Bring back some good or bad memories


July 25, 2018

1963 Ford Thunderbird Evolution

The Thunderbird entered production for the 1955 model year as a sporty two-seat convertible. Unlike the Chevrolet Corvette, it was not marketed as a sports car. Ford positioned the Thunderbird as an upscale model and is credited in developing a new market segment, the personal luxury car.


In 1958, the Thunderbird gained a second row of seats. Succeeding generations became larger until the line was downsized in 1977, again in 1980, and once again in 1983. Sales were good until the 1990s, when large 2-door coupes became unpopular. Initial production ceased at the end of 1997. In 2002, production of the Thunderbird started again; a revived 2-seat model was launched which was available through the end of the 2005 model year. From its introduction in 1955 to its final phaseout in 2005, Ford produced over 4.4 million Thunderbirds.


Genesis

A smaller two-seater sports roadster was created at the behest of Henry Ford II in 1953 called the Vega. The completed one-off generated interest at the time, but had meager power, European looks, and a correspondingly high cost, so it never proceeded to production. The Thunderbird was similar in concept, but would be more American in style, more luxurious, and less sport-oriented.

The men and their teams generally credited with the creation of the original Thunderbird are: Lewis D. Crusoe, a retired GM executive lured out of retirement by Henry Ford II; George Walker, chief stylist and a Ford vice-president; Frank Hershey, chief stylist for Ford Division; Bill Boyer, designer Body Development Studio who became manager of Thunderbird Studio in spring of 1955, and Bill Burnett, chief engineer. Ford Designer William P. Boyer was lead stylist on the original 1955 two-seater Thunderbird and also had a hand in designing the future series of Thunderbirds including the 30th Anniversary Edition. Hershey's participation in the creation of the Thunderbird was more administrative than artistic. Crusoe and Walker met in France in October 1951. Walking in the Grand Palais in Paris, Crusoe pointed at a sports car and asked Walker, “Why can't we have something like that?” Some versions of the story claim that Walker replied by telling Crusoe, “oh, we're working on it”... although if anything existed at the time beyond casual dream-car sketches by members of the design staff, records of it have never come to light.

Walker promptly telephoned Ford's HQ in Dearborn and told designer Frank Hershey about the conversation with Crusoe. Hershey took the idea and began working on the vehicle. The concept was for a two-passenger open car, with a target weight of 2525 lb (1145 kg), an Interceptor V8 engine based on the forthcoming overhead-valve Ford V8 slated for 1954 model year introduction, and a top speed of over 100 mph (160 km/h). Crusoe saw a painted clay model on May 18, 1953, which corresponded closely to the final car; he gave the car the go-ahead in September after comparing it with current European trends. After Henry Ford II returned from the Los Angeles Auto Show (Autorama) in 1953 he approved the final design concept to compete with the then new Corvette.

The name was not among the thousands proposed, including rejected options such as Apache (the original name of the P-51 Mustang), Falcon (owned by Chrysler at the time), Eagle, Tropicale, Hawaiian, and Thunderbolt. Rather, it was suggested to the designer and, in the hurry-up mood of the project, accepted. It is rumored that Jack Austen Crabbs of Davenport Iowa was the owner of the Thunderbird name. Ford acquired the name from Mr. Crabbs requiring him to rename his car the "black flame". The word "thunderbird" is a reference to a legendary creature for North American indigenous people. It is considered a supernatural bird of power and strength.

Thunderbird Country Club in Rancho Mirage, California also lays claim to being the inspiration for the name of the car. Ernest Breech, a Thunderbird Country Club member, who was then chairman of Ford Motor Company was supposedly deeply involved in the creation of the Thunderbird. Breech asked the Club's permission to name the new model after the Club and the club consented to the use of the name.




July 24, 2018

1313 Mockingbird Lane: 38 Amazing Vintage Photos From "The Munsters" TV Series (1964–1966)

The Munsters is an American sitcom depicting the home life of a family of benign monsters starring Fred Gwynne as Frankenstein's monster-type head-of-the-household Herman Munster, Yvonne De Carlo as his vampire wife, Lily Munster, Al Lewis as Grandpa, the over-the-hill vampire who relishes in talking about the "good old days", and Beverly Owen (later replaced by Pat Priest) as their teenage niece whose all-American beauty made her the family outcast and Butch Patrick as their half-vampire, half-werewolf son Eddie Munster.


The series was a satire of both traditional monster movies and the wholesome family fare of the era, and was produced by the creators of Leave It to Beaver. It ran concurrently with the similarly macabre themed The Addams Family (that aired on ABC) and achieved higher figures in the Nielsen ratings.

In 1965, The Munsters was nominated for the Golden Globe Award for Best Television Series, but lost to The Rogues. In the 21st century it received several TV Land Award nominations, including one for Most Uninsurable Driver (Herman Munster).

The series originally aired on Thursday at 7:30 pm on CBS from September 24, 1964, to May 12, 1966; 70 episodes were produced. It was cancelled after ratings dropped to a series low, due to the premiere of ABC's Batman, which was in color. Though ratings were low during its initial two-year run, The Munsters found a large audience in syndication. This popularity warranted a spin-off series, as well as several films, including one with a theatrical release.










