The Second World War left Japan scarred and broken. A new show charts its recovery in the decades after Hiroshima, as street urchins gave way to student protests and modernity. These amazing photographs were taken by Japanese photographer Takeyoshi Tanuma.
Tanuma graduated from the Tokyo Photographic College in 1949 and then joined the magazine Sun News Photos, where he met and apprenticed under Ihee Kimura. In 1953, he began working as a contract photographer with the Shinchosha publishing house and became a contributor for several magazines, including Geijutsu Shincho.
From 1965 to 1972, he became a stringer for Life magazine. In 1984 he accompanied the UNICEF Goodwill Ambassador, the actress Tetsuko Kuroyanagi, around the world taking photographs of children in need. Children are central to Tanuma’s social documentary work as they are a “mirror reflecting their own society”.
In 1995 he was offered a professorship at the Tokyo College of Photography and in the same year he became president of the Japan Professional Photographers’ Society (JPS). In 2004, a retrospective of his works, Human Symphony, was shown at the Tokyo Metropolitan Museum of Photography.
Tanuma graduated from the Tokyo Photographic College in 1949 and then joined the magazine Sun News Photos, where he met and apprenticed under Ihee Kimura. In 1953, he began working as a contract photographer with the Shinchosha publishing house and became a contributor for several magazines, including Geijutsu Shincho.
From 1965 to 1972, he became a stringer for Life magazine. In 1984 he accompanied the UNICEF Goodwill Ambassador, the actress Tetsuko Kuroyanagi, around the world taking photographs of children in need. Children are central to Tanuma’s social documentary work as they are a “mirror reflecting their own society”.
In 1995 he was offered a professorship at the Tokyo College of Photography and in the same year he became president of the Japan Professional Photographers’ Society (JPS). In 2004, a retrospective of his works, Human Symphony, was shown at the Tokyo Metropolitan Museum of Photography.
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It doesn't show much rubble.
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