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Showing posts with label behind the scenes. Show all posts
Showing posts with label behind the scenes. Show all posts

September 22, 2021

The Amazing Story of Eddie Munster’s Kustom Chain-Link Bike From ‘The Munsters’ (1964)

Eddie Munster’s kustom chain-link bike built by famous customizer George Barris, who also built the Munster Koach and Grampa Munster’s coffin car: Dragula. The bicycle was never featured on the show, it was used by the child actor Butch Patrick to bike around Universal Studios backlot.


At one point during the show’s run George Barris came up with the idea that 11-year-old Butch Patrick, who played the series’ youngest character Eddie Munster, should also have a kustom-styled machine to ride around on. Barris thought it would be a fun thing to do for Butch  especially since the two of them got along so well together during his visits to the set. Butch was even invited by George to come over to the Barris kustom shop, where he was free to wander around and check out all the new projects.

George’s idea to make a kustom for Butch’s character Eddie Munster seemed like a great idea, especially since the Barris-made “Koach” and “Dragula” cars had been worth their weight in gold for appeal and publicity. This time around, though, it wasn’t going to be a spooky kustom car that would be made, but a spooky “kustom bicycle.” The bike that Barris proposed was not going to be any ordinary pedal-powered machine either, it was going be extraordinary. His expert team of specialists would see to that. A kustom bicycle for Eddie Munster had the potential to generate some good publicity; so, Barris gave the green light for the project to begin.

After Barris finalized the basic design concept it was decided that the main fabrication duties would be overseen by one of the shop’s most talented employees, Skip Barrett. The bike’s general specifications would be based around the popular 20-inch “high-rise” bikes available at the time, the Schwinn Stingray to be specific.

The outstanding feature of Eddie’s kustom bike would be its frame, which would be completely hand-made from lengths of welded steel chain, using Stingray frame tubes as a template. Of course some original Stingray frame components were used on the build, like the head tube, bottom bracket shell, rear dropouts, and a few inches of the seat post tube.

After getting the OK from Barris, Skip Barrett contacted the well-known fabricator and pin-striper Von Dutch, to see if he could do some of the fabrication work for the project. Von Dutch had done various jobs for the Barris shop over the years and seemed like the kind of guy who might be interested in an unusual project. Curiously, Von Dutch found the Eddie Munster chain bike project quite interesting, and immediately decided to sign onto the task of fabricating the chain link frame himself. Skip could not have been more pleased. In fact (as it turned out) the bike’s fabrication eventually wound up being a total collaborative effort between the two men.

Kool Components

The fork used on the Munster chain bike was a stock “Schwinn” unit, like the ones found on the Stingray “Super/Deluxe” model, (but with the chrome truss rods removed), and featured a small tassel hung off the spring bolt next to the rubber bumper.

The wheels were standard Stingray size (20”) with the rear sporting a “Sturmey-Archer” 3-speed hub (probably a S.A. “TriCoaster” model) controlled by a S.A. 3-speed trigger shifter mounted to the seat post.

The handlebars were standard “Wald” high-rise type, with a crossbar installed to serve as a mount for an antique bicycle lamp. A clear round “Plexiglas” windshield was mounted to the upper front section of the handlebars, and featured a spider web design- complete with spider. Arcing at the top of this windscreen was the hand-painted letters of Eddie’s name. Finishing off the handlebars were bright red Schwinn-type handle grips with tassels used for streamers, and a small looping bulb horn.

The seat was a plush banana-type  featuring black coffin-style upholstery and a decorative band of gold-colored trim running along its lower edge.  The sissy bar started off as stock 36-inch “Bill Mathews Corporation” unit, which was factory-made with a bent-back rounded top and a metal ring welded on about 8 inches above the seat mount holes. Von Dutch then gave it some additional metal work. Decorative elements were welded onto the tubes to give it an ornamental "creeping vine" type of effect, finished off with a coating of gold paint, the Chain Bike’s sissy bar was as wild as any seen on a chopper motorcycle. Mounted behind the seat was an antique brass tail lamp complete with a red lens. Finally, rounding off the rear of the bike was a chrome plated “Bill Mathews Corporation” nerf bar, similar in style to push bars seen on hot rods and dragsters, the nerf bar was bolt-mounted to the bottom axle holes of the sissy bar and covered the rear tire at the 10 o’clock position.


