Bring back some good or bad memories


May 25, 2021

Photos of Sterling St. Jacques and Bianca Jagger Dancing at Studio 54 in New York City, 1978

Born 1957 in Salt Lake City, Utah, American model, actor and dancer Sterling St. Jacques was the adopted son of actor Raymond St. Jacques. He had bit parts in films such as Eyes of Laura Mars (1978) with Faye Dunaway, Dinah East (1970) and the Italian movie Sistemo l’America e torno (1974).


Together, Sterling and model Pat Cleveland were regulars at Studio 54. Although they appeared in public as a couple, and were briefly engaged, Sterling was widely known to be gay.

In the 1980s, Sterling moved to Europe to try and become a nightclub DJ and advance his modeling career. Soon after, he claimed to the press he was broke and was thinking of opening a dance studio in Manhattan. This idea never came to fruition and instead he regularly appeared in both high-end and low-brow magazines and even performed Italo disco.

St. Jacques contracted AIDS and died in 1984 in New York City, not knowing who gave it to him.

Take a look at these vintage photos to see moments of Sterling St. Jacques and Bianca Jagger dancing at Studio 54 in New York City in 1978.










Early Photographs of Bob Dylan Taken by John Cohen in New York City, 1962

In 1962, shortly after a young Bob Dylan arrived in New York City, he met fellow musician John Cohen of the New Lost City Ramblers. Upon learning that Cohen was also a photographer, Dylan asked him to make photographs of him. They both went to Cohen’s East Village loft and rooftop for a few hours to make some photos in “a moment of invention… without planning, and with the freedom that comes from uncertainty.”


“These are pictures from a more innocent time at the beginning of Bob Dylan’s career,” Cohen recalled. “This is what he might have looked like when he first arrived in New York... the making of these photographs was quite naïve. We weren’t into creating a persona for Bob. I was more interested in documenting what was before the camera, and what I was seeing wasn’t so clear. The session was just a free-flowing pursuit of picture making and taking poses. We didn’t know what he was going to look like.”










May 24, 2021

Portraits of Priscilla Presley With Her Very Big Hair From the 1960s

High, black and tumbling down – Priscilla Presley rocked one of the biggest bouffants we’ve seen.


Hailed as the Queen of Rock and Roll — Elvis was her husband, after all! — the beautiful and enigmatic Priscilla Presley left her indelible mark on the American cultural landscape throughout the 1960s and ’70s.

With her signature babydoll eyeliner, massive bouffant ‘do and ultra-glamorous take on Mod fashion, Priscilla’s signature look is at once completely singular, yet emblematic of the era’s decadent rock-and-roll-meets-Hollywood lifestyle. In fact, Priscilla’s instantly-recognizable 1960s look is so iconic that it continues to show its influence on today’s pop culture, think Lana Del Rey’s LA-glam look — flicked eyeliner and perennially “done” hair — and myriad lyrical references to the King of Rock and Roll, himself.

Beyond Priscilla’s role as rock-star-wife, she’s also gone on to pursue a string of business ventures — including launching her own fashion line — and a career in acting, that saw her signature 1960s look transform with the times.










40 Candid Photographs of People on Their Couches in the 1980s

The 80s had two distinct décor trends beginning with subdued tones then transitioning to bombastic colors later in the decade.

There was a lot of leftover autumnal hues from the ’70s into the early ’80s and those colors are evident in these living rooms this period. Brown carpet seemed to be in a lot of homes back then before the ’80s accelerated and ushered in hypercolor T-shirts.

Most living rooms didn’t have great big windows to let in oodles of natural light but you can see similar décor trends of the ’80s with the earth tones. Indoor plants gained popularity in the ’70s as Americans got more Earth-conscious and continued to creep into the early ’80s.

These candid photos captured people on the couches in their living rooms from the 1980s.










Rare Photos Taken During the Excavation of the Gate of the Citadel of Sargon II at Dur-Sharrukin, Iraq in the 19th Century

Dur-Sharrukin (“Fortress of Sargon”), present day Khorsabad, was the Assyrian capital in the time of Sargon II of Assyria. The great city was entirely built in the decade preceding 706 BC. After the unexpected death of Sargon in battle, the capital was shifted 20 km south to Nineveh.

