30 Iconic Saturday Evening Post Covers From the Early 1900s

In the early 1900s, The Saturday Evening Post emerged as one of America’s most beloved and influential magazines, famous for its iconic illustrated covers that captured the spirit of the nation. From 1900 to the 1920s, the magazine’s covers served as vibrant windows into everyday American life, reflecting the optimism, humor, and rapid social changes of the Edwardian and Progressive eras.

Renowned artists such as J.C. Leyendecker, Norman Rockwell (who began contributing in 1916), and other talented illustrators created memorable scenes filled with warmth, nostalgia, and gentle storytelling. Whether depicting bustling city streets, idyllic small-town life, romantic moments, or humorous slices of daily existence, these covers blended masterful artistry with mass appeal. Bold colors, dynamic compositions, and relatable characters made each issue something readers eagerly anticipated every Saturday.

These early 1900s covers not only defined the golden age of American magazine illustration but also became enduring cultural artifacts, beautifully preserving the hopes, dreams, and everyday joys of a transforming America.

Saturday Evening Post magazine cover, December 7, 1901

Saturday Evening Post magazine cover, July 20, 1901

Saturday Evening Post magazine cover, May 25, 1901

Saturday Evening Post magazine cover, October 26, 1901

Saturday Evening Post magazine cover, June 21, 1902

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Catherine O’Hara’s Wardrobe Polaroids From the Canadian Sketch Comedy Second City Television

The collection of wardrobe polaroids featuring Catherine O’Hara from 1983 captures the actress during her tenure with the Canadian sketch comedy troupe Second City Television (SCTV). These images, often used for continuity and makeup testing, showcase the wide array of eccentric characters she portrayed, including the legendary Lola Heatherton.

The 1983 set is particularly notable for featuring several “alternate” looks and makeup tests that were later circulated by various archives. Many of these photos include her frequent collaborator John Candy, documenting their work during SCTV's peak years. 

These Polaroids were primary tools for the wardrobe and makeup departments, including designers Linda Matheson and Juul Haalmeyer, to maintain consistent looks across different filming dates.

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Vintage Snapshots of People Posing on the Crocodile Rock in Millport, Scotland

Crocodile Rock is a quirky, beloved landmark on the beach in Millport, the main town on the Isle of Great Cumbrae (often just called Cumbrae) in North Ayrshire, Scotland. It’s a natural rock formation on the shoreline that has been painted to resemble a crocodile, complete with a toothy grin and eyes, and has been delighting visitors for over a century.

The stone itself is millions of years old, formed from the local geology along the Firth of Clyde. What makes it special is the way the craggy outcrop naturally suggests the shape of a reptile’s head and body when viewed from certain angles.

The crocodile “artwork” dates back to around 1913–1914. Local man Robert Brown (sometimes described as an artist or retired architect) is credited with the original paint job. The popular story goes that Brown was walking home after a lunchtime visit to the pub (with a few drinks involved) when he spotted the rock formation and imagined it looked like a crocodile. He returned with paint and a brush to bring the idea to life, adding the distinctive features that turned it into the “Crocodile Rock.”

In 1913, the Millport Town Council publicly thanked Robert Brown for his work, marking the earliest recorded mention. Some accounts note it was already established by 1914.

The rock is regularly repainted every few years by locals or volunteers, always staying true to the original playful design. This community upkeep has helped it remain vibrant and iconic. In 2013, Millport celebrated its centenary with a party.

Crocodile Rock sits on Millport Beach (near the Dancing Midge Café) and is a favorite spot for photos, especially with children who love climbing on it (though it can be slippery). It’s one of several painted rocks on the island (including Lion Rock and Indian Rock), but by far the most famous.

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Tallulah Bankhead: The Flamboyant Legend of Broadway

Tallulah Bankhead (1902–1968) was a legendary American actress known as much for her gravelly voice and sharp wit as for her powerhouse performances on stage and screen.

Born into a prominent political family in Alabama, Bankhead defied social norms to pursue a career in acting, eventually becoming a sensation on Broadway and in London’s West End. She is best remembered for her iconic role in Alfred Hitchcock’s film Lifeboat (1944) and her acclaimed stage performance in The Little Foxes.

Beyond her talent, Bankhead was a true free spirit who lived life on her own terms, famous for her flamboyant personality and her tendency to call everyone “dahling” because, as she admitted, she was terrible at remembering names. These striking portraits capture the magnetic charm and fearless personality of Tallulah Bankhead, one of the most outrageous and unforgettable stars of her generation.