Rattling around at Universal Studios

When all these elements were put together it resulted in one of the wildest kustom bicycles made up to that point in time. Unfortunately, the bike never appeared in any episodes of The Munsters TV show. But as long as the series was being filmed, Butch Patrick had exclusive use of the chain bike to explore the back lots of Universal Studios. Between takes Butch would sometimes ride around on the bike in full costume- delighting everybody who saw him, and (supposedly) he even crashed the Chain Bike on at least one occasion.

Kids who watched The Munsters in the 1960s never got to see Eddie’s chain bike, and only a few insiders knew anything about the chain bike story until about ten years ago. Luckily, the bike itself has survived, along with a couple of vintage snapshots and a few documentation photos taken by Barris after the bike was completed. The main reason we know of the bike today is because a bicycle magazine (Lowrider Bicycle) ran an article on it back in the late 1990s, they managed to locate a few old photos of the chain bike and then speculated on what its significance was, effectively creating an origin myth for the lowrider bicycle movement.

The Chain Bike Survives

Barris eventually sold the bike a few years after The Munsters series stopped production. It wound up on display at Jim Brucker’s “Movieworld- Cars of the Stars” museum in California (where Von Dutch worked) sometime before 1973, and was eventually sold at auction in 1985. The bike has had a few different owners over the years, and is presently in the collection of a Munster aficionado living in the American West.




Although the bike is still essentially intact, it is now missing its windshield, head and tail lamps, and rear nerf bar. It appears that these parts were taken off the chain bike sometime in the late 1960s.

(This original story was published on That 70’s Page)




September 20, 2021

Photos of Mark Frechette and Daria Halprin During the Filming of ‘Zabriskie Point’ (1970)

Zabriskie Point is a 1970 American drama film directed by Michelangelo Antonioni and starring Mark Frechette, Daria Halprin, and Rod Taylor. It was widely noted at the time for its setting in the counterculture of the United States. Some of the film’s scenes were shot on location at Zabriskie Point in Death Valley.

The film was an overwhelming commercial failure, and was panned by most critics upon release. Its critical standing has increased, however, in the decades since. It has to some extent achieved cult status and is noted for its cinematography, use of music, and direction.

Following prolonged publicity and controversy in North America throughout its production, Zabriskie Point had its premiere at Walter Reade’s Coronet Theatre in New York City on February 5, 1970, almost four years after Antonioni began pre-production and over a year and a half after shooting began, before being generally released on February 9, 1970. Despite the explicit language and sexual content, the film received an R rating rather than an X, in a shift in the MPAA’s policy.

These vintage photos captured portraits of Mark Frechette and Daria Halprin together during the filming of Zabriskie Point.










September 8, 2021

20 Beautiful Photos of Silvia Monti During the Filming of ‘Le Cerveau’ in 1968

Born 1946 in Venice, Italian actress Silvia Monti is mostly known for the female lead role, Sofia Scannapieco, mafioso Frankie Scannapieco’s sister, in the 1969 Gérard Oury caper film Le Cerveau (aka The Brain). In the movie, she has a spectacular scene where she gets down from a balcony using a rope on a song by Caterina Caselli, Cento Giorni.


The film is about a second train robbery by the brain behind the Great Train Robbery of 1963. It was the most popular movie at the French box office in 1969.

Monti stopped her career in 1974. She is currently married to Carlo De Benedetti.

These beautiful photos were taken by Ron Galella that show portraits of Silvia Monti sighting on location filming Le Cerveau (The Brain) on August 28, 1968 in Paris, France.