While Dur-Sharrukin was abandoned in antiquity and thus did not attract the same level of attention as other ancient Assyrian sites, there was some awareness of the origins of the mound well before European excavation. Once the European presence in northern Iraq became more substantial in the mid-nineteenth century, archaeological exploration of the site of Dur-Sharrukin was neglected in favor of seemingly more promising sites such as Nineveh or Nimrud. This situation changed in April 1843, when the French Consul General at Mosul, Paul-Émile Botta, who had been excavating at Kuyunjik without success, was approached by a resident of the village of Khorsabad.

The interplay between local mediators and European archaeologists in Layard’s account effectively captures the necessary cooperation which enabled these early discoveries. With this initial excavation, the archaeological investigation of ancient Mesopotamia began in earnest. Unlike Kuyunjik, the Assyrian ruins at Khorsabad were much closer to the surface of the mound, and therefore it was not long before Botta and his team reached the ancient palace, leading to the discovery of numerous reliefs and sculptures. Unfortunately, this excitement was somewhat dulled by the destruction of many of these early discoveries due to sudden exposure to the outside environment. Botta’s consular duties also took up a majority of his time, preventing him from organizing systematic excavations of the site, and local Ottoman authorities grew suspicious of the true intentions behind the excavations, which at this time were technically illegal, as Botta had yet to receive official permission from Constantinople for his work, a common situation with early European excavations.

These difficulties caused formal excavations to cease by October 1843. Still, Botta’s initial reports back to France sparked considerable scholarly interest in the project, and eventually he received more funding and an artist, Eugène Flandin, from France. By spring of 1844 then, Botta resumed further excavations of the site, which required him to purchase the village of Khorsabad itself and resettle it at the foot of the mound. However, this new site was in swampy terrain, and malaria and other diseases were a constant threat to the residents and workers. The extensive finds convinced Botta that he had uncovered the true site of Nineveh, though this would be subsequently refuted by excavations at Kuyunjik by Layard and others. By October of that year, Botta had uncovered enough of the palace to cease further excavations and attempt to deliver some of the findings to France, which required an extensive operation of carts to transport the reliefs and sculptures to Mosul, which were then transported by raft and ship to Basra on the Persian Gulf and then to Paris, where they arrived in 1847. These were the first major Assyrian finds to arrive in Europe, and they fuelled a growing fascination with the ancient civilization which would lead to further excavations.









35 Portraits and Stills of Esther Ralston From ‘Fashions for Women’ (1927)

Fashions for Women is a lost 1927 American drama silent film directed by Dorothy Arzner and written by Paul Armont, Jules Furthman, Percy Heath, Herman J. Mankiewicz, Léopold Marchand and George Marion, Jr..


The film stars Esther Ralston, Raymond Hatton, Einar Hanson, Edward Martindel, William Orlamond and Agostino Borgato. It is a social comedy about a cigarette girl, Lulu, who falls in love with a count while finding success as a fashion model.

The film was released on March 26, 1927, by Paramount Pictures.

Here below is a set of fabulous photos that shows portraits and stills of Esther Ralston while filming Fashions for Women in 1927.










May 23, 2021

Everyday Life in the U.S During the 1960s, Through the Lens of Dennis Hopper

Dennis Hopper was an actor, filmmaker, visual artist, and photographer. Known for his realistic portrayals of drug addicts and eccentric characters, Hopper’s oeuvre is characterized by his interest in Americana and people living on the fringes of society.

His career in Hollywood was marked by periods of both success and rejection—in the early 1960s, Hopper turned to photography after he was blacklisted by the director Henry Hathaway. As Dennis Hopper said himself: “I was doing something that I thought could have some impact someday. In many ways, it’s really these photographs that kept me going creatively.”

Hopper would of course, go on to star in the ultimate Hells Angels movie, Easy Rider (1969) but not before photographing the real-life bikers who were getting a reputation for their anti-social lifestyle. Hopper was never a biker, he followed the hippie and free speech movements, took large quantities of drugs which would haunt him throughout the next two decades and from this collection it is clear that he embraced some of the biker way of life.

But the Hells Angels were not the only youth movement ripping up the stereotype of American life, the 1960s was the decade of protest, from the Civil Rights movement to the bitter divisions caused by the war in Vietnam.












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