Antonia Boekestijn was a prominent Dutch fashion model who gained recognition during the revolutionary 1960s, a decade that dramatically redefined beauty standards and style across Europe.
Moving away from the formal elegance of the previous decade, the fashion world embraced a youthful, often androgynous aesthetic epitomized by the “Swinging Sixties.” Boekestijn’s career flourished during this period of change, where she served as a striking representative of Dutch influence on international style. She was known for embodying the era's liberated spirit, likely gracing the pages of influential European fashion magazines and collaborating with designers who championed the new, ready-to-wear silhouettes.
Boekestijn’s presence helped establish her as one of the notable, though historically less-publicized, faces who shaped the look of 1960s European glamour.
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| Antonia in green linen ensemble by Arkay, hat by Mr. John, necklace by Miriam Haskell, photo by Francesco Scavullo, Bangkok, Thailand, Harper's Bazaar, May 1962 |
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| Antonia in a glimmering white satin twill coat over a buttercup-gold matelassé dress by Bill Blass, Harper's Bazaar, October 1962 |
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| Antonia in Aeolion EMBA mink polo coat worn with shiny black leather boots and hat from Hattie Carnegie, photo by Hiro, Harper's Bazaar, November 1962 |
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| Antonia in cocoon-shaped coat of GLMA natural dark mink from Fredrica, mohair scarf by Echo, suede boots from Dior, sued pants by Ramos, photo by Hiro, Harper's Bazaar, November 1962 |
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| Antonia in day-length dress and jacket in glittering vin rosé lace and wine red satin skirt by Galanos, superb pearl strands with diamond-cap baroque drop by Imperial Pearl, photo by Bert Stern, Vogue, October 15, 1962 |
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| Antonia in dress by (Jacques) Tiffeau and Bush, photo by William Klein, New York City, 1962 |
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| Antonia in shocking pink silk satin dress sprinkled with dots, scarf swooping down the back in folded panel, by Pattullo-Jo Copeland, sky-bound coiffure by Mr. Enny of Enny of Italy Salon, photo by Melvin Sokolsky, Harper's Bazaar, November 1962 |
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| Antonia in silk crêpe gown in brown and white, Empire waist and skirt fall open over white skirt beneath by Norman Norell, ringlet coiffure by Enny of Italy Salon, photo by Melvin Sokolsky, Harper's Bazaar, November 1962 |
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| Antonia in silk pink mandarin jacket over a long red silk evening dress by Rappi, flowered headdress by John Frederics, necklace by Marvella, photo by Francesco Scavullo at a temple in Thailand, Harper's Bazaar, May 1962 |
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| Antonia in white dotted Swiss overblouse broadly ruffled over long slim skirt slit at the hem in back by Junior Accent, photo by Francesco Scavullo in Hong Kong, Harper's Bazaar, June 1962 |
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| Antonia in Yves Saint Laurent, photo by William Klein, Paris 1962 |
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| Antonia in Yves Saint Laurent's violet silk tweed afternoon dress from Spring/Summer collection of 1962, photo by William Klein |
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| Antonia in dress of jade silk crêpe biased to a sudden shell of pink by Grès, photo by William Klein, Vogue, June 1963 |
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| Antonia in ravishing two-piece evening dress, the top is sequinned gold satin cardigan encrusted with small silvery tulips, over puffed white silk skirt shot with silver by Yves Saint Laurent, photo by William Klein, Vogue, April 15, 1963 |
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| Antonia in Autumn Haze EMBA mink coat by Maximilian, jewelry by Harry Winston, photo by Virginia Thoren-Rice, Vogue, September 15, 1964 |
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| Antonia in beautiful evening dress inspired by the coat of an Indian Rajah by Adele Simpson, Vogue, October 1, 1964 |
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| Antonia in blue, mauve, and pink print Arnel jersey at-home ensemble by Nelly de Grab, Harper's Bazaar, January 1964 |
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| Antonia in camisole gown of American Bemberg rayon and silk by Malcolm Starr, Vogue, October 1, 1964 |
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| Antonia in dramatic dress of green satin with flaring sleeves encrusted with jet drops and domed skirt by Edward Abbott, Vogue, October 1, 1964 |
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| Antonia in elegant Lutetia EMBA mink coat by Ritter Bros., diamonds by harry Winston, photo by Virginia Thore-Rice, Vogue, October 1, 1964 |
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| Antonia in narrow dress of bias pink and white silk faille with camelia at the neck by Marc Bohan for Dior, coiffure by Alexandre, photo by William Klein, Vogue, April 1, 1964 |
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| Antonia in Yves Saint Laurent Spring/Summer Collection 1964, photo by William Klein |
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| Antonia in dazzling, jeweled embroidered art nouveau crêpe dress by Pierre Cardin, coiffure by Roger of Vidal Sassoon, photo by David Montgomery, Harper's Bazaar UK, March 1965 |
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| Antonia in gilded sequined shirtwaist dress under a double-breasted buttercup yellow wool coat by Norman Norell, sequined flower hat by Halston, photo by Louis Faurer, Harper's Bazaar, November 1965 |
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| Antonia in Naked Wool silvery smock dress by Rembrandt, Harper's Bazaar, November 1965 |
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| Antonia in suit by Courrèges, Harper's Bazaar, 1965 |
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| Antonia in a short, shimmering dress of gold and silver lace by Pat Sandler, coiffure by Alexandre, photo by Henry Clarke, Vogue, December 1, 1966 |
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| Antonia in crowning touch of gold, dress has lamé prongs that curve up to meet a Plexiglass collar circling the shoulder, by Emmanuelle Khanh, coiffure by Alexandre, photo by Henry Clarke, Turkey, Vogue, December 1, 1966 |
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| Antonia in lacquer-red crêpe toga-dress, wrapped to one side caught with a bow by Larry Aldrich, coiffure by Alexandre, photo by Henry Clarke, Turkey, Vogue, December 1, 1966 |
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| Antonia in little silver sequined dance dress flickering from tiny straps by Joan Arkin, coffure by Alexandre, photo by Henry Clarke, Vogue, December 1, 1966 |
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| Antonia in rabbit fur jibba printed with Persian motifs, gallooned in silk by Chombert, coiffure by Aelxandre, photo by Henry Clarke, Vogue, December 1, 1966 |
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| Antonia in short lacquer-red dress that comes with a white-banded scarf by Jacques Tiffeau for Tiffeau & Busch, photo by Henry Clarke, Vogue, December 1, 1966 |
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| Antonia in paprika-colored wool gabardine coat by Frechtel for Renbrook, hat by Halston, Vogue, September 15, 1967 |
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| Antonia in wool gabardine plaid coat by Henry Friedricks for Brittany, hat by Archie Eason, Vogue, September 15, 1967 |
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| Antonia in zippered bright-red wool gabardine coat by George Carmel, hat by Archie Eason, Vogue, September 15, 1967 |
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