September 5, 2021

40 Beautiful Photos of Anna Karina During the Filming of ‘Vivre sa vie’ (1962)

Vivre sa vie (My Life to Live) is a 1962 French New Wave drama film directed by Jean-Luc Godard. It was a turning point for Godard and remains one of his most dynamic films, combining brilliant visual design with a tragic character study.


The lovely Anna Karina, Godard’s greatest muse, plays Nana, a young Parisian who aspires to be an actress but instead ends up a prostitute, her downward spiral depicted in a series of discrete tableaux of daydreams and dances.

Featuring some of Karina and Godard’s most iconic moments—from her movie theater vigil with The Passion of Joan of Arc to her seductive pool-hall strut—Vivre sa vie is a landmark of the French New Wave that still surprises at every turn.

In the United Kingdom, Vivre sa vie was released under the title It’s My Life. It was shot over the course of four weeks for $40,000. The film was the fourth most popular movie at the French box office in its year of release. It won the Grand Jury Prize in 1962 Venice Film Festival.

These vintage photos captured beautiful portraits of Anna Karina during the filming of Vivre sa vie in 1962.










Behind the Scenes Photos of Anne Francis With Robby the Robot in a Promotion Shot for ‘Forbidden Planet’ (1956)

Forbidden Planet is a 1956 American science fiction film produced by Nicholas Nayfack, directed by Fred M. Wilcox and starring Walter Pidgeon, Anne Francis and Leslie Nielsen. Shot in Eastmancolor and CinemaScope, it is considered one of the great science fiction films of the 1950s, and a precursor of contemporary science fiction cinema.


Forbidden Planet pioneered several aspects of science fiction cinema. It was the first science fiction film to depict humans traveling in a faster-than-light starship of their own creation. It was also the first to be set entirely on another planet in interstellar space, far away from Earth. The Robby the Robot character is one of the first film robots that was more than just a mechanical “tin can” on legs; Robby displays a distinct personality and is an integral supporting character in the film.

For author George R.R. Martin, the best science-fiction film ever made remains MGM’s 1956 Forbidden Planet. He was about 8 years old when he first saw it at the DeWitt Theater in Bayonne, New Jersey. “It was amazing,” Martin recalled. “At that time the big difference between science fiction in print and in movies was that science-fiction films were stupid. But Forbidden Planet got much of it right ... the special effects were state-of-the-art for the time. Robby the Robot was incredible. I’ve seen it over 100 times since.”










August 25, 2021

40 Amazing Behind the Scenes Photos From the Making of ‘A Nightmare on Elm Street 5: The Dream Child’

A Nightmare on Elm Street 5: The Dream Child is a 1989 American gothic slasher film directed by Stephen Hopkins and written by Leslie Bohem. It is the fifth installment in the A Nightmare on Elm Street franchise, and stars Lisa Wilcox, and Robert Englund as Freddy Krueger. The film follows Krueger, using a now pregnant Alice Johnson’s baby’s dreams to claim new victims.

The film’s general tone is much darker than that of the previous films. A blue filter lighting technique is used in most of the scenes. It is one of the final slasher films released in the 1980s.

The Dream Child was released on August 11, 1989, and grossed $22.1 million on a budget of $8 million, a steep decline in box office receipts from Dream Warriors and The Dream Master, while still a box office success and the highest grossing slasher film of 1989. It received mostly negative reviews from critics.

The film was followed by Freddy’s Dead: The Final Nightmare (1991).










August 23, 2021

40 Beautiful Portrait Photos of Clara Bow During the Filming of ‘Call Her Savage’ (1932)

Call Her Savage is a 1932 pre-Code drama film directed by John Francis Dillon and starring Clara Bow. The film was Bow’s second-to-last film role. It is also one of the first portrayals of homosexuals on screen, including a scene in a gay bar.


The Film Daily praised Bow’s performance, writing “Looking like a million dollars, acting better than she ever did, and playing a role that requires her to pretty near run the gamut of feminine moods and modes, Clara Bow makes a whirlwind comeback.”

