In the 1950s, as cinema blossomed into a vibrant global art form, Mexican illustrator Ernesto García Cabral brought a dazzling visual language to the silver screen. Known as “El Chango”, Cabral infused his film posters with bold color, expressive linework, and a sense of movement that captured the drama and allure of mid-century cinema. His style bridged fine art and popular culture, transforming ordinary movie advertisements into collectible works of design.
From romantic melodramas and noir thrillers to musical spectacles, Cabral’s posters reflected both the glamour and emotional intensity of their era. Each composition feels alive — a burst of energy frozen in ink and pigment — reminding us of a time when hand-drawn artistry defined the face of film.
Through his vibrant, dynamic compositions, Cabral captured not just the films’ essence but also the bold, exciting pulse of mid-century Mexican cinema, solidifying his legacy as the master artist of the golden age movie poster.
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| Tin-Tan en "La Marca del Zorrillo", film poster, 1950 |
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| Tin-Tan en "El revoltoso", film poster, 1951 |
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| Tin-Tan in "Las Locuras de Tintan", film poster, 1951 |
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| "Las 3 alegres comadres", film poster, 1952 |
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| "Los 3 alegres compadres", film poster, 1952 |
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| "Rumba Caliente" film poster, 1952 |
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| "Mis 3 viudas alegres", film poster, 1953 |
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| "Tal para cual", film poster, 1953 |
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| "Tintan en La Habana" film poster, 1953 |
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| Tin-Tan en "El Mariachi desconocido", film poster, 1953 |
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| Tin-Tan en "El Vagabundo", film poster, 1953 |
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| Tin-Tan en "El Vizconde de Montecristo", film poster, 1954 |
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| "Dos charros y una gitana", film poster, 1956 |
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