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Elvis Presley’s 1966 Dodge D200 Sweptline

In February 1967, Elvis purchased the Circle G Ranch in Horn Lake, Mississippi, a secluded property about 18 miles south of Graceland. It became something of a personal retreat (and later a honeymoon cottage after Elvis and Priscilla married in May 1967). To work the ranch and care for the 25 horses that eventually lived there, Elvis needed real working trucks.

Among the vehicles at the ranch was a 1966 Dodge D200 Sweptline, notable for being a four-door “Crew Cab” configuration. At the time, four-door pickups were quite rare and primarily used by utility crews or construction teams, rather than as personal vehicles.

Elvis didn’t just buy one; he reportedly went on a spending spree, buying a fleet of Dodge and Chevrolet trucks for himself, his “Memphis Mafia” buddies, and the ranch staff so they could all work the land together. Many of these trucks featured the “Circle G” logo on the doors, identifying them as part of the ranch's operations.

For a short window in 1967, Elvis traded his flashy Cadillacs for these Dodge trucks. He was frequently spotted by local fans and neighbors driving the D200 around Horn Lake, wearing a cowboy hat and boots. He used the D200 specifically to haul horse trailers and move supplies.

Friends recalled this era as one of the happiest for Elvis, as the truck and the ranch offered him a sense of normalcy and a physical outlet away from the pressures of Hollywood.

While many of Elvis’s vehicles ended up in the Presley Motors Automobile Museum at Graceland, his ranch trucks were often sold or given away after he sold the Circle G Ranch in the late 1960s. However, the 1966 Dodge D200 has surfaced at various high-end auctions over the years, often recognized by its rare crew cab body and documented history with the King.

Frederick Starke: Elegant Glamour in Post-War British Fashion

Frederick Starke (1904–1988) was one of Britain’s most successful and influential wholesale couturiers of the mid-20th century. Born into a Jewish family with deep roots in the clothing trade, he established his own label, Frederick Starke Ltd., in 1933 and quickly rose to prominence after World War II.

Based in the prestigious Bruton Street in Mayfair, London, Starke became known for creating elegant, feminine, and impeccably tailored ready-to-wear garments that bridged the gap between haute couture and high-end ready-to-wear. His designs embodied the glamour of the 1950s and ’60s, featuring luxurious fabrics, flattering silhouettes, full skirts, and sophisticated cocktail dresses that appealed to both society women and celebrities.

A founding member of the Model House Group and later the Fashion House Group, Starke played a key role in elevating the standards and visibility of British wholesale couture. These exquisite photos capture the timeless elegance and impeccable craftsmanship of Frederick Starke’s designs, showcasing why he became one of Britain’s most respected couturiers of the post-war era.

Model in evening dress in the palest gold satin with a peplum by Frederick Starke, jewelry by cartier, the gloves are velvet, photo by Richard Dormer, Harper's Bazaar UK, October 1950

June Duncan in long full-fronted evening coat of red grosgrain that surprisingly opens down the back by Frederick Starke, photo by Henry Clarke at the Royal Opera House, Covent Garden, Harper's Bazaar UK, October 1950

Part of Pat O'Reilly's very own trousseau, her going-away suit in mushroom pink with two fisher ties by Frederick Starke, violet parma hat by Erik, photo by Richard Dormer, Harper's Bazaar UK, March 1950

Pat O'Reilly in high-neck dress with buttoned bodice in pin-check tweed in red, brown and white by Frederick Starke, fur from Bradleys, photo by Richard Dormer, Harper's Bazaar UK, August 1950

Anne Gunning in box jacket of reversible wool in white on one side and yellow the other over black wool dress with diagonal draped V-neck by Frederick Starke, white straw hat by Otto Lucas, photo by Henry Clarke, Harper's Bazaar UK, February 1951

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30 Adorable Photos of Judy Garland With Her Toddler Liza Minnelli

The relationship between Judy Garland and a young Liza Minnelli is one of the most documented yet poignant mother-daughter dynamics in Old Hollywood history. Liza was born in 1946 to Judy and director Vincente Minnelli, entering the world right as Judy was filming some of her most iconic MGM features.

Liza made her very first screen appearance at only three years old in the final scene of the 1949 film In the Good Old Summertime, walking alongside her mother and Van Johnson.

During the late 1940s, Judy often brought Liza to the studio. There are famous archival photographs of a toddler-aged Liza sitting on Judy’s lap in the makeup chair or playing with costumes on the set of The Pirate.

Even as a toddler, Liza was immersed in the world of performance. Judy reportedly treated Liza more like a companion than a child, often dressing her in miniature versions of her own stage outfits.

Judy and Liza shared a complex but close bond throughout their lives, Liza often described her mother as her best friend, though their relationship was shaped by Hollywood pressures, Judy’s health struggles, and Liza’s own rising career. They even performed together on The Judy Garland Show in the 1960s.

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