Anna Karina was one of the most luminous stars of European cinema in the 1960s, an actress, singer, director, and writer whose life and career captured the spirit of the French New Wave. Born Hanne Karin Blarke Bayer in Copenhagen in 1940, she moved to Paris as a teenager, where her striking beauty led her first into modeling and then into film. It was there that she encountered Jean-Luc Godard, who became both her husband and her most important artistic collaborator.
With Godard, Karina appeared in a string of films that would define an era: A Woman Is a Woman (1961), Vivre sa vie (1962), Band of Outsiders (1964), Pierrot le Fou (1965), and Alphaville (1965). In these works she embodied a new kind of heroine—playful yet melancholic, intelligent yet vulnerable, radiant yet mysterious. Her large, expressive eyes and her understated elegance made her unforgettable, while her performances gave depth and complexity to roles that might otherwise have seemed ephemeral.
But Anna Karina was far more than Godard’s muse. She pursued her own artistic path, directing films such as Vivre ensemble (1973), writing novels, and recording music that revealed her distinctive voice and sensibility. Throughout her career she remained a symbol of freedom, independence, and creative exploration.
Even decades after the height of her fame, Karina’s presence continues to inspire filmmakers, actors, and audiences around the world. She was not simply a star of her time but a timeless figure whose artistry and individuality embody the very essence of cinematic modernity. Take a look at these fabulous portraits to see the beauty of a young Anna Karina from the 1960s.
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