Wednesday, June 28, 2017

Bullet Bra: The Indispensable Underwear for the Sweater Girl in the 1940s and 1950s

Bullet Bra is a full-support bra with cups in the shape of a paraboloid with its axis perpendicular to the breast. The bullet bra usually features concentric circles or spirals of decorative stitching centred on the nipples.

Invented in the late-1940s, they became popular in the 1950s, and worn by the Sweater Girl, a busty and wholesome "girl next door" whose tight-fitting outergarments accentuated her artificially enhanced curves.

These photos show young women, mostly Hollywood actresses, who worn bullet bras from between 1940s and 1950s.






Bathing in a pond, 1930


These Candid Photographs Taken by Servicemen Show How Young U.S Soldiers Saw Life in Wartime Vietnam

The photographs are almost banal.

In contrast to most images of a war that still reverberates decades later, they show soldiers lazing, showing off their squalid jungle living quarters, discovering the charm of the Vietnamese children they encounter, reveling in a rare ocean swim. There is nothing remotely as chilling as much of the classic Vietnam War photography, no shots like Nick Ut’s of a naked Vietnamese girl fleeing from a napalm bombing or Eddie Adams’s shot of a Saigon police chief firing a bullet into the head of a Viet Cong prisoner.

Yet these photographs were taken not by professionals but by young grunts barely out of high school. Grinning wide-eyed at this strange land where they had been sent, often against their will, in circumstances they did not fully understand, with little foreboding of what might be in store, their photographs of ordinary wartime days have a special poignancy.

A U.S.O. performance at Fire Base Rawlings. Tay Ninh Province, Vietnam. November 1969. (David Fahey)

Larry Diesburg taking a smoking break after filling sandbags near Binh Long, Vietnam. (Larry Diesburg)

A Vietnamese boy’s daily work, along highway QL-19 near An Khe Pass. (James Alan Jenkins)

Light at night used to detect Viet Cong activity during the Tet offensive. Ninh Hoa, Vietnam. 1968. (Gene Bailey)

The Quang Tri River seen from a Huey helicopter. Vietnam. (Richard Lynghaug)

Pictures of Marilyn Monroe Meeting Queen Elizabeth II in London, 1956

A meeting of two matriarchs, you have to wonder what the two were actually thinking of each other.

Two of the most widely recognized women of their times who couldn’t be more different. They met in London for the Royal Film Premier to watch The Battle of River Plate. Monroe was not in the film, but it was the much anticipated true story of a naval battle, which is why it had been chosen for the Royal Film Premier.

The Queen was of course at the event, and nearly everyone who came stood in line to meet her, as naturally Monroe did as well. Back story aside, the event has given us an unforgettable picture of two seemingly incongruous characters in a congenial meeting.

At the time, both Monroe and Queen Elizabeth II were just 30 years old. The Queen had ascended to the throne at the age of 25 following the death of her father, King George VI. Monroe had just finished filming The Prince and the Showgirl in London; the film premiered in June 1957.

Unfortunately, Monroe passed away just a few years later, in 1962, at the age of 36. This would be the only time these two extremely different types of royalty—a monarch and an American icon—would ever meet in front of millions of onlookers and cameras.






Lost Marvels of Revolution-Era Russian Theater: Haunting Photographs from a 1908 Fantasy Play Performed in Moscow

The Blue Bird is a 1908 play by Belgian playwright and poet Maurice Maeterlinck. It premiered on 30 September 1908 at Konstantin Stanislavski's Moscow Art Theatre, and was presented on Broadway in 1910. The play has been adapted for several films and a TV series.

The story is about a girl called Mytyl and her brother Tyltyl seeking happiness, represented by The Blue Bird of Happiness, aided by the good fairy Bérylune.

The photographs of the actors are all that remain of this 1908 premiere of Maeterlinck’s Blue Bird. A descriptive play-by-play of the performance can be found in the 1920 book The Russian Theater Under the Revolution by Oliver Sayler, but all other images of this art noveau-inspired production have been lost to time.

According to historians well versed on the Moscow Art Theatre, which at the time was considered one of the most vital dramatic arts communities in the world, anything connected with the 1908 production was destroyed once WWI commenced in 1914, with the exception of these photographs. Despite their age and lack of color, they are remarkably vivid. While they are all stunning, the images of actress Maria Germanova (who played the mythical fairy in The Blue Bird and is best known for her role in the silent film based on Leo Tolstoy’s novel Ana Karenina) are particularly arresting.






"The Arrival of a Train at La Ciotat" – This Silent Film by the Lumière Brothers in 1895 About a Train Really Cause Audiences to Stampede

In 1890, having made a fortune manufacturing plates for still photographs, Antoine Lumière bought a huge 90 hectare / 222 acre plot of land between the station and the waterfront in La Ciotat.

The Villa Lumiere at La CiotatOn this land, which he called the Clos des Plagues, he built a magnificent 36 room château, the Villa Lumière, pictured as it was in the early 19th century, as a summer residence for his family (which was based in Lyon for the rest of the year).

Meanwhile Antoine's two sons, Auguste and Louis, were busy developing their own new invention which they called the "cinématographe": a motion picture camera which also functioned as a developer and projector. They lodged the patent for this device on 30 March 1895 and shot numerous short films, all roughly 50 seconds long, in and around La Ciotat during this period.

These include the famous L'Arrivée d'un train en gare de La Ciotat (The Arrival of a Train at La Ciotat), one of the world's first movies. It records a steam train, pictured top left, pulling into La Ciotat from Marseille, with the Lumière Brothers' mother Joséphine (in a tartan cape) and Louis' daughter Suzanne on the platform.



Like most of the Lumières' early shorts, the 50-second silent film consists of a single, unedited real-time view, with the camera carefully positioned so that the train seems to be coming almost directly towards it (according to legend, the first viewers, imagining themselves to be in the path of the locomotive, ducked for cover).

On the centennial celebration of the film's release, film critic Hellmuth Karasek wrote in Der Spiegel:
One short film had a particularly lasting impact; yes, it caused fear, terror, even panic.... It was the film L'Arrivée d'un train en gare de la Ciotat (Arrival of the Train at La Ciotat Station).... Although the cinematographic train was dashing toward the crowded audience in flickering black and white (not in natural colors and natural dimensions), and although the only sound accompanying it was the monotonous clatter of the projector's sprockets engaging into the film's perforation, the spectators felt physically threatened and panicked."

51 Adorable Photos Show That Dogs Have Always Been Children's Best Friends From Long Time Ago

These adorable were taken in the late 19th century that show dogs has always been children's best friend from long time ago.