustrators of the golden age of French poster art.

Cirque d'été, Les Porcherons, 1886

Affiches-Pichot, Paris, circa 1890

Bal de la Grenouillère, circa 1890

Chemin de Fer Hollandais, circa 1890

Fantasies Parisiennes, La Lune à Paris, 1892

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38 Amazing Photographs of Paulette Goddard on the Set of Charlie Chaplin’s “Modern Times” (1936)

Paulette Goddard (June 3, 1910 – April 23, 1990) played “The Gamin” (Ellen Peterson), the spirited, street-smart orphan girl who becomes the Tramp's companion in Charlie Chaplin’s Modern Times (1936). This was one of her breakout roles and her first major credited performance. She and Chaplin (who were romantically involved at the time and later married) had great on-screen chemistry as two misfits navigating the hardships of the Great Depression, industrialization, and poverty with resilience and humor.

The Gamin is a free-spirited, rebellious young woman who steals food to survive, evades the authorities, and teams up with Chaplin’s Tramp. She’s optimistic and tough, a perfect foil for the Tramp. The film is Chaplin’s last mostly silent movie (with some sound effects and his famous gibberish song). It satirizes modern industrial society while blending slapstick, romance, and social commentary.

Iconic moments with Goddard include the department store roller-skating scene, scenes by the waterfront where she shares stolen bananas, and the hopeful ending where she and the Tramp walk off into the sunrise together.

Goddard’s performance was widely praised for bringing warmth, energy, and modernity to the role. Her natural look and bobbed hair even gave her a somewhat timeless appeal. Her work in Modern Times remains permanently etched in cinema history. She subsequently starred in Chaplin's first true sound picture, The Great Dictator (1940), before successfully establishing a highly prosperous, independent career in Hollywood.

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The Amazing Story of Josephine Baker With Her Pet Cheetah

When Josephine Baker (June 3, 1906 – April 12, 1975) burst onto the Parisian entertainment scene in 1925, she quickly became an overnight sensation, a symbol of the Jazz Age, and the highest-paid performer in Europe. Known for her boundary-pushing routines at venues like the Folies Bergère, Baker loved using her wealth to shock, delight, and construct a larger-than-life persona. Nothing solidified that eccentric, powerful image quite like her companion: a live cheetah named Chiquita.

Chiquita was originally gifted to Baker around 1925 by Henri Varna, the manager of the Casino de Paris, with the explicit intention of incorporating the wild cat into her stage acts. Baker, a profound animal lover who eventually accumulated a massive menagerie (including a chimpanzee named Ethel, a pig named Albert, a snake, a goat, and multiple dogs), fell completely in love with the cheetah.

Chiquita quickly became a crucial part of Baker’s public identity. On stage, the cheetah would lounge elegantly alongside her. However, because Chiquita was a live, unpredictable animal, the performances did not always go smoothly. During several shows, Chiquita would suddenly leap off the stage directly into the orchestra pit. While the audience found the sudden escape thrilling and assumed it was part of the exotic act, the musicians were routinely terrified, scrambling to protect themselves and their instruments from a full-grown cheetah.

The spectacle wasn’t confined to the theater. Baker regularly took Chiquita out into the public sphere to maximize the media frenzy. Chiquita was famously fitted with a custom, diamond-studded collar. Baker would casually walk the cheetah on a leash down the high-end shopping avenues of Paris, such as the Champs-Élysées, turning heads and drawing massive crowds of photographers.

The famous fashion icon Diana Vreeland once recounted a hot July afternoon in a Parisian cinema where she sat down in the balcony, only to realize that Baker was sitting right next to her, having brought Chiquita into the theater to watch a movie that featured wild desert cheetahs. When the movie ended, the cheetah bolted down three flights of stairs with Baker trailing behind on the leash, before leaping seamlessly into the back of her custom white-and-silver Rolls-Royce.

Beyond the publicity, Chiquita was a true pet. The cheetah traveled the world with Baker in her luxury cars, ate high-quality meals, and frequently slept at the foot of her bed. Chiquita remained one of the most iconic symbols of Baker’s Roaring Twenties peak, embodying the sheer avant-garde style and untamed spirit of the era's most captivating star.

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Suzi Quatro in Her Famous Leather Bikini, 1974

These photographs of Suzi Quatro in a leather bikini was taken in 1974 during her promotional tour in Adelaide, Australia. While the pioneering American rock singer, bassist, and actress is globally recognized for her signature one-piece black leather jumpsuits, this specific promotional photoshoot became a viral, historical moment of its own.

Quatro herself has playfully looked back on the image on her social media, noting how it captured a distinct “snapshot of days gone by” during her whirlwind early career.

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Class of 1946: Vintage Portraits From a St. Louis High School

High school portraits from the 1940s provide a fascinating glimpse into the lives and fashion of American teenagers during a pivotal era shaped by World War II and its aftermath.

These black-and-white photos feature students dressed in formal attire, with boys wearing sharp suits and ties, and girls appearing in modest dresses or blouses with carefully styled hair. Typically simple and dignified, these portraits reflect the core values of the era, such as discipline, responsibility, and respectability.

Taken in 1946, this specific collection of vintage portraits features personal inscriptions to Bernetha Joseph and is believed to originate from a high school in St. Louis, Missouri.

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