30 Glamorous Photos of a Young Dorothy Malone in the 1940s

In the 1940s, Dorothy Malone (January 29, 1924 – January 19, 2018) was a brunette “good girl” of Hollywood, often cast in wholesome or secondary roles before her later transformation into a blonde bombshell. Discovered at age 19 while performing in a college play at Southern Methodist University, she spent much of the decade building a steady career through B-movies and supporting parts.

Her most iconic 1940s moment was a brief but unforgettable scene in the 1946 film noir The Big Sleep. Playing a bespectacled bookstore clerk, she famously “let down her hair” and shared a drink with Humphrey Bogart, showcasing a sultry potential that stood out from her usual roles. She worked steadily for RKO Pictures and later Warner Bros., appearing in films like The Falcon and the Co-eds (1943) and various Westerns such as South of St. Louis and Colorado Territory (1949).

During this era, Malone maintained her natural dark hair and was frequently utilized for her “striking natural beauty” and poise. By the late 1940s, she left the major studio system at Warner Bros. to work as a freelance actress, a move that eventually led to more diverse opportunities in the following decade. Here’s a collection of 30 glamorous photos of a young and beautiful Dorothy Malone in the 1940s:

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SS Matsonia: A Symbol of Mid-Century Luxury

The SS Matsonia, launched in her revamped form in 1957 but becoming a fixture of the Pacific in 1959, represented the pinnacle of luxury ocean travel between California and Hawaii. Originally built as the SS Monterey in 1932, the vessel underwent a massive $20 million reconstruction to emerge as the Matsonia, designed to meet the growing post-war demand for tropical vacations.

Inside, she was a marvel of mid-century modern design, featuring interiors by the famed Harry Neafie that combined Polynesian motifs with sleek, contemporary comfort. In 1959, the ship served as a floating bridge to paradise, carrying hundreds of tourists across the Pacific with a level of service and glamor that defined the Matson Line’s golden era.

Though later renamed the SS Lurline in the 1960s to carry on the prestige of her sister ship, the 1959-era Matsonia remains a nostalgic icon of the days when the journey to Honolulu was just as grand as the destination itself. These wonderful Kodachrome slides capture the SS Matsonia during its voyage in 1959.

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30 Stunning Portraits of a Young and Beautiful Katharine Ross in the 1960s

Katharine Ross (born January 29, 1940) is a retired American actress. Her accolades include an Academy Award nomination, a BAFTA Award, and two Golden Globe Awards. In the 1960s, she emerged as a defining face of American cinema, known for her “natural” beauty and a minimalist, interior acting style that felt modern and honest. She transitioned from television guest spots to becoming one of the most acclaimed actresses of the late 1960s.

Ross’s career in the 1960s is anchored by two of the decade’s most iconic films. As Elaine Robinson, she became the center of a famous cinematic love triangle alongside Dustin Hoffman and Anne Bancroft in The Graduate (1967). This role earned her a Golden Globe for New Star of the Year and an Academy Award nomination for Best Supporting Actress. In Butch Cassidy and the Sundance Kid (1969), she played Etta Place, the intelligent and independent schoolteacher who accompanies the outlaws Paul Newman and Robert Redford to Bolivia. This performance won her the BAFTA Award for Best Actress.

Before her mainstream breakthrough, Ross spent the early 1960s establishing herself in television and supporting film roles. She made her debut in Sam Benedict (1962) and appeared in classic series like Gunsmoke, The Alfred Hitchcock Hour, The Virginian, and The Big Valley.

Ross made her first feature film appearance in the Civil War drama Shenandoah (1965), playing the daughter-in-law of James Stewart. She appeared in The Singing Nun and Mister Buddwing (1966) and the psychological thriller Games (1967). In 1968, she starred alongside John Wayne in Hellfighters. In addition to Butch Cassidy, she starred in Tell Them Willie Boy Is Here (1969) with Robert Redford, further solidifying her association with the Western genre.

In the 1960s, Ross was considered a “Hollywood bombshell,” but one with a distinctly casual, “California cool” vibe. She often wore her hair long and loose with face-framing layers, sometimes in braids or a messy “up-do.” She was known for a tawny, matte face with softly smudged eye liner and neutral lips, avoiding the heavy, dramatic makeup often associated with earlier Hollywood eras. Here, below is a selection of 30 stunning portraits of a young and beautiful Katharine Ross in the 1960s:

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In 1971, Young Oprah Winfrey Won the Miss Fire Prevention Contest in Her Hometown of Nashville

In 1971, at 17 years old, Oprah Winfrey won the Miss Fire Prevention contest in Nashville, Tennessee, by differentiating herself through her ambition and public speaking skills. While she was the only Black competitor in the pageant, her win was largely credited to a specific moment during the judging session.

When judges asked the finalists what they wanted to be when they grew up, other contestants gave traditional answers like “teacher” or “nurse.” Having already heard those responses, Oprah thought on her feet and declared she wanted to be a television journalist like Barbara Walters.

The pageant was sponsored by local radio station WVOL and the Nashville Gas Co.. It focused on intelligence and public presence rather than just beauty. For her victory, she received a Longines watch and a digital clock radio.

