Bring back some good or bad memories


April 24, 2016

Behind the Scenes at the Royal Wedding: Previously Unseen Candid Photographs From Charles and Diana’s Wedding

Dozen previously unpublished photos of the 1981 royal wedding were released for an auction back in September, 2015. These nostalgic pictures were taken by a relative and the only photographer who was allowed to take informal photographs of the royal family and their guests when they returned to the palace for the reception.

The princess' veil can be seen as she stands next to her new husband, the Prince of Wales, as royals gather in the Throne Room

With thousands of pearls and a 25ft train, Diana's wedding dress is carefully maneuvered into position for an official photograph

Prince Charles and Princess Diana are pictured enjoying their wedding reception at Buckingham Palace in July 1981

This behind-the-scenes shot shows the royal couple stepping out on to the balcony to greet thousands of well-wishers

Princess Diana is seen holding five-year-old Clementine Hambro, her youngest bridesmaid, as the Queen walks by her side





Segregated Water Fountains in North Carolina, 1950

This photograph was taken by Elliot Erwitt in 1950 in North Carolina, USA, and represents the injustice of segregation of black and white people in America during this time.

(Photo by Elliot Erwitt)

At the time the image was an example of how much things needed to change, now we see this photograph we can see how much times have changed and to reflect on the past. The interesting thing about this photograph is that we don’t necessarily need to know any background information. The photograph itself tells the story. The ‘white’ water fountain is visibly more luxurious than the ‘colored’. We can therefore see straight away that the image is simply evidence of controversial inequality. We can see on the man’s face him glancing almost longingly at the ‘white’ fountain.

Discrimination in America took a turn for the worse after the Civil War and segregation was becoming increasingly apparent. When the U.S. joined World War II, the southern society was fully segregated. Everything from schools, restaurants, hotels, train cars, waiting rooms, elevators, public bathrooms, colleges, hospitals, cemetery, swimming pools, drinking fountains, prisons, and even churches had separate areas for whites and blacks.

The civil rights movement enforced legislations and organized efforts to abolish the segregation of African Americans and other ethnic minorities between 1954-1968, 4 years after Elliot Erwitt took this photograph.




Apollo 11 Training – Interesting Pictures of the Astronauts Practicing the Moon Landing in 1969

Astronauts Neil Armstrong, Buzz Aldrin and Michael Collins had already spent months in training as the backup crew for Apollo 8 when, on Jan. 9, 1969, they were named as the crew for Apollo 11, the first mission to land men on the moon.

The three had six months to practice every action of their mission over and over again, from retrieving samples of the lunar surface to stepping on and off the ladder of the lunar module. Here's a collection of 16 interesting photographs capture their training on the fake lunar surface in 1969.

April 15, 1969. Neil Armstrong adjusts an S-band communications antenna in training exercises at the Manned Spacecraft Center in Houston, Texas.

April 15, 1969. The astronauts in training prepare to move a passive seismometer, which they will leave on the moon to record seismic activity.

April 15, 1969. Aldrin uses a scoop to collect "surface samples" while Armstrong takes pictures.

April 1969. The Apollo astronauts leave a spacecraft after a launch countdown test at Kennedy Space Center in Florida.

April 15, 1969. Armstrong leads Collins and Aldrin down a corridor to a launch countdown test.





April 23, 2016

Rare Photographs From the 'Like A Virgin' Cover Session Taken by Steven Meisel in 1984

Madonna released Like A Virgin, her second studio album, in November 1984. When her name, “Madonna,” first emerged on the music charts in the early '80s, many had only heard the name in reference to the Christian Mother of God. The original “Madonna” was the matriarchal symbol of Roman Catholicism and Western Christianity. Madonna the entertainer, however, who moved languidly and beguilingly through the canals of Venice, soon proved she was unlike this original female figure of purity and divinity.

The album Like A Virgin soon defined Madonna as the seminal 1980s pop star, as she symbolically entered the culture war debates of the 1980s (sex, feminism, and career women) and helped change a generation of young girls into sexually expressive adults and alerted woman to the dated ideologies of religion and gender norms. Women idolized the transformative transgressions of Madonna, a star who wanted to be in control of sexual identity and dictate the terms of her own erotic encounters.

The cover sleeve and images were shot by Steven Meisel, who would become a regular collaborator with Madonna, in a suite at the St. Regis Hotel. Madonna wanted the album title to make provocative link between her own religious name—Madonna as the Roman Catholic title for Jesus' mother Mary—and the Christian concept of the virgin birth. With the title song alluding to this concept, Madonna wanted the album cover to have mixed messages as well.












FOLLOW US:
FacebookTumblrPinterestInstagram

CONTACT US

Browse by Decades

Popular Posts

Advertisement