Bring back some good or bad memories


ADVERTISEMENT

August 29, 2026

Rarely Seen Photos of Ingrid Bergman as a Child in the 1910s and 1920s

Ingrid Bergman had a tragic and lonely childhood marked by the loss of her entire immediate family by the time she was a teenager. Born in Stockholm, Sweden, on August 29, 1915, her early youth was defined by immense personal grief, an isolated upbringing, and a deeply rooted passion for performance that served as an escape from her sadness.

She was the only surviving child of Swedish photographer and artist Justus Samuel Bergman and his German-born wife, Frieda “Friedel” Henriette Auguste Louise Adler. The couple had lost two infants earlier. Ingrid was named after Princess Ingrid of Sweden. Her parents had a long courtship before marrying in 1907; Justus ran a successful photography shop on Strandvägen in Stockholm, and the family lived in a large apartment there.

Friedel died of liver disease in January 1918, when Ingrid was about two and a half. Ingrid later said she had almost no personal memories of her mother and described the lasting effect as “living with an ache” that began so early she was not fully aware of it. Justus filmed young Ingrid putting flowers on her mother’s grave.

Justus raised her with help from his unmarried sister, Aunt Ellen (sometimes called “Mama” by Ingrid), who moved in around 1918–1920 and became a maternal figure. He was affectionate, artistic, and devoted; he photographed and filmed his daughter constantly (she later joked she was “perhaps the most photographed child in Scandinavia”), encouraged her love of dancing and dressing up, and hoped she might become an opera singer (she took voice lessons for about three years). He exposed her to music, art, and theater. She was shy in everyday life but expressive when performing, inventing imaginary friends and imitating people. Summers were often spent with her maternal grandparents and relatives in Germany (especially Hamburg), where she became fluent in German; the household atmospheres mixed Lutheran strictness with more relaxed artistic influences from her father.

Justus died of stomach cancer in 1929, when Ingrid was about 13. Aunt Ellen died of heart disease roughly six months later. Orphaned, Ingrid briefly stayed with Ellen, then moved in with other relatives, primarily her Uncle Otto and Aunt Hulda (who had five children of their own). She attended schools including the Lyceum for Girls in Stockholm and was not especially academic or popular there.

By her mid-teens she was drawn to acting. Around age 15 she worked as an extra in a film studio (finding it thrilling) and later gained admission to the Royal Dramatic Theatre School in Stockholm. She left after about a year to pursue film work full-time, making her first credited appearance in the mid-1930s.






Arthur Claude Strachan: Painter of Charming British Cottages

Arthur Claude Strachan (1865–1938) was a Scottish-born artist best known for his delicate watercolour paintings of rural English cottages and countryside scenes.

Born in Edinburgh, Strachan studied art in Liverpool and later travelled extensively throughout Britain, capturing the quiet charm of village life. His works often feature thatched cottages, gardens, and peaceful rural settings, rendered with soft colours and careful detail.

Strachan exhibited in London and the provinces, including at the Royal Academy, and remains appreciated for his gentle, nostalgic depictions of traditional British landscapes. These charming watercolours showcase Arthur Claude Strachan’s delicate style and enduring love for the quiet beauty of the English countryside.

A Caring Hand

A Cottage Garden in Full Bloom with a Young Girl Standing by a Gate

A Girl Feeding a Cat outside a Cottage

A Picturesque Cottage Garden

A Stream by a Cottage Door, Ockly, Surrey

The Story of Gordon “Pawnee Bill” Lillie and May Lillie, One of the Old West’s Most Unique Romances and Enduring Business Partnerships

Gordon William “Pawnee Bill” Lillie (1860–1942) and Mary Emma “May” Manning Lillie (1869–1936) were a real-life Wild West power couple: he a showman, interpreter, and rancher; she a sharpshooter and equestrian who became a star of their shows. Their story blends romance, frontier entrepreneurship, show-business spectacle, buffalo conservation, and personal tragedy.


Gordon Lillie was born February 14, 1860, in Bloomington, Illinois. His family later moved to Kansas. As a young man he worked as a cowboy, trapper, teacher, and interpreter at the Pawnee Agency in Indian Territory. The Pawnee gave him the nickname that stuck: Pawnee Bill. In 1883 he joined Buffalo Bill Cody’s newly formed Wild West show as interpreter and performer with a Pawnee contingent.

May Manning was born March 12, 1869, in Philadelphia to a Quaker family; her father was a physician. She was educated and refined (sources note she attended or graduated from Smith College). In 1883–1885, while the Buffalo Bill show was in Philadelphia, the teenage May watched a parade or performance and caught the eye of the long-haired, buckskin-clad Gordon. He was smitten; she later recalled thinking him “a funny man.” They courted by letter for about two years while she finished school. Her parents initially objected to their refined daughter marrying a cowboy, but eventually consented.

They married on August 31, 1886, at her parents’ home in Philadelphia. Gordon’s wedding gifts included a pony and a Marlin .22 target rifle, practical presents that foreshadowed her future career.

Encouraged by May’s family, Gordon launched his own troupe in 1888: Pawnee Bill’s Historic Wild West (later expanded with names such as Historical Wild West, Indian Museum and Encampment). The first season struggled financially, but the show recovered and became successful, touring the U.S. and Europe for years. At its height it employed hundreds of people, hundreds of horses, cattle, buffalo, and other animals.