The win directly launched her media career. When she went to the WVOL radio station to claim her prizes, a DJ invited her to read news copy on tape. Impressed by her voice, the station hired her on the spot to read afternoon newscasts, making her their first female news reader while she was still in high school.

This victory set the stage for her to be crowned Miss Black Tennessee later that year and eventually become Nashville’s first Black female news co-anchor at age 19.

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Leonie Vernet: A Quintessential Muse of French Couture

Leonie Vernet (1934–1993) was an iconic French fashion model who epitomized the peak of mid-century haute couture. With her striking, chiseled features and innate sense of poise, she became a signature face for the world's most prestigious fashion houses, most notably Givenchy and Balenciaga.

During the 1950s and ’60s, Vernet was celebrated for her ability to bring architectural garments to life, moving with a grace that transformed the runway into a stage for high art. She was frequently photographed by industry legends such as Henry Clarke and Irving Penn, appearing in the pages of Vogue and L’Officiel as the embodiment of “Parisian Chic.”

Beyond her physical beauty, Leonie Vernet was admired for her professional longevity and her role as a muse to Hubert de Givenchy, helping to define an era of elegance that remains a benchmark for the fashion world today.

Leonie Vernet wearing a black velvet hat with the wide brim brushed back by Hattie Carnegie, photo by Irving Penn, Vogue, August 1, 1954

Leonie Vernet in brown-and-beige tweed suit with a fitch scarf-collar by Jaunty Junior, turban by Betmar, bag by Ronay, earrings by Monet, photo by Diane and Allan Arbus, Vogue, September 1, 1953

Leonie Vernet in red silk damask draped and bustled over a white silk organdy skirt by Maurice Rentner for Bergdorf Goodman, photo by Sharland, Vogue, December 1953

Leonie Vernet in a dressmaker tweed suit by Murray Silberstein, satin beret by John Frederics, photo by Roger Prigent, Ladies' Home Journal, September 1954

Leonie Vernet in black jersey sheath dress with white satin drawn through at the neck by Anne Fogarty, Lutetia EMBA mink jacket by Ben Mandel, photo by Roger prigent, Vogue, November 15, 1954

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Willy Sluiter: Elegance and Realism in Early 20th-Century Dutch Art

Willy Sluiter (1873–1949) was a remarkably versatile Dutch painter and graphic artist, celebrated for his ability to capture the elegance and energy of early 20th-century life.

Born into a wealthy family, Sluiter developed a keen eye for the social nuances of his time. He became best known for his vibrant depictions of high society, often painting fashionable figures at seaside resorts like Scheveningen or in the bustling salons of The Hague and Rotterdam. What sets Sluiter apart was his effortless transition between subjects, he was equally skilled at painting the rugged, weathered faces of Katwijk fishermen as he was at sketching the sophisticated elite.

Beyond his canvases, Sluiter was a masterful poster designer and caricaturist, using bold lines and a touch of wit to create iconic commercial art. His work remains a delightful visual record of a changing Holland, balancing traditional Dutch roots with the glamour of the “Belle Époque” and the “Roaring Twenties.”

Naar Marseille en de Riviera, 1913

Hollandsche Revue, 1913

England-Continent, via Harwich and Hoek van Holland, 1914

Naar Keulen via Kesteren Nijmegen, 1914

Reist naar het Zeestrand per HYSM, 1914

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40 Wonderful Color Publicity Photos From the Set of the Sitcom Television “Bewitched”

Bewitched is one of the most enduring icons of American television, blending suburban domesticity with the supernatural. Created by Sol Saks and produced by Screen Gems, it ran for eight seasons on ABC from 1964 to 1972. It starred Elizabeth Montgomery as Samantha Stephens, Dick York as Darrin Stephens, and Agnes Moorehead as Endora, Samantha’s mother. Dick Sargent replaced an ailing York for the final three seasons (1969–1972).

The show was inspired by the films I Married a Witch (1942) and Bell, Book and Candle (1958). The premise was simple yet effective: Samantha, a powerful witch, marries Darrin Stephens, an ordinary “mortal” advertising executive. The central conflict revolved around Darrin’s insistence that Samantha live a normal life without magic, a request constantly undermined by her mischievous magical family, most notably her mother, Endora.

While the show was a comedy, it often served as a metaphor for the changing social landscape of the 1960s. Many critics view the show as a subtextual exploration of the “housewife” role, where a woman with immense power (magic) tries to suppress her identity to fit into a patriarchal structure. Montgomery’s signature nose-twitching became a cultural shorthand for magic. Interestingly, she didn’t actually move her nose, she wiggled her upper lip, a trick she discovered she could do during rehearsals.

The show was filmed at the Warner Bros. Ranch. The “Stephens House” was a real facade that appeared in several other shows and movies, including The Partridge Family. The show was popular, finishing as the second-highest-rated show in America during its debut season, staying in the top 10 for its first three seasons, and ranking in 11th place for both seasons four and five. The show continues to be seen throughout the world in syndication and on recorded media.

Bewitched inspired a short-lived spin-off, Tabitha (1977), and a 2005 feature film. The show has never truly left the airwaves, remaining a staple of cable syndication and streaming platforms for over 50 years. In 2002, it was ranked #50 on TV Guide’s 50 Greatest TV Shows of All Time.

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