The Rolling Stones embarked on their 1972 American tour to support the release of Exile on Main Street– which in and of itself was a push into new territory for the band, both musically and commercially. What followed rewrote the game for The Stones and the music industry, and basically set the stage for a decade of big, balls-out tours that went from being simple promotional vehicles the pop culture events. Nothing like this had been done in Rock ‘n’ Roll prior and all subsequent tours would follow the ’72 tour blueprint for scale, attempted musicality, logistics, legal entanglements, drugs, women, hilarity, hangers-on, and general debauchery. (via)
These glass slides were taken by the Russian-born photographer Serge Vargassoff (1906-1965) who established himself as a professional photographer, at the age of 20, in Peking (Beijing), China and became a long-term resident of the city. Later he established a studio 'Serge Vargassoff Photography' at 3A Wyndham Street Hong Kong, as well as working at "Gainsborough Studio, Morning Post Building, Hong Kong". Vargassoff was well known to Hedda Hammer Morrision. Hedda Morrison writes fondly of Vargassoff in her book, A Photographer in Old Peking (1985), "[Serge Vargassoff] was an excellent, though not very businesslike, photographer. We enjoyed a firm friendship and it was he who brought me the news of the Japanese surrender - and a bottle of vodka with which to celebrate the event."
|Wulong Ting (Five-Dragon-Pavilion) in Beihai Park|
|The wall of Tuan Cheng (Circular City) in Beihai Park|
|The Stone Pailou (Gateway) in Zhongshan Park|
|A glazed gateway with a pavilion in Beihai Park|
These structures were commissioned by former Yugoslavian president Josip Broz Tito in the 1960s and 70s to commemorate sites where WWII battles took place, or where concentration camps stood. They were designed by different sculptors and architects, conveying powerful visual impact to show the confidence and strength of the Socialist Republic.