May quickly became a star. She learned to shoot (starting with prairie chickens) and to perform trick riding, always riding sidesaddle in a full skirt. Billed as the “Champion Girl Horseback Shot of the West,” “greatest Lady Horseback Rifle-shot of the World,” “Princess of the Prairie,” or “New Rifle Queen,” she wowed audiences with accurate shooting from horseback. She was one of the early women to star as both equestrian and sharpshooter in Wild West shows. Some accounts note she lost two fingers in a shooting accident around 1899 but continued performing.

One source links her determination to perform with personal grief: shortly after marriage they had a son who died at about six weeks old; watching Gordon work with horses helped pull her out of despair and into the show life. Gordon also played a public role in the 1889 Oklahoma Land Run as a leader of “Boomers” seeking the opening of the Unassigned Lands; this raised his profile and helped relaunch the show successfully.

30 Fascinating Photos of New York Street Scenes in the 1970s

These fascinating photos offer a vivid glimpse into everyday life on the streets of New York during the 1970s. From bustling sidewalks and crowded intersections to quiet neighborhood moments, the images capture the energy, grit, and character of the city at a time of social change and urban transformation.

Ordinary people, classic cars, storefronts, and street culture come together to create a powerful visual record of New York in one of its most distinctive decades. Together, these photos preserve the raw atmosphere and authentic spirit of the city more than fifty years ago.

Chinatown, New York, June 1970

Broadway and 52nd Street, New York, June 1970

Brooklyn Bridge, New York, July 1970

Empire State Building, New York, June 1970

General Motors, New York, June 1970

44 Amazing Photographs From the Set of “Gold Diggers of 1933”

Gold Diggers of 1933 is a quintessential American pre-Code musical film released by Warner Bros. on May 27, 1933. Directed by Mervyn LeRoy with legendary, show-stopping musical sequences choreographed by Busby Berkeley, the film is widely celebrated as both a dazzling escapist fantasy and a gritty cultural document of the Great Depression.

The story follows three out-of-work New York showgirls (Joan Blondell, Ruby Keeler, and Aline MacMahon) struggling to survive the Depression. When a wealthy, incognito songwriter (Dick Powell) offers to fund their new Broadway show, a series of romantic misunderstandings, high-society interventions, and clever “gold-digging” schemes unfold.

The movie features prominent stars of the era, including Warren William, Joan Blondell, Aline MacMahon, Ruby Keeler, Dick Powell, Guy Kibbee, and a memorable early appearance by Ginger Rogers.

It features iconic songs by Harry Warren and Al Dubin. Berkeley’s kaleidoscopic, elaborate geometry shines in numbers like the ironic, upbeat “We’re in the Money” (sung partly in Pig Latin by Ginger Rogers) and the deeply poignant, socially conscious “Remember My Forgotten Man,” which directly addresses the plight of forgotten World War I veterans and the unemployed.

Made on a budget of roughly $433,000, it went on to gross over $2.2 million domestically, making it one of the highest-earning movies of 1933. In 2003, it was selected for preservation in the United States National Film Registry by the Library of Congress for its historical and aesthetic significance.






August 28, 2026

Ramsay Ames: Sultry Beauty of 1940s B-Movies

Ramsay Ames (1919–1998), born Ramsay Phillips, was an American actress, model, and dancer known for her striking beauty and sultry screen presence in 1940s B-movies.

After starting as a dancer and model, Ames entered Hollywood and signed with Universal Pictures, appearing in films such as Ali Baba and the Forty Thieves and The Mummy’s Ghost. With her dark features and glamorous looks, she became a popular wartime pin-up and a memorable face of low-budget adventure and horror films.

Though her film career was relatively brief, Ames remains remembered as one of the distinctive beauties of classic B-movie cinema. These vintage photos capture the sultry glamour and classic allure of Ramsay Ames, a memorable star of 1940s Hollywood B-movies.






Sarla Thukral, India’s First Pilot Obtained Her Flying License at the Age of 21 in 1936

Sarla Thakral (also spelt Thakral; August 8, 1914 – March 15, 2008) was the first Indian woman to fly an aircraft. In 1936, at just 21 years old, she earned her aviation pilot license and famously made her first solo flight in a Gypsy Moth biplane while dressed in a traditional sari.


Her life is celebrated as a story of pioneering grit, resilience, and ultimate reinvention. Born in Delhi, she married P. D. Sharma at age 16. He came from a family of nine pilots and deeply encouraged her to fly. After training at the Lahore Flying Club, she secured her “A” license and accumulated over 1,000 hours of flight time.

She was actively working toward her commercial pilot license when her husband died in a tragic plane crash in 1939, leaving her a widow at age 24 with young children. Soon after, civil aviation training ground to a halt due to the outbreak of World War II, ending her commercial flying aspirations.

Undeterred, she shifted gears entirely. She moved to Delhi, remarried in 1948, and became a highly successful artist, watercolor painter, and designer of textiles and costume jewelry. She passed away in 2008 at the age of 93, leaving a lasting legacy that shattered gender barriers in Indian aviation.



FOLLOW US:
FacebookTumblrPinterestInstagram

CONTACT US



Browse by Decades

Popular Posts

Advertisement

09 10