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September 27, 2020

Here’s the Only Known Photo of the Antonov A-40, a Crazy Soviet Flying Tank in the 1940s

What if a tank could fly onto a battlefield with a crew inside? This was a question that Oleg Antonov, the famed airplane designer of post-World War II fame tried to answer.

The only known photo of the Antonov A-40.

Instead of loading light tanks onto gliders, as other nations had done, Soviet airborne forces had strapped T-27 tankettes underneath heavy bombers and landed them on airfields. In the 1930s there were experimental efforts to parachute tanks or simply drop them into water. During the 1940 occupation of Bessarabia, light tanks may have been dropped from a few meters up by TB-3 bombers, which, as long as the gearbox was in neutral, would allow them to roll to a stop.

The biggest problem with air-dropping vehicles is that their crews drop separately, and may be delayed or prevented from bringing them into action. Gliders allow crews to arrive at the drop zone along with their vehicles. They also minimize exposure of the valuable towing aircraft, which need not appear over the battlefield. So the Soviet Air Force ordered Oleg Antonov to design a glider for landing tanks.

Antonov A-40 flying tank.

Antonov was more ambitious. Instead of building a glider, he added a detachable cradle to a T-60 light tank bearing large wood and fabric biplane wings and a twin tail. Such a tank could glide into the battlefield, drop its wings, and be ready to fight within minutes.

One T-60 was converted into a glider in 1942, intended to be towed by a Petlyakov Pe-8 or a Tupolev TB-3. The tank was lightened for air use by removing its armament, ammunition and headlights, and leaving a very limited amount of fuel.

TB-3 bomber carrying a T-27 tankette.

Even with these modifications, the TB-3 bomber had to ditch the glider during its only flight, on September 2, 1942, to avoid crashing, due to the T-60’s extreme drag (although the tank reportedly glided smoothly). The A-40 was piloted by the famous Soviet experimental glider pilot Sergei Anokhin. The T-60 landed in a field near the airport, and after dropping the glider wings and tail, the driver returned it to its base. Due to the lack of a sufficiently-powerful aircraft to tow it at the required 160 km/h (99 mph), the project was abandoned.

The Soviet Union continued to develop methods to efficiently deploy airborne vehicles. By the mid-1970s they were able to para-drop BMD-1 fighting vehicles with their crew aboard.




September 26, 2020

20 Amazing Photographs That Capture Great Moments of Olivia Newton-John on Stage in the 1970s and 1980s

Olivia Newton-John’s greatest success came in the 1970s, when she moved from Australia to the USA. Her top recordings from the ’70s “If You Love Me Let Me Know”, “A Little More Love”, “Hopelessly Devoted To You” plus duets with John Travolta on “You’re The One That I Want” and “Summer Nights”.


Born on September 26, 1948, in Cambridge, England, Olivia Newton-John was raised in Melbourne, Australia. Perhaps best known for playing the squeaky clean Sandy in the movie musical Grease (1978), she got her start as a singer in her teens. Newton-John went to England in the mid-1960s and performed in clubs and on television.

Newton-John made a splash in the United States with her third solo album, Let Me Be There (1973), the title track winning a Grammy Award for best country female vocal performance. More awards and successful albums followed. She scored hits on the country and pop charts with “Have You Never Been Mellow” and “I Honestly Love You,” which won the 1974 Grammy for record of the year.

The release of the 1978 film adaptation of the successful Broadway musical Grease made Newton-John an international star. It became one of the most successful musicals in movie history.

Unfortunately, Newton-John was unable to replicate her earlier success with her next film, Xanadu (1980). Attempting to cash in on two popular trends of the time—roller skating and disco—the movie bombed, though the soundtrack did well. Newton-John hit the charts again with the song “Magic.” She changed her image for her next album, Physical (1981), going for a more sexy, athletic look; it featured the hit single “Let’s Get Physical.”

While she continued making albums in the mid-1980s, Newton-John’s musical career quieted down. She focused on other aspects of her life, including launching a chain of clothing stores called Koala Blue, and starting a family.










20 Vintage Photos of James Dean on the Set of ‘Giant’ in 1955

Giant is an American epic Western drama film, directed by George Stevens and starred Elizabeth Taylor, Rock Hudson, and James Dean as three main roles. It was the last of Dean’s three movies as a leading actor, as he was killed in a car crash before the film was released. Giant earned Dean his second, and also final, consecutive posthumous Academy Award nomination. 

Take a look at the actor spending his time during the filming in 1955: 









Juliette Gréco: La Muse de l'existentialisme

Born 1927 in Montpellier, French singer and actress Juliette Gréco made her debut in the play Victor ou les Enfants au pouvoir in 1946 and began to host a radio show dedicated to poetry.