The film attracted an audience of over 900,000 when it was showcased in 42 first-run cities. It was restored in 2012 by the Museum of Modern Art and premiered at the third annual Turner Classic Movies Film Festival in Hollywood.

These beautiful photos captured portrait of Clara Bow during the filming of Call Her Savage in 1932.










August 16, 2021

Anne Francis Wearing Aviary Earrings With Real Budgies in ‘Forbidden Planet’ (1956)

Anne Francis is best remembered mainly due to the lyrics “Anne Francis stars in Forbidden Planet \ Oh-oh at the late night, double-feature, picture show”, which were sung over the opening credits of The Rocky Horror Picture Show (1975), and for the cult science-fiction movie to which they refer, Forbidden Planet (1956).

The only woman in the cast of Forbidden Planet, Francis had a sprightly charm and a wide-eyed child-like innocence as Altaira, the space-age Miranda in the transposition of Shakespeare’s The Tempest to a distant planet.







24 Publicity Photos of Julie Newmar as Catwoman in ‘Batman’ TV Series (1966–1968)

The Catwoman is one Batman’s earliest comic book adversaries, initially appearing in Batman #1 (Spring 1940), and became the best-known and most frequently seen Batman villain. Catwoman is one of Gotham City’s most prominent villains appearing in 15 episodes (12 of which are Julie Newmar).


Julie Newmar taking the role:
“I had lived in New York at the time on Beekman Place, I remember it was a weekend, Friday or Saturday, and my brother had come down from Harvard with five or six of his friends, and we were all sitting around the sofa, just chatting away, when the phone rang. I got up and answered it , and it was the agent or someone in Hollywood, who said, Miss Newmar, would you like to play the Catwoman on the Batman series? They are casting it out here. I was insulted because he said it starts Monday. I said ‘What is this?’ 
“That’s how television is done: they never know what the are doing until yesterday. My brother leapt off the sofa. I mean he physically levitated and said BATMAN! that’s our favorite show at Harvard. We all quit our classes and quit our studies and run into the TV room and watch the show. I said , ‘They want me to play Catwoman.’ He said DO IT! So I said ‘O.K. I’ll do it.’”
Julie’s first roles in film and television were typically uncredited dance roles in the 1950s, her first credited role was playing one of the brides in the 1954 film Seven Brides for Seven Brothers. Her first appearance on Broadway came in 1955 production of Silk Stockings. Before appearing on Batman in 1966 she made appearances in TV series such as; Route 66 (1962), The Twilight Zone (1963) and My Living Doll (1965).

After being Catwoman on the first two seasons of Batman (1966-1967), Julie continued to appear on film and TV (mostly guest star appearances) throughout the 1970s and 1980s.

Julie returned to Batman related productions for the 2003 TV movie Return to the Batcave and the animated 2016 movie Batman: Return of the Caped Crusaders.

“Cats are sleek, cats are fast. Cats are… well… they aren’t mean their just wiley. And they will grab your attention in the most seductive way.” – Newmar










August 15, 2021

Photos of the Cast of ‘Welcome Back, Kotter’ (1975)

Welcome Back, Kotter is an American sitcom starring Gabe Kaplan as a high school teacher in charge of a racially and ethnically diverse remedial class called the “Sweathogs”. Recorded in front of a live studio audience, it originally aired on ABC from September 9, 1975, to May 17, 1979.

The show enjoyed ratings success during its first two seasons, spawning a host of merchandising tie-ins, including lunchboxes, dolls, trading cards, comic books, novels, and even a board game, advertised as “The ‘Up Your Nose With A Rubber Hose’ Game” in a commercial with a class full of Sweathog look-alikes featuring Steve Guttenberg as Barbarino and Thomas Carter as Boom Boom Washington.

In 2010, the cast, including Gabe Kaplan, Marcia Strassman, John Travolta, Robert Hegyes, Lawrence Hilton-Jacobs, and Ellen Travolta were honored at the TV Land Award ceremonies. Co-star Ron Palillo was not in attendance.

Here is a set of intimate photos that shows portraits of the cast of Welcome Back, Kotter.












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