The 1990s Were the Greatest Decade of Them All. And '90s Kids Will Love These Funny Memes!

If you’re a ’90s kid, and you meet someone else who grew up in the 1990s, chances are you already have a lot in common.


Back in the 1990s, life was completely different, wasn’t it? We didn’t have mobile phones and couldn’t use the dialup Internet and phone at the same time. Instead, we had VHS tapes, Walkmans, and computer mouses with balls inside. All these things might seem to be weird to today’s kids, but for us, they were the best things parts of our childhood.

Now take a look at 15 funniest memes about the 1990s!

1. We didn’t play Minecraft. We played something much sadder.



2. Your leisure reading options were pretty limited.



3. So were your fashion options.



4. This was how you blocked someone.



5. Texting was analog.







40 Cool Snapshots Show What Our Moms Wore at Beaches in the 1950s

What did our moms often wear at beaches in the 1950s? A submission photo collection from Flickr's members shows what their mothers wore at beaches nearly 70 years ago.

Mom with her sister Ann, back when she was nearly 18 (Ann was almost 16), September 1959

My mom and her mother, somewhere along the Jersey shore in the 1950s

Mom with my dad's mother Vera in South Hampton, getting too much sun as was the custom in the 1950s. Mom was about 31 years old, and Vera was in her 50s

Mom, dad, and Paul, age 2, at the beach in Alexandria, Egypt, 1956

Mom, roasting hot dogs, Long Beach, NJ, August 1957





44 Beautiful Photos of Janet Leigh in the 1940s and 1950s

Born 1927 as Jeanette Helen Morrison in Merced, California, American actress, singer, dancer, and author Janet Leigh was discovered at age eighteen by actress Norma Shearer, who helped her secure a contract with Metro-Goldwyn-Mayer. Leigh had her first formal foray into acting appearing in radio programs before making her film debut in The Romance of Rosy Ridge (1947).


Early in her career, Leigh appeared in several popular films for MGM which spanned a wide variety of genres, including Act of Violence (1948), Little Women (1949), Angels in the Outfield (1951), Scaramouche (1952), The Naked Spur (1953), and Living It Up (1954). She played mostly dramatic roles during the latter half of the 1950s, in such films as Safari (1956) and Orson Welles's film noir Touch of Evil (1958), but achieved her most lasting recognition as the doomed Marion Crane in Alfred Hitchcock's Psycho (1960), which earned her a Golden Globe Award for Best Supporting Actress and an Academy Award nomination for Best Supporting Actress.

In addition to her work as an actress, Leigh also wrote four books between 1984 and 2002, two of which were novels. Leigh died in 2004 at age 77, following a year-long battle with vasculitis, an inflammation of the blood vessels.

Before Marion Crane, take look at these glamorous photos to see the beauty of young Janet Leigh in the late 1940s and 1950s.










July 23, 2018

30 Stunning Black and White Portraits of Yvonne De Carlo From Between the 1940s and 1960s

A vibrant, full-bodied performer with a rich voice and a lushly sensuous if somewhat odd beauty, Yvonne De Carlo (1922–2007) achieved stardom in the 1940s in some of the more bizarre escapism of that era.


Yvonne De Carlo was a Canadian born American actress, singer, and dancer whose career spanned more than seven decades. A brunette with blue-grey eyes, voluptuous figure, and a deep sultry voice, she was one of most recognizable stars in the golden age of Hollywood and an early multihyphenate.

She began taking dancing lessons at the age of three and spent her late teens performing in various night clubs and on stage. She made her screen debut in 1941 in an uncredited role in the comedy film ‘Harvard, Here I Come’.

After appearing in several other movies in the same capacity, she played the titular character in the 1945 western drama ‘Salome, Where She Danced’. Her next important role was in ‘Song of Scheherazade’ in 1947, which though gave traction to her career, ended up typecasting her as an Arabian Nights-type temptress dressed in harem attire. Despite this stereotyping, she did significant work in comedy and western genres, and was part of the main cast of the 1960s sitcom ‘The Munsters’.

In 1957, she released her first and only album ‘Yvonne De Carlo Sings’. As she aged, she made a relatively easy transformation to being a character actor, active and compelling well into her 70s. De Carlo received two separate stars in 1960 on the Hollywood Walk of Fame for her contribution to films and television.










50 Candid Vintage Photographs of People With Their Cameras From the 1950s and 1960s

Photography was a popular hobby in the 1950s and '60s. Many people owned a basic camera, often a box Brownie, made by Kodak with which they would take snaps of their holidays and of family events.


The basic snapshot camera evolved through the 1950s and '60s. Kodak was a pioneer. Their Instamatic introduced in the early sixties freed people from fiddling with the roll film that had been the common format for the snapshot market.

At a more advanced level the 35mm film became the first choice for professionals and serious amateurs. The Japanese SLR camera almost completely took over the professional market by the end of the 1960s.

Many keen amateurs were moving from prints to 35mm slides in the '60s. The slide show became a popular after dinner party entertainment. Another technological innovation was taking the popular market by storm at the end of the sixties - instant cameras. The Polariod Swinger became a symbol of the decade.












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