40 Amazing Photos of Kim Basinger in the 1980s

Kim Basinger (born December 8, 1953) is an American actress. She has garnered acclaim for her work in film, for which she has received various accolades including an Academy Award, a Golden Globe Award, a Screen Actors Guild Award, and a star on the Hollywood Walk of Fame.

Basinger transitioned from a successful modeling career to acting in the late 1970s, making her mark in film throughout the 1980s. She defined the look of the 1980s, becoming an iconic “screen siren” known for her striking beauty, cascading blonde hair, and versatility as an actress. Her career soared during this decade with several high-profile roles that balanced vulnerability and strength, solidifying her status as a major Hollywood star.

Her first feature film was the 1981 drama Hard Country. Basinger gained widespread attention as the seductive Domino Petachi in the James Bond film Never Say Never Again (1983) opposite Sean Connery. Her role in The Natural (1984) earned her a Golden Globe nomination and proved she had significant dramatic potential beyond her glamorous image.

She became a global sensation with the controversial but iconic erotic drama 9½ Weeks (1986), a film that became a cultural phenomenon and defined much of her public image for the era. Her minimalist yet sensual style in the film became a major fashion statement of the decade. She ended the decade strong as photojournalist Vicki Vale in Tim Burton’s Batman (1989), which remains the highest-grossing film of her career.

Her style throughout the 1980s was characterized by a blend of elegance and a relaxed, all-American look, often featuring denim, oversized sweaters, and her signature voluminous blonde hair. Here, below is a collection of 40 amazing photos of Kim Basinger in the 1980s:

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Jim Morrison in Joel Brodsky’s Famous “Young Lion” Photoshoot in 1967

The iconic “Young Lion” photoshoot of Jim Morrison by photographer Joel Brodsky took place in September 1967, in New York City. The session produced some of the most recognizable and widely circulated images of the Doors frontman, solidifying his image as a rock icon. 

According to Brodsky, Morrison was “pretty loose” and quite drunk during the session, stumbling over the studio lights at times. Despite this, the photographer noted that Morrison was wonderful to photograph because of his unique look, and he felt he captured him at his best.

The photoshoot occurred during a significant period for the band, shortly after the release of their debut album. The images helped shape Morrison’s public image as a charismatic and enigmatic “Lizard King.” For the shoot, Morrison wore a specific glass-beaded cobra necklace, made for him by photographer Henry Diltz at the request of 16 Magazine editor Gloria Stavers.

The photos were originally intended to be used for the promotion of Strange Days but have since become the most widely used and iconic images of Jim Morrison, appearing on numerous compilation albums, books, and merchandise.

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Elegant Portraits of Fashion Model Theo Graham in the 1940s and ’50s

Theo Graham (1926–1994) was a highly successful American fashion model who achieved prominence during the mid-1940s to the early 1960s. Active during the golden age of high fashion photography, she worked with legendary photographers like Richard Avedon and graced the pages of influential magazines such as Harper’s Bazaar and Vogue.

Graham was a quintessential figure in the fashion world, known for wearing iconic pieces from designers like Christian Dior and Balenciaga. Her career spanned both New York and Europe, she spent significant time in Rome and embodied the sophisticated, post-war glamour that defined the era’s international jet set.

Take a look at these elegant photos to see portraits of Theo Graham in the 1940s and 1950s.

Theo Graham in a charming dressmaker suit with unexpected detail in all-wool Miron sheen gabardine by Jaunty Junior, Vogue, February 15, 1945

Theo Graham in an Empire nightgown with deep yoke of white net with body of white jersey piped in blue by Vanity Fair, photo by Richard Avedon, Harper's Bazaar, April 1946

Theo Graham in playsuit by Groblue, photo by Richard Avedon, Nassau, Bahamas, March 1946

Theo Graham in Stroock tweed suit with topcoat by Peck & Peck, photo by Tom Palumbo, Harper' Bazaar, August 1946

Theo Graham in wool gabardine suit of black trim against greige from Peck & Peck, photo by Richard Avedon, Harper's Bazaar, February 1946

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Ad for Geritol (1971) – All of These Women Are Allegedly 46!