In 1949, Gréco began an affair with U.S. jazz musician Miles Davis. In 1957, they decided to always be just lovers because their careers were in different countries and his fear of damaging her career by being in an interracial relationship. They remained lovers and friends until his death in 1991.

In 1949, Gréco also made her debut as a cabaret singer in the Parisian cabaret Le Bœuf sur le toit, performing the lyrics of a number of well-known French writers; Raymond Queneau’s “Si tu t’imagines” was one of her earliest songs to become popular.

As an actress, Gréco played roles in films by French directors such as Jean Cocteau and Jean-Pierre Melville. Her sixty-year career finished in 2015 when she began her last worldwide tour titled “Merci”.

Gréco died on 23 September 2020 at the age of 93. In 1999, a rose was named after her by Georges Delbard under the name of “Juliette Gréco”.
“Michelle” by the Beatles was inspired by Gréco and the Parisian Left Bank culture. Paul McCartney said of the song: “We’d tag along to these parties, and it was at the time of people like Juliette Gréco, the French bohemian thing. They’d all wear black turtleneck sweaters, it’s kind of where we got all that from, and we fancied Juliette like mad. Have you ever seen her? Dark hair, real chanteuse, really happening. So I used to pretend to be French, and I had this song that turned out later to be ‘Michelle’.”
John Lennon wrote in Skywriting by Word of Mouth: “I’d always had a fantasy about a woman who would be a beautiful, intelligent, dark-haired, high-cheek-boned, free-spirited artist à la Juliette Gréco.”
Marianne Faithfull said of Gréco: “When I was a young girl, Juliette Gréco was my absolute idol...She’s my role model for life. If I want to be anybody, I want to be Juliette Gréco”.
Take a look at these vintage photos to see the beauty of young Juliette Gréco in the 1950s and 1960s.










Sheena Easton: One of the Most Successful British Female Performers of the 1980s

Born 1959 in Bellshill, Lanarkshire, Scottish actress, singer and songwriter Sheena Easton came into the public eye in an episode of the first British musical reality television programme The Big Time: Pop Singer, which recorded her attempts to gain a record contract and her eventual signing with EMI Records.


Easton’s first two singles, “Modern Girl” and “9 to 5”, both entered the UK Top Ten, and she was the first UK female artist to appear twice in the same Top Ten since Ruby Murray. In 1981, “9 to 5” (retitled “Morning Train (Nine to Five)” for the US market) topped the US Hot 100, making her the third UK female solo artist to achieve this, following Petula Clark and Lulu, and she became one of the most successful British female performers of the 1980s.

A six-time Grammy nominee in the US, Easton is a two-time Grammy Award winner, winning Best New Artist in 1982. She has received five US Gold albums and one US Platinum album. She has recorded 16 studio albums, released 45 singles total worldwide, and had 20 consecutive US singles, including 15 US Top 40 singles, seven US top tens and one US No.1 on the Billboard Hot 100 between 1981 and 1991. She also had 25 top 40 hits in international territories around the world. In Canada, Easton scored three gold and two platinum albums. She has sold over 20 million records and albums worldwide.

Easton became the first recording artist in history to have a top 5 hit on each of Billboard’s primary singles charts, with “Morning Train (Nine to Five)” (both pop and adult contemporary), “We’ve Got Tonight” with Kenny Rogers (country) and “Sugar Walls” (both R&B and dance).

Take a look at these gorgeous photos to see portrait of a young Sheena Easton in the 1980s and early 1990s.










“Ladies, Don’t Argue With A Burglar” – Iver Johnson Revolver Ad From 1871

Ladies, don’t argue with a burglar–show him a revolver. “Don’t wait until the horse is stolen before you lock the barn.” Old saying, but true. Ladies can handle the new Iver Johnson Safety Hammerless Automatic Revolver with absolute safety. Accidental discharge is impossible. Children cannot discharge them. Price $5.50.


Indeed. When seconds count, the police are minutes away. Or, in the 1870s, hours away.




September 25, 2020

“Breastypes! What’s Yours?” – This Crazy Little 1940’s Dirty Pocket Comic Has to Be a One-of-a-Kind Find

“A flimsy wisp of gossamer
Sheltering shapes we hold so dear
Behold the truth and shed no tear
These are the facts ’neath the Brassiere”
Scarce male objectifier’s glossary! Unsurprisingly, no copies located anywhere. No publication information whatsoever, as standard with racy or pornographic ephemera.

Funny, some might say also offensive, labeling of different shapes and sizes of women’s breasts. We have the “Hot Water Bottles”, “Sweet Potatoes”, “Ukeleles”, “Full Moons”, “Cup Cakes”, and onward – twenty in all. Also taking aim at various female types.

Like it or abhor it, this is a genuine relic of mid-20th century burlesque-like culture, and we suspect in fact that this might have been a souvenir from a sleazy theater showcasing ecdysiastic cheesecake and ribald comedians.












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