This image is from a controversial Geritol advertisement published around 1971 that sparked significant discussion about aging, health, and societal beauty standards for women.

The advertisement features several women who were all exactly 46 years old at the time the ad ran. The text implies a stark contrast between those who "take better care of themselves" and those who do not, linking better self-care to a more youthful appearance and a continued "busy" life.

Geritol, a vitamin and iron supplement, is presented as one of the "good things" that the more vibrant-looking women do for themselves to get the necessary iron and vitamins, suggesting it is a key to maintaining energy and a youthful look.

The ad generated considerable public discussion and later became a symbol of ageism and the beauty pressures faced by women in the mid-20th century. Viewers at the time, and those reflecting on the ad decades later, often noted that factors like hairstyles, makeup standards, sun exposure, and widespread smoking habits in the era contributed significantly to the perceived differences in appearance, more so than just a vitamin supplement.

Beautiful Portraits of Sophia Loren From “Scandal in Sorrento” (1955)

Scandal in Sorrento (original Italian title: Pane, amore e..., meaning “Bread, Love and...”) is a delightful 1955 Italian comedy film directed by Luigi Comencini. It serves as the third installment in the popular “Bread, Love” film series and notably marks a shift in the central cast and setting.

The film stars the iconic Sophia Loren as Sofia, a beautiful and feisty fishmonger, opposite the celebrated Vittorio De Sica as Marshal Antonio Carotenuto. This time, the action moves from the mountainous villages of previous installments to the picturesque coastal town of Sorrento. The plot revolves around Marshal Carotenuto’s attempts to woo the desirable Sofia, encountering comedic complications and romantic competition along the way.

Scandal in Sorrento is famed for its stunning Mediterranean scenery, Loren’s undeniable charisma, and its perfect embodiment of the lighthearted commedia all’italiana (comedy Italian style) genre. Take a look at these beautiful photos to see portraits of Sophia Loren during the filming of Scandal in Sorrento in 1955.

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30 Polaroid Shots of Pets at Home During Christmas in the Mid-20th Century

In the mid-20th century, taking photos of pets at home during Christmas became popular for several overlapping cultural, technological, and emotional reasons.

The development of portable, user-friendly cameras (such as Polaroid cameras) and more readily available film in the mid-20th century allowed amateur photographers to take spontaneous, candid snapshots in their own homes. This made capturing informal, personal moments, like a pet under the Christmas tree, much easier than in the earlier, more formal studio photography era that required long exposure times.

Christmas was, and is, a peak “ideal moment of celebration” where families focus on home and domestic life. Photographs of pets among the festive decor served to document these cherished family memories and the warmth and comfort of the household.

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Iconic Photos of Concorde and a Citroën DS Taken at Le Bourget Airport in 1969

The iconic photoshoot of the Concorde 001 prototype and a Citroën DS at Le Bourget Airport in 1969 was a publicity shoot intended to highlight French technological and design ingenuity. The photos were taken around the time of the 1969 Paris Air Show, where both the French-built Concorde prototype (F-WTSS) and the British prototype were publicly presented for the first time. These images served as a powerful marketing tool, pairing two groundbreaking French engineering and design icons to celebrate national pride and technological advancement.

Concorde 001 was the first Concorde prototype to fly, having made its maiden flight from Toulouse on March 2, 1969, just months before the air show. It represented the pinnacle of supersonic aviation technology.

Known affectionately as the “Goddess,” the Citroën DS was an iconic French executive car produced between 1955 and 1975. It was renowned for its futuristic design, innovative self-leveling hydropneumatic suspension, and use of advanced materials, symbolizing a different kind of technological marvel on the road.

The pairing was deliberate. Both were seen as bold, design-forward examples of French engineering that pushed the boundaries of what was considered possible in transportation at